Sign in or register
for additional privileges

Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author
Space, page 8 of 36
Previous page on path     Next page on path

 

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Space, Page 152

The Fleischer Song Car-Tune My Old Kentucky Home (1924) frames Stephen Foster's minstrelesque lyrics in the pleasures of a group sing-along, linking racial fantasies to nostalgia and sentimentality. 

I've Got Rings on my Fingers (1929) illustrates a popular song about a castaway Irish man named Jim O'Shea, who has been accepted/crowned by "natives" and writes home to his love to come join him as queen. The sing-along segment of this cartoon features "black" dancers performing in a manner resembling a minstrel act. 

When It's Sleepy Time Down South (1932) features the Boswell Sisters depicts the Great Migration, and involves racist fantasies of Southern life and social relationships. The song works to evoke a deep nostalgia for a peaceful bygone era, even among listeners with no connection to the South.

Popular attractions at the time of their release, these cartoons produced nostalgia through audience engagement, recalling vaudeville and silent cinema, and romanticized segregation and slavery. 




Comment on this page
  • Local Discussion
    •
  • Popout
    •
 

Discussion of "Space, Page 152"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Space, page 8 of 36 Next page on path
Max Fleischer    Dave Fleischer    Sound    Black and White    Sing-Along    1920s    1930s    Cartoons

Related:  Performance, Page 76,  Race, Page 235,  Space, Page 146,  Conclusion, Page 298,  Conclusion, Page 290,  Labor, Page 123,  Race, Page 252,  Race, Page 213,  Labor, Page 132,  Space, Page 175,  Race, Page 232,  Space, Page 177,  Introduction, Page 21,  Labor, Page 88,  Performance, Page 54,  Space, Page 181,  Labor, Page 101,  Race, Page 206,  Conclusion, Page 292,  Performance, Page 47,  Race, Page 204,  Introduction, Page 2,  Conclusion, Page 268,  Race, Page 254,  Space, Page 194,  Labor, Page 128,  Space, Page 184,  Performance, Page 72,  Space, Page 187,  Space, Page 178,  Space, Page 155,  Race, Page 219,  Labor, Page 112,  Space, Page 191,  Race, Page 221,  Performance, Page 50,  Conclusion, Page 286,  Space, Page 172,  Race, Page 229,  Race, Page 258,  Race, Page 225,  Race, Page 231,  Introduction, Page 23,  Performance, Page 70,  Race, Page 239,  Performance, Page 34,  Space, Page 193,  Space, Page 143,  Space, Page 195,  Space, Page 182,  Space, Page 148,  Performance, Page 52,  Labor, Page 129,  Race, Page 220,  Space, Page 138,  Labor, Page 109,  Space, Page 189,  Space, Page 141,  Conclusion, Page 300,  Space, Page 169,  Race, Page 248,  Labor, Page 122,  Performance, Page 82,  Conclusion, Page 296,  Space, Page 188,  Space, Page 165,  Race, Page 224,  Conclusion, Page 304,  Space, Page 197,  Race, Page 251,  Labor, Page 98,  Performance, Page 35,  Space, Page 171,  Introduction, Page 29,  Race, Page 261,  Labor, Page 97,  Conclusion, Page 291,  Space, Page 183,  Labor, Page 133,  Introduction, Page 14,  Space, Page 166,  Labor, Page 93,  Labor, Page 110,  Race, Page 230,  Race, Page 253,  Performance, Page 45,  Space, Page 137,  Space, Page 159,  Space, Page 163,  Conclusion, Page 289,  Labor, Page 119,  Space, Page 150,  Labor, Page 131,  Space, Page 190,  Labor, Page 102,  Labor, Page 96,  Space, Page 162,  Performance, Page 84,  Performance, Page 60,  Conclusion, Page 302,  Space, Page 170,  Performance, Page 46,  Introduction, Page 6,  Performance, Page 74,  Introduction, Page 30,  Labor, Page 113,  Race, Page 242,  Race, Page 247,  Performance, Page 77,  Space, Page 156,  Performance, Page 42,  Performance, Page 44