Sign in or register
for additional privileges

Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author
Space, page 7 of 36
Previous page on path     Next page on path

 

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Space, Page 150

Many animation studios played with moving between the drawn world and the live.

Sullivan Studio's Felix Saves the Day (1922) depicts a white baseball team playing against a black team, intercut with live footage of a crowd at a baseball game. And its Comicalamities (1928) features Felix transforming himself, and his environment, all with the help of the animator's hand. 

Dinky Doodle's Bedtime Story (1926) has the animated character Dinky escaping from the "real" world into an animated screen to chase after Mary and her little lamb. 

Walter Lantz's Petering Out (1927) opens a tug of war between Pete the Pup and Lantz. In this short, the line between the two worlds blurs as Pete throws pieces of drawn wallpaper into the live world, magically transforming them into a 3-D bridge. 

In Has Anyone Here Seen Kelly? (1926), Koko the Clown leads his Koko Kwartet through a rendition of a British music hall song about an Irish girl who gets lost in New York and tries to find her boyfriend, Kelly. The main animated segment features Koko assembling his "Kwartet". The rest is done in sing-along fashion, with an animated "bouncing ball" guiding the audience through the lyrics. This technique hearkens back to vaudeville, which sometimes encouraged audience participation. 

Comment on this page
  • Local Discussion
    •
  • Popout
    •
 

Discussion of "Space, Page 150"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Space, page 7 of 36 Next page on path
Cartoons    Out of the Inkwell    Moving Image    Felix the Cat    Silent    1920s    Sound    Black and White    Sing-Along    With Live Characters (Animators)    Bray/Goldwyn    Otto Messmer

Related:  Space, Page 172,  Race, Page 225,  Race, Page 231,  Space, Page 162,  Race, Page 206,  Performance, Page 35,  Space, Page 190,  Race, Page 239,  Conclusion, Page 304,  Conclusion, Page 303,  Performance, Page 74,  Space, Page 189,  Race, Page 229,  Conclusion, Page 273,  Space, Page 191,  Performance, Page 50,  Space, Page 194,  Performance, Page 84,  Introduction, Page 30,  Conclusion, Page 291,  Performance, Page 72,  Space, Page 197,  Space, Page 152,  Labor, Page 122,  Introduction, Page 29,  Race, Page 258,  Race, Page 261,  Race, Page 247,  Space, Page 178,  Race, Page 235,  Labor, Page 88,  Labor, Page 133,  Performance, Page 54,  Space, Page 183,  Conclusion, Page 298,  Introduction, Page 6,  Race, Page 254,  Conclusion, Page 289,  Labor, Page 132,  Race, Page 253,  Space, Page 146,  Space, Page 138,  Labor, Page 110,  Performance, Page 46,  Conclusion, Page 302,  Space, Page 175,  Conclusion, Page 290,  Labor, Page 128,  Performance, Page 52,  Performance, Page 45,  Labor, Page 112,  Race, Page 224,  Race, Page 220,  Labor, Page 109,  Introduction, Page 2,  Race, Page 232,  Race, Page 230,  Performance, Page 41,  Space, Page 148,  Performance, Page 47,  Conclusion, Page 296,  Conclusion, Page 275,  Introduction, Page 23,  Performance, Page 60,  Labor, Page 102,  Space, Page 193,  Space, Page 163,  Conclusion, Page 300,  Labor, Page 98,  Labor, Page 123,  Performance, Page 42,  Conclusion, Page 286,  Conclusion, Page 292,  Space, Page 177,  Introduction, Page 14,  Race, Page 221,  Space, Page 181,  Space, Page 165,  Race, Page 248,  Performance, Page 34,  Performance, Page 44,  Race, Page 252,  Space, Page 156,  Performance, Page 80,  Labor, Page 101,  Space, Page 159,  Labor, Page 119,  Labor, Page 115,  Space, Page 169,  Space, Page 187,  Race, Page 251,  Labor, Page 129,  Space, Page 182,  Performance, Page 70,  Conclusion, Page 284,  Performance, Page 76,  Space, Page 188,  Race, Page 204,  Labor, Page 113,  Introduction, Page 4,  Introduction, Page 21,  Space, Page 195,  Space, Page 143,  Performance, Page 82,  Race, Page 242,  Space, Page 155,  Labor, Page 93,  Space, Page 141,  Space, Page 166,  Performance, Page 77,  Race, Page 213,  Conclusion, Page 268,  Space, Page 184,  Performance, Page 43,  Introduction, Page 1,  Space, Page 170,  Conclusion, Page 278