Sign in or register
for additional privileges

Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author
Space, page 25 of 36

 

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Space, Page 183

Even as minstrelsy was practiced on radio and television in series like "Two Black Crows" and Amos 'n' Andy, popular films towards the end of the 30s and 40s tended to locate blackface nostalgically, as a form from the distant past.

Such is the case for films such as Babes in Arms (1939), Holiday Inn (1941) and The Minstrel Man (1944), the last of which features a revival show reuniting father and daughter. In this film, blackface is represented as a "mask", supporting a plotline involving hidden identity, secrecy and the awaited reunion.
Comment on this page
 

Discussion of "Space, Page 183"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Space, page 25 of 36 Next page on path

Related:  Space, Page 190Space, Page 138Space, Page 170Race, Page 229Performance, Page 44Conclusion, Page 286Space, Page 195Performance, Page 77Introduction, Page 1Performance, Page 72Race, Page 213Space, Page 178Space, Page 143Race, Page 258Introduction, Page 4Race, Page 224Space, Page 165Race, Page 204Introduction, Page 29Space, Page 191Introduction, Page 30Labor, Page 112Space, Page 193Race, Page 225Space, Page 162Introduction, Page 14Conclusion, Page 289Space, Page 187Race, Page 232Performance, Page 46Race, Page 251Performance, Page 52Space, Page 137Space, Page 182Conclusion, Page 284Labor, Page 109Race, Page 230Conclusion, Page 278Performance, Page 42Space, Page 175Race, Page 253Performance, Page 60Labor, Page 113Conclusion, Page 273Introduction, Page 21Race, Page 248Race, Page 239Race, Page 252Performance, Page 34Race, Page 221Space, Page 163Race, Page 261Space, Page 150Conclusion, Page 296Labor, Page 122Space, Page 184Introduction, Page 23Space, Page 141Introduction, Page 2Labor, Page 129Conclusion, Page 275Introduction, Page 6Labor, Page 88Conclusion, Page 302Space, Page 172Labor, Page 98Introduction, Page 16Conclusion, Page 303Performance, Page 41Race, Page 206Space, Page 188Space, Page 197Labor, Page 132Race, Page 247Race, Page 220Race, Page 231Performance, Page 43Space, Page 177Space, Page 152Performance, Page 40Conclusion, Page 298Labor, Page 110Performance, Page 84Labor, Page 123Performance, Page 35Space, Page 181Conclusion, Page 300Space, Page 194Space, Page 148Introduction, Page 15Race, Page 219Conclusion, Page 290Race, Page 254Conclusion, Page 304Space, Page 189Performance, Page 82Performance, Page 50Labor, Page 133Performance, Page 47Conclusion, Page 291Space, Page 155Race, Page 235Performance, Page 54Labor, Page 119Conclusion, Page 292Labor, Page 128Performance, Page 74Space, Page 146Labor, Page 131Performance, Page 45Space, Page 171