Sign in or register
for additional privileges

Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Labor, Page 98

In Ko-Ko Needles The Boss (1927), a rotoscoped Dave Fleischer as Ko-Ko the Clown does a battle with Ko-Ko's putative creator, Max Fleischer

At first, the Fleischer studio managed with only ten additional workers. Though its staff expanded in 1923, the Fleischers continued to perform the labor of animation on screen as the product of a lone craftsman, usually Dave or Max. Workplace tensions between artists and managers were often expressed on screen as a struggle between the producer and the product regularly in early cartoons, as animated images or characters drawn by artists constantly threatened to escape the drawn world and create havoc in the world of the animator. 
Comment on this page
 

Discussion of "Labor, Page 98"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Labor, page 5 of 21 Next page on path

Related:  Space, Page 181Conclusion, Page 290Performance, Page 54Performance, Page 52Conclusion, Page 304Space, Page 175Space, Page 152Performance, Page 77Race, Page 220Conclusion, Page 302Race, Page 230Space, Page 155Space, Page 193Race, Page 253Space, Page 138Introduction, Page 6Performance, Page 41Race, Page 254Race, Page 224Race, Page 231Labor, Page 113Space, Page 148Introduction, Page 2Space, Page 189Labor, Page 132Race, Page 258Performance, Page 50Race, Page 242Performance, Page 82Labor, Page 109Race, Page 206Performance, Page 34Labor, Page 88Labor, Page 110Space, Page 165Race, Page 239Labor, Page 119Performance, Page 74Performance, Page 47Race, Page 235Labor, Page 129Performance, Page 70Labor, Page 123Conclusion, Page 291Space, Page 182Space, Page 156Space, Page 162Space, Page 150Space, Page 183Labor, Page 112Space, Page 188Labor, Page 96Space, Page 146Race, Page 221Performance, Page 45Space, Page 190Space, Page 187Space, Page 172Conclusion, Page 303Introduction, Page 4Performance, Page 46Race, Page 225Labor, Page 93Labor, Page 133Space, Page 197Race, Page 251Space, Page 177Introduction, Page 14Race, Page 261Introduction, Page 21Race, Page 204Performance, Page 76Introduction, Page 29Conclusion, Page 289Race, Page 232Labor, Page 128Space, Page 143Performance, Page 42Performance, Page 35Space, Page 170Conclusion, Page 273Performance, Page 84Conclusion, Page 298Conclusion, Page 300Conclusion, Page 296Space, Page 141Conclusion, Page 286Space, Page 169Labor, Page 122Race, Page 247Conclusion, Page 292Space, Page 159Conclusion, Page 275Space, Page 195Performance, Page 72Race, Page 229Space, Page 191Performance, Page 44Labor, Page 101Race, Page 252Space, Page 178Conclusion, Page 284Introduction, Page 30Introduction, Page 1Space, Page 194Race, Page 248Space, Page 163Conclusion, Page 278Race, Page 213Performance, Page 43Introduction, Page 23Labor, Page 102Performance, Page 60Space, Page 166Space, Page 184Conclusion, Page 268Labor, Page 97