Sign in or register
for additional privileges

Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author
Conclusion, page 14 of 19
Previous page on path     Next page on path

 

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Conclusion, Page 298

In Petering Out (1927), Walter Lantz and Pete the Pup struggle for control of the scene. Animation's inherent violence did not end with the expulsion of the animator's hand from the screen. Instead, it turned inwards, appearing as the trope of the comic duo, borrowed from vaudeville. From Tambo and Bones, to Walter Lantz and Pete the Pup, to Max Fleischer and Ko-Ko, to Daffy and Porky, Bugs and Elmer, Tom and Jerry, even as it changed with the times this trope continued, and characters engaged in a perpetual struggle. 

The theme song from  The Itchy and Scratchy Show—the cartoon within a cartoon of The Simpsons—sums up this struggle perfectly.
Comment on this page
  • Local Discussion
    •
  • Popout
    •
 

Discussion of "Conclusion, Page 298"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Conclusion, page 14 of 19 Next page on path
Walter Lantz    Pete the Pup    Cartoons    1920s    Sound    Moving Image    Sound    Black and White    With Live Characters (Animators)

Related:  Race, Page 229,  Space, Page 165,  Space, Page 183,  Introduction, Page 14,  Performance, Page 46,  Space, Page 175,  Race, Page 254,  Performance, Page 45,  Conclusion, Page 278,  Performance, Page 35,  Space, Page 188,  Space, Page 162,  Conclusion, Page 284,  Performance, Page 70,  Labor, Page 98,  Race, Page 258,  Performance, Page 52,  Race, Page 225,  Introduction, Page 23,  Space, Page 177,  Race, Page 204,  Introduction, Page 4,  Performance, Page 77,  Performance, Page 54,  Conclusion, Page 304,  Introduction, Page 1,  Performance, Page 50,  Space, Page 197,  Labor, Page 88,  Introduction, Page 6,  Race, Page 206,  Performance, Page 74,  Race, Page 252,  Performance, Page 42,  Space, Page 184,  Labor, Page 128,  Space, Page 143,  Race, Page 232,  Race, Page 221,  Labor, Page 110,  Conclusion, Page 292,  Space, Page 187,  Introduction, Page 21,  Labor, Page 119,  Performance, Page 41,  Race, Page 220,  Performance, Page 72,  Race, Page 230,  Race, Page 253,  Race, Page 224,  Race, Page 213,  Conclusion, Page 302,  Space, Page 146,  Space, Page 152,  Performance, Page 47,  Conclusion, Page 300,  Introduction, Page 29,  Space, Page 156,  Labor, Page 129,  Labor, Page 123,  Performance, Page 82,  Space, Page 141,  Space, Page 193,  Space, Page 190,  Performance, Page 34,  Space, Page 178,  Space, Page 194,  Space, Page 172,  Introduction, Page 2,  Race, Page 231,  Conclusion, Page 290,  Labor, Page 132,  Space, Page 138,  Race, Page 261,  Space, Page 189,  Space, Page 150,  Conclusion, Page 296,  Labor, Page 113,  Space, Page 155,  Performance, Page 44,  Race, Page 239,  Labor, Page 102,  Labor, Page 93,  Space, Page 182,  Conclusion, Page 286,  Space, Page 196,  Introduction, Page 16,  Labor, Page 133,  Race, Page 247,  Labor, Page 101,  Space, Page 181,  Space, Page 148,  Race, Page 251,  Race, Page 248,  Space, Page 163,  Space, Page 159,  Performance, Page 84,  Labor, Page 109,  Race, Page 242,  Race, Page 235,  Performance, Page 76,  Race, Page 219,  Space, Page 195,  Labor, Page 122,  Labor, Page 112,  Conclusion, Page 289,  Conclusion, Page 291,  Space, Page 170,  Performance, Page 43,  Space, Page 191,  Introduction, Page 30,  Conclusion, Page 273,  Space, Page 166,  Performance, Page 60,  Conclusion, Page 303,  Space, Page 169,  Conclusion, Page 275,  Conclusion, Page 268