Sign in or register
for additional privileges

Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author
Conclusion, page 13 of 19
Previous page on path     Next page on path

 

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Conclusion, Page 292

Realizing that he is about to suffer mightily, Elmer Fudd looks imploringly toward his audience in What's Opera Doc? (1957). The violent humiliation that is visited upon cartoon characters' bodies is ritualized, produced over and over again as a celebration of its ability completely dominate its environment and its creations. The horror and violence are necessary for the slapstick to work. As the characters plead for sympathy from the viewer, their pleas are denied, more violence is inflicted on their bodies, and...we laugh.
Comment on this page
  • Local Discussion
    •
  • Popout
    •
 

Discussion of "Conclusion, Page 292"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Conclusion, page 13 of 19 Next page on path
Color    Chuck Jones    Warner Bros    Bugs Bunny    1950s    Elmer Fudd    Cartoons    Moving Image    Sound

Related:  Space, Page 172,  Space, Page 190,  Labor, Page 123,  Space, Page 189,  Race, Page 258,  Conclusion, Page 304,  Race, Page 220,  Conclusion, Page 296,  Conclusion, Page 298,  Race, Page 248,  Conclusion, Page 302,  Space, Page 187,  Race, Page 253,  Space, Page 162,  Race, Page 254,  Space, Page 184,  Space, Page 178,  Introduction, Page 6,  Conclusion, Page 300,  Conclusion, Page 286,  Space, Page 193,  Labor, Page 133,  Race, Page 224,  Performance, Page 70,  Race, Page 261,  Race, Page 204,  Race, Page 251,  Space, Page 182,  Conclusion, Page 273,  Introduction, Page 2,  Labor, Page 109,  Race, Page 232,  Conclusion, Page 291,  Race, Page 239,  Labor, Page 129,  Space, Page 165,  Performance, Page 54,  Space, Page 150,  Labor, Page 110,  Labor, Page 113,  Race, Page 231,  Space, Page 175,  Labor, Page 122,  Space, Page 152,  Space, Page 148,  Race, Page 206,  Race, Page 235,  Performance, Page 34,  Introduction, Page 21,  Labor, Page 128,  Space, Page 197,  Introduction, Page 14,  Introduction, Page 29,  Space, Page 194,  Performance, Page 50,  Race, Page 221,  Race, Page 247,  Conclusion, Page 289,  Labor, Page 101,  Space, Page 177,  Performance, Page 46,  Performance, Page 47,  Space, Page 138,  Race, Page 252,  Space, Page 146,  Space, Page 181,  Space, Page 141,  Performance, Page 60,  Performance, Page 74,  Labor, Page 119,  Labor, Page 88,  Space, Page 143,  Performance, Page 35,  Space, Page 188,  Performance, Page 52,  Performance, Page 72,  Introduction, Page 4,  Performance, Page 84,  Race, Page 230,  Labor, Page 132,  Labor, Page 112,  Race, Page 213,  Space, Page 155,  Race, Page 229,  Space, Page 183,  Conclusion, Page 278,  Conclusion, Page 275,  Conclusion, Page 284,  Performance, Page 77,  Race, Page 225,  Conclusion, Page 290,  Introduction, Page 23,  Labor, Page 98,  Performance, Page 41,  Space, Page 191,  Space, Page 163,  Performance, Page 42,  Performance, Page 45,  Performance, Page 43,  Performance, Page 82,  Space, Page 170,  Introduction, Page 30,  Introduction, Page 1,  Conclusion, Page 303