Sign in or register
for additional privileges

Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author
Space, page 6 of 36
Previous page on path     Next page on path

 

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Space, Page 148

In Vaudeville (1926), Max Fleischer performs a quick-change act, becoming in succession a Native American man, a Jewish woman, an African American man, a dandy in a monocle, and finally a rabbi, proving to Ko-Ko that he is the better magician. 

Throughout their many cartoons, the Fleischers' central gag was having Max draw Ko-Ko, only to have the character escape the drawn world to wreak havoc in the live cinematic world. By the end, as always, Ko-Ko was always returned to the inkwell. 

Comment on this page
  • Local Discussion
    •
  • Popout
    •
 

Discussion of "Space, Page 148"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Space, page 6 of 36 Next page on path
Black and White    With Live Characters (Animators)    Ko-Ko the Clown    Vaudeville    Cartoons    Moving Image    Sound

Related:  Race, Page 247,  Space, Page 152,  Race, Page 254,  Performance, Page 47,  Race, Page 261,  Performance, Page 74,  Space, Page 141,  Introduction, Page 2,  Space, Page 146,  Conclusion, Page 289,  Labor, Page 129,  Conclusion, Page 290,  Performance, Page 44,  Introduction, Page 1,  Race, Page 221,  Race, Page 229,  Conclusion, Page 304,  Space, Page 194,  Performance, Page 45,  Race, Page 248,  Space, Page 143,  Race, Page 206,  Race, Page 235,  Labor, Page 98,  Labor, Page 113,  Space, Page 155,  Space, Page 193,  Performance, Page 84,  Space, Page 190,  Space, Page 182,  Introduction, Page 6,  Labor, Page 119,  Race, Page 225,  Conclusion, Page 298,  Conclusion, Page 286,  Introduction, Page 29,  Race, Page 239,  Race, Page 253,  Space, Page 150,  Space, Page 197,  Space, Page 188,  Performance, Page 54,  Labor, Page 112,  Labor, Page 96,  Labor, Page 109,  Performance, Page 42,  Space, Page 187,  Space, Page 172,  Race, Page 230,  Space, Page 175,  Conclusion, Page 278,  Labor, Page 88,  Conclusion, Page 296,  Conclusion, Page 275,  Race, Page 252,  Labor, Page 122,  Performance, Page 50,  Labor, Page 133,  Labor, Page 101,  Performance, Page 77,  Space, Page 162,  Race, Page 258,  Labor, Page 123,  Race, Page 231,  Introduction, Page 21,  Space, Page 181,  Race, Page 224,  Performance, Page 72,  Space, Page 178,  Space, Page 170,  Race, Page 204,  Space, Page 163,  Introduction, Page 14,  Performance, Page 46,  Conclusion, Page 302,  Space, Page 183,  Conclusion, Page 284,  Performance, Page 82,  Performance, Page 43,  Labor, Page 110,  Space, Page 165,  Space, Page 156,  Race, Page 251,  Conclusion, Page 292,  Performance, Page 52,  Conclusion, Page 291,  Space, Page 166,  Conclusion, Page 300,  Race, Page 220,  Performance, Page 35,  Space, Page 189,  Conclusion, Page 303,  Space, Page 177,  Labor, Page 128,  Race, Page 232,  Race, Page 213,  Labor, Page 132,  Space, Page 138,  Performance, Page 41,  Labor, Page 126,  Introduction, Page 4,  Space, Page 184,  Performance, Page 34,  Performance, Page 70,  Performance, Page 60,  Introduction, Page 30,  Space, Page 191,  Labor, Page 115,  Introduction, Page 23,  Conclusion, Page 273