Sign in or register
for additional privileges

Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author
Race, page 18 of 25
Previous page on path     Next page on path

 

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Race, Page 248

In Rabbit Punch (1948) Bugs Bunny intentionally destroys the film he occupies. Even though many cartoon characters insist on their ontological status as a real objects, they are produced and restrained by the animator's hand.

This Bugs Bunny short features the waskally wabbit boxing a palooka who is clearly the better man. Eventually, Bugs turns to animation's play with the boundaries between the drawn and the real world, actually deforming and destroying the film on which he is being beaten. This impossible strategy marks an important difference between early and later animation. Where early characters might have actually attempted to leave the frame for the live cinematic or real worlds, with the coming of sound and the enclosure of cinematic space, 'toons were trapped in the frame could only refer to that rebellion.
Comment on this page
  • Local Discussion
    •
  • Popout
    •
 

Discussion of "Race, Page 248"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Race, page 18 of 25 Next page on path
1940s    Color    Warner Bros    Bugs Bunny    Cartoons    Moving Image    Sound

Related:  Space, Page 190,  Race, Page 247,  Space, Page 163,  Introduction, Page 29,  Labor, Page 128,  Race, Page 235,  Labor, Page 88,  Performance, Page 72,  Race, Page 254,  Performance, Page 40,  Race, Page 258,  Race, Page 204,  Labor, Page 110,  Space, Page 175,  Race, Page 224,  Space, Page 182,  Conclusion, Page 304,  Race, Page 251,  Introduction, Page 14,  Labor, Page 123,  Race, Page 252,  Conclusion, Page 275,  Space, Page 189,  Space, Page 181,  Labor, Page 112,  Space, Page 193,  Space, Page 194,  Space, Page 146,  Race, Page 221,  Space, Page 178,  Labor, Page 129,  Space, Page 148,  Race, Page 231,  Race, Page 229,  Introduction, Page 30,  Labor, Page 133,  Introduction, Page 4,  Labor, Page 119,  Space, Page 188,  Space, Page 172,  Conclusion, Page 296,  Introduction, Page 21,  Race, Page 230,  Race, Page 232,  Performance, Page 43,  Introduction, Page 2,  Space, Page 150,  Conclusion, Page 292,  Race, Page 253,  Race, Page 220,  Introduction, Page 23,  Conclusion, Page 286,  Performance, Page 46,  Performance, Page 54,  Space, Page 170,  Introduction, Page 6,  Labor, Page 132,  Performance, Page 52,  Space, Page 177,  Race, Page 225,  Labor, Page 98,  Labor, Page 109,  Space, Page 165,  Performance, Page 50,  Performance, Page 42,  Conclusion, Page 300,  Performance, Page 84,  Performance, Page 77,  Performance, Page 60,  Conclusion, Page 291,  Space, Page 183,  Performance, Page 35,  Race, Page 239,  Space, Page 187,  Labor, Page 122,  Race, Page 261,  Performance, Page 82,  Conclusion, Page 273,  Space, Page 195,  Space, Page 138,  Performance, Page 47,  Performance, Page 74,  Conclusion, Page 290,  Performance, Page 41,  Labor, Page 101,  Race, Page 213,  Conclusion, Page 284,  Conclusion, Page 302,  Space, Page 197,  Space, Page 162,  Labor, Page 113,  Conclusion, Page 298,  Performance, Page 34,  Performance, Page 45,  Space, Page 143,  Space, Page 152,  Performance, Page 70,  Space, Page 184,  Introduction, Page 1,  Conclusion, Page 289,  Space, Page 191,  Conclusion, Page 278,  Space, Page 155,  Space, Page 141,  Race, Page 206,  Conclusion, Page 303