Sign in or register
for additional privileges

Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author
Race, page 10 of 25
Previous page on path     Next page on path

 

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Race, Page 230

Trader Mickey performs the fantasy of jazz music as "jungle music," one promulgated in productions such as King of Jazz (1930),which announces to its viewers that "jazz was born in the African jungle to the beating of voodoo drums." 

Portraying "Africa" as an exotic, chthonic landscape, Mickey and his captors play music with the human bones that litter the village. As in many other cartoons that featured jazz greats such as Cab Calloway or Louis Armstrong,  African American culture was often visually represented as an underworld seething with violence, sensuality, and death. 


Comment on this page
  • Local Discussion
    •
  • Popout
    •
 

Discussion of "Race, Page 230"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Race, page 10 of 25 Next page on path
Color    Walt Disney    Mickey Mouse    1930s    Pluto    Cartoons    Moving Image    Sound    Black and White

Related:  Space, Page 188,  Space, Page 178,  Race, Page 231,  Race, Page 224,  Space, Page 187,  Space, Page 177,  Space, Page 172,  Conclusion, Page 302,  Labor, Page 109,  Conclusion, Page 289,  Race, Page 232,  Space, Page 182,  Labor, Page 101,  Race, Page 206,  Performance, Page 72,  Space, Page 190,  Race, Page 219,  Space, Page 148,  Labor, Page 133,  Space, Page 194,  Labor, Page 110,  Space, Page 193,  Space, Page 146,  Space, Page 175,  Performance, Page 50,  Performance, Page 74,  Space, Page 155,  Race, Page 225,  Space, Page 181,  Race, Page 253,  Conclusion, Page 273,  Performance, Page 54,  Race, Page 221,  Conclusion, Page 303,  Labor, Page 131,  Introduction, Page 1,  Race, Page 229,  Conclusion, Page 286,  Labor, Page 113,  Conclusion, Page 296,  Introduction, Page 2,  Performance, Page 41,  Introduction, Page 14,  Labor, Page 102,  Performance, Page 84,  Conclusion, Page 300,  Race, Page 213,  Race, Page 235,  Labor, Page 128,  Space, Page 183,  Space, Page 162,  Labor, Page 132,  Race, Page 220,  Race, Page 239,  Performance, Page 47,  Labor, Page 123,  Space, Page 141,  Introduction, Page 21,  Conclusion, Page 304,  Space, Page 195,  Space, Page 197,  Race, Page 252,  Labor, Page 112,  Space, Page 170,  Space, Page 150,  Conclusion, Page 275,  Race, Page 261,  Space, Page 165,  Performance, Page 45,  Space, Page 152,  Introduction, Page 23,  Conclusion, Page 298,  Introduction, Page 6,  Performance, Page 82,  Performance, Page 52,  Race, Page 258,  Race, Page 247,  Labor, Page 98,  Race, Page 254,  Performance, Page 42,  Race, Page 204,  Introduction, Page 29,  Race, Page 251,  Space, Page 184,  Performance, Page 35,  Space, Page 171,  Introduction, Page 4,  Performance, Page 34,  Conclusion, Page 292,  Space, Page 143,  Labor, Page 122,  Space, Page 189,  Space, Page 137,  Introduction, Page 30,  Labor, Page 119,  Conclusion, Page 291,  Labor, Page 129,  Labor, Page 88,  Conclusion, Page 284,  Race, Page 248,  Space, Page 163,  Performance, Page 46,  Conclusion, Page 290,  Conclusion, Page 278,  Performance, Page 60,  Performance, Page 70,  Space, Page 138,  Performance, Page 43,  Space, Page 191,  Performance, Page 77,  Performance, Page 44