Sign in or register
for additional privileges

Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author
Race, page 3 of 25
Previous page on path     Next page on path

 

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Race, Page 213

The conventions of blackface minstrelsy have endured long past it's day on the stage. In this clip, Judy Garland performs in blackface with Mr. Interlocutor in Babes in Arms (1939). 

Vaudeville experienced an intermedial renaissance in the late 1920s and early 1930s, with two-man minstrel acts such as Miller and Lyles, Moran and Mack, and Gosden and Correll (Amos 'n' Andy) playing on radio, stage and live film. 

Comic two-acts such as Burns and Allen, Hope and Crosby, and Abbott and Costello used the same dynamic, with one comic playing the "civilized" role and the other one playing ignorant, making nonsense.
Comment on this page
  • Local Discussion
    •
  • Popout
    •
 

Discussion of "Race, Page 213"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Race, page 3 of 25 Next page on path
1930s    Live Cinema    Moving Image

Related:  Space, Page 155,  Introduction, Page 16,  Introduction, Page 23,  Race, Page 220,  Performance, Page 54,  Introduction, Page 30,  Conclusion, Page 292,  Space, Page 170,  Race, Page 221,  Race, Page 261,  Race, Page 235,  Introduction, Page 2,  Space, Page 162,  Space, Page 195,  Space, Page 187,  Conclusion, Page 300,  Space, Page 172,  Introduction, Page 14,  Introduction, Page 15,  Race, Page 258,  Race, Page 253,  Introduction, Page 29,  Race, Page 224,  Performance, Page 42,  Race, Page 231,  Space, Page 191,  Performance, Page 77,  Introduction, Page 1,  Conclusion, Page 289,  Space, Page 182,  Conclusion, Page 275,  Performance, Page 72,  Space, Page 197,  Race, Page 232,  Conclusion, Page 278,  Space, Page 183,  Introduction, Page 21,  Space, Page 163,  Space, Page 150,  Performance, Page 45,  Space, Page 190,  Space, Page 194,  Space, Page 188,  Space, Page 138,  Race, Page 230,  Conclusion, Page 298,  Performance, Page 44,  Race, Page 229,  Labor, Page 98,  Space, Page 178,  Performance, Page 84,  Race, Page 219,  Performance, Page 35,  Introduction, Page 4,  Labor, Page 123,  Labor, Page 112,  Performance, Page 60,  Space, Page 171,  Conclusion, Page 284,  Space, Page 141,  Race, Page 251,  Space, Page 193,  Performance, Page 41,  Performance, Page 46,  Race, Page 254,  Labor, Page 128,  Labor, Page 88,  Space, Page 137,  Conclusion, Page 291,  Space, Page 152,  Race, Page 204,  Labor, Page 132,  Space, Page 175,  Conclusion, Page 304,  Race, Page 225,  Conclusion, Page 303,  Race, Page 239,  Conclusion, Page 286,  Performance, Page 82,  Space, Page 146,  Race, Page 206,  Conclusion, Page 273,  Performance, Page 43,  Space, Page 177,  Labor, Page 113,  Labor, Page 119,  Labor, Page 122,  Labor, Page 109,  Race, Page 248,  Performance, Page 34,  Labor, Page 131,  Conclusion, Page 296,  Performance, Page 47,  Labor, Page 110,  Space, Page 165,  Space, Page 148,  Space, Page 189,  Labor, Page 133,  Race, Page 252,  Conclusion, Page 302,  Race, Page 247,  Space, Page 181,  Performance, Page 74,  Performance, Page 50,  Space, Page 184,  Performance, Page 52,  Conclusion, Page 290,  Space, Page 143,  Introduction, Page 6