Sign in or register
for additional privileges

Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Performance, Page 77

Made of magical and mutable ink, Ko-Ko the Clown multiplies and revolts against Max Fleischer in Jumping Beans (1922). This Out of the Inkwell short features the Fleischers' signature move of piercing the boundary between the real and the drawn worlds. It also ends with Ko-Ko laying siege to Fleischer. Although Max was a producer rather than animator, this film is an example of how the Fleischers collapsed the two positions and replayed the drama of the cartoon character trying to flee its creator that was so important to early animation.

Comment on this page
 

Discussion of "Performance, Page 77"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Performance, page 21 of 25 Next page on path

Related:  Introduction, Page 6Conclusion, Page 290Space, Page 182Labor, Page 98Space, Page 162Space, Page 150Conclusion, Page 291Labor, Page 88Performance, Page 42Performance, Page 46Conclusion, Page 296Space, Page 183Conclusion, Page 289Labor, Page 122Labor, Page 123Performance, Page 52Performance, Page 74Space, Page 170Race, Page 239Performance, Page 45Labor, Page 110Race, Page 204Performance, Page 72Labor, Page 112Race, Page 225Performance, Page 35Race, Page 254Introduction, Page 21Race, Page 231Race, Page 232Performance, Page 84Performance, Page 82Race, Page 206Space, Page 146Labor, Page 113Space, Page 177Race, Page 253Space, Page 172Performance, Page 34Introduction, Page 2Labor, Page 128Space, Page 175Space, Page 189Performance, Page 50Space, Page 190Conclusion, Page 275Labor, Page 132Performance, Page 70Space, Page 181Space, Page 187Race, Page 221Race, Page 220Labor, Page 96Race, Page 229Space, Page 156Conclusion, Page 302Race, Page 248Space, Page 141Conclusion, Page 273Space, Page 191Performance, Page 54Race, Page 252Space, Page 155Conclusion, Page 278Space, Page 188Space, Page 165Labor, Page 109Space, Page 178Introduction, Page 4Conclusion, Page 303Race, Page 247Race, Page 224Space, Page 148Conclusion, Page 286Performance, Page 43Space, Page 193Race, Page 261Race, Page 230Space, Page 138Conclusion, Page 300Space, Page 152Conclusion, Page 298Conclusion, Page 292Performance, Page 47Introduction, Page 30Labor, Page 119Performance, Page 41Labor, Page 129Labor, Page 97Space, Page 194Race, Page 213Space, Page 143Space, Page 163Introduction, Page 14Race, Page 235Race, Page 258Performance, Page 60Performance, Page 44Introduction, Page 29Introduction, Page 1Race, Page 251Labor, Page 133Conclusion, Page 304Space, Page 197Conclusion, Page 284Introduction, Page 23