Sign in or register
for additional privileges

Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author
Labor, page 21 of 21

 

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Labor, Page 133

The Silly Symphonies Skeleton Dance (1929) and Egyptian Melodies (1931) offer a capsule view of Disney's move away from the vaudevillian style of the 1920s and towards an animated version of cinematic realism/naturalism in the 1930s. 

Skeleton Dance features Iwerks's signature move of a left-to-right dance alternating with a zooming motion toward the "camera." Made only a few years later, Egyptian Melodies plays extensively with the relationship between the two-dimensional space of cartooning and the imagined three-dimensional space of sound cinema. It does this by linking the exotic locale of the Egyptian pyramid with the exotic sounds of jazz orchestration, thus heightening the sense of the familiar made strange.

Comment on this page
 

Discussion of "Labor, Page 133"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Labor, page 21 of 21 Path end, continue

Related:  Space, Page 172Conclusion, Page 278Conclusion, Page 286Performance, Page 82Race, Page 221Labor, Page 132Space, Page 194Space, Page 165Race, Page 231Race, Page 230Conclusion, Page 284Space, Page 175Labor, Page 110Labor, Page 123Labor, Page 128Introduction, Page 2Performance, Page 42Race, Page 225Performance, Page 74Labor, Page 112Introduction, Page 6Performance, Page 54Conclusion, Page 304Space, Page 187Performance, Page 70Race, Page 206Race, Page 204Introduction, Page 14Space, Page 150Performance, Page 34Race, Page 232Space, Page 170Space, Page 182Race, Page 253Race, Page 247Space, Page 162Space, Page 141Race, Page 224Space, Page 189Conclusion, Page 300Labor, Page 129Space, Page 188Race, Page 229Race, Page 254Conclusion, Page 298Labor, Page 122Conclusion, Page 291Race, Page 251Race, Page 220Space, Page 146Space, Page 183Space, Page 148Space, Page 177Performance, Page 72Conclusion, Page 289Performance, Page 45Space, Page 152Conclusion, Page 292Space, Page 190Labor, Page 109Labor, Page 119Space, Page 191Space, Page 155Performance, Page 84Performance, Page 43Labor, Page 98Space, Page 197Conclusion, Page 302Introduction, Page 30Introduction, Page 29Labor, Page 88Race, Page 235Race, Page 248Labor, Page 102Labor, Page 113Performance, Page 77Conclusion, Page 303Race, Page 258Performance, Page 60Space, Page 181Performance, Page 44Conclusion, Page 290Space, Page 178Labor, Page 101Conclusion, Page 296Performance, Page 35Performance, Page 47Performance, Page 52Performance, Page 46Performance, Page 50Race, Page 261Introduction, Page 4Space, Page 143Race, Page 239Space, Page 193Performance, Page 41Space, Page 163Space, Page 138Conclusion, Page 273Introduction, Page 21Space, Page 184Race, Page 213Introduction, Page 23Conclusion, Page 275Introduction, Page 1Race, Page 252