Sign in or register
for additional privileges

Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author
Labor, page 21 of 21

 

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Labor, Page 133

The Silly Symphonies Skeleton Dance (1929) and Egyptian Melodies (1931) offer a capsule view of Disney's move away from the vaudevillian style of the 1920s and towards an animated version of cinematic realism/naturalism in the 1930s. 

Skeleton Dance features Iwerks's signature move of a left-to-right dance alternating with a zooming motion toward the "camera." Made only a few years later, Egyptian Melodies plays extensively with the relationship between the two-dimensional space of cartooning and the imagined three-dimensional space of sound cinema. It does this by linking the exotic locale of the Egyptian pyramid with the exotic sounds of jazz orchestration, thus heightening the sense of the familiar made strange.

Comment on this page
 

Discussion of "Labor, Page 133"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Labor, page 21 of 21 Path end, continue

Related:  Race, Page 204Space, Page 194Space, Page 184Performance, Page 82Labor, Page 98Performance, Page 84Race, Page 239Conclusion, Page 291Introduction, Page 2Race, Page 258Conclusion, Page 298Space, Page 150Labor, Page 102Labor, Page 123Space, Page 148Race, Page 251Introduction, Page 14Space, Page 162Space, Page 181Race, Page 229Performance, Page 52Race, Page 206Race, Page 221Performance, Page 50Space, Page 165Race, Page 232Race, Page 225Conclusion, Page 302Labor, Page 88Performance, Page 74Performance, Page 47Race, Page 230Space, Page 175Labor, Page 119Space, Page 177Space, Page 187Conclusion, Page 296Race, Page 252Race, Page 224Introduction, Page 21Space, Page 188Race, Page 235Space, Page 193Labor, Page 109Labor, Page 112Performance, Page 46Performance, Page 77Race, Page 231Race, Page 220Labor, Page 110Conclusion, Page 304Labor, Page 122Space, Page 146Performance, Page 43Performance, Page 54Performance, Page 70Conclusion, Page 286Performance, Page 42Conclusion, Page 292Race, Page 254Performance, Page 34Space, Page 178Space, Page 152Introduction, Page 6Space, Page 155Introduction, Page 29Race, Page 253Conclusion, Page 289Introduction, Page 23Space, Page 197Space, Page 190Conclusion, Page 300Space, Page 183Performance, Page 41Labor, Page 101Introduction, Page 30Labor, Page 128Performance, Page 72Conclusion, Page 290Labor, Page 113Labor, Page 132Performance, Page 44Space, Page 189Space, Page 138Race, Page 261Space, Page 170Space, Page 143Race, Page 247Performance, Page 35Performance, Page 45Space, Page 182Conclusion, Page 275Space, Page 163Space, Page 172Conclusion, Page 278Space, Page 191Conclusion, Page 303Introduction, Page 1Space, Page 141Conclusion, Page 273Race, Page 248Performance, Page 60Introduction, Page 4Labor, Page 129Race, Page 213Conclusion, Page 284