Sign in or register
for additional privileges

Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author
Labor, page 20 of 21

 

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Labor, Page 132

Demonstrating animation's important role in using  music to sell the new technology of sound film, The Band Concert (1935) was the first Mickey Mouse cartoon in color, and featured Mickey conducting an outdoor concert of the William Tell Overture. Donald Duck's invasion of the concert, playing "Turkey in the Straw" on a fife, hearkens back to the vaudeville stage...and to blackface minstrelsy, since "Turkey in the Straw" was originally known as "Old Zip Coon."

As Mickey struggles to maintain control over the band, the storm segment of the overture seems to produce an actual tornado. The issue of Mickey's control over the music, and how much the music in turn controlled the entire band, echoes performances of the animator's control over their own animation and audience.

Compare this short to earlier Disney's first sync-sound cartoon, Steamboat Willie (1928), which also uses "Old Zip Coon."
Comment on this page
 

Discussion of "Labor, Page 132"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Labor, page 20 of 21 Next page on path

Related:  Introduction, Page 2Labor, Page 123Performance, Page 82Space, Page 190Space, Page 189Space, Page 188Space, Page 181Introduction, Page 1Race, Page 229Performance, Page 45Conclusion, Page 303Race, Page 235Performance, Page 47Race, Page 248Space, Page 162Labor, Page 129Race, Page 258Race, Page 206Space, Page 175Performance, Page 54Space, Page 178Labor, Page 122Labor, Page 101Introduction, Page 29Space, Page 165Labor, Page 110Space, Page 146Performance, Page 35Performance, Page 70Space, Page 163Space, Page 187Introduction, Page 6Race, Page 239Race, Page 253Space, Page 155Performance, Page 41Conclusion, Page 298Performance, Page 72Space, Page 193Race, Page 231Labor, Page 133Race, Page 224Race, Page 254Race, Page 230Performance, Page 52Race, Page 232Space, Page 172Space, Page 150Conclusion, Page 304Conclusion, Page 291Conclusion, Page 289Race, Page 252Race, Page 204Conclusion, Page 286Labor, Page 109Introduction, Page 21Introduction, Page 14Labor, Page 98Labor, Page 102Performance, Page 74Race, Page 220Space, Page 182Race, Page 225Conclusion, Page 300Space, Page 138Introduction, Page 30Labor, Page 112Race, Page 247Space, Page 177Conclusion, Page 296Race, Page 261Race, Page 251Performance, Page 44Space, Page 143Labor, Page 128Introduction, Page 23Space, Page 191Performance, Page 34Labor, Page 88Conclusion, Page 302Performance, Page 84Conclusion, Page 292Race, Page 221Space, Page 152Conclusion, Page 290Performance, Page 77Space, Page 197Performance, Page 42Conclusion, Page 278Performance, Page 50Labor, Page 113Performance, Page 43Space, Page 148Space, Page 170Labor, Page 119Performance, Page 46Space, Page 194Conclusion, Page 273Space, Page 141Performance, Page 60Conclusion, Page 284Conclusion, Page 275Labor, Page 131Space, Page 184Race, Page 213Space, Page 183Introduction, Page 4