Sign in or register
for additional privileges

Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author
Introduction, page 16 of 17
Previous page on path     Next page on path

 

This page was created by Patricia Hill.  The last update was by Nicholas Sammond.

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Introduction, Page 29

This 1937 Warner Bros. parody of the race film Green Pastures (1936), directed by Friz Freleng, performs early sound animation's tendency towards virulent racist caricatures of African-Americans. Parodies of jazz greats such as Fats Waller, Cab Calloway, and Louis Armstrong populate a segregated African-American heaven and hell in which god and the devil vie for the souls of the residents of Harlem. 

Clean Pastures locates Harlem on the African continent, and places African Americans in a representational realm wholly separate from that of whites, one that extends from the underworld, to earth, and on into a segregated heaven.
Comment on this page
  • Local Discussion
    •
  • Popout
    •
 

Discussion of "Introduction, Page 29"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Introduction, page 16 of 17 Next page on path
1930s    Live Cinema    Cartoons    Moving Image    Sound    Color    Warner Bros

Related:  Space, Page 194,  Introduction, Page 14,  Space, Page 141,  Conclusion, Page 289,  Labor, Page 109,  Labor, Page 122,  Performance, Page 84,  Conclusion, Page 291,  Race, Page 221,  Space, Page 187,  Conclusion, Page 298,  Conclusion, Page 304,  Space, Page 170,  Performance, Page 60,  Race, Page 261,  Conclusion, Page 292,  Race, Page 235,  Labor, Page 119,  Space, Page 190,  Race, Page 219,  Labor, Page 112,  Performance, Page 50,  Space, Page 175,  Space, Page 177,  Labor, Page 101,  Race, Page 229,  Labor, Page 123,  Conclusion, Page 296,  Space, Page 162,  Race, Page 213,  Labor, Page 88,  Introduction, Page 15,  Race, Page 230,  Introduction, Page 21,  Conclusion, Page 275,  Performance, Page 74,  Introduction, Page 6,  Race, Page 231,  Introduction, Page 16,  Labor, Page 98,  Labor, Page 128,  Space, Page 195,  Race, Page 232,  Race, Page 239,  Race, Page 224,  Conclusion, Page 300,  Conclusion, Page 284,  Performance, Page 72,  Introduction, Page 4,  Space, Page 146,  Performance, Page 44,  Space, Page 165,  Space, Page 178,  Space, Page 181,  Race, Page 204,  Conclusion, Page 303,  Race, Page 254,  Race, Page 225,  Race, Page 258,  Race, Page 248,  Performance, Page 46,  Labor, Page 113,  Space, Page 183,  Space, Page 182,  Space, Page 197,  Race, Page 252,  Introduction, Page 23,  Space, Page 152,  Performance, Page 43,  Space, Page 188,  Space, Page 148,  Race, Page 206,  Race, Page 220,  Performance, Page 47,  Space, Page 184,  Conclusion, Page 290,  Space, Page 171,  Race, Page 251,  Introduction, Page 30,  Space, Page 172,  Space, Page 163,  Space, Page 189,  Space, Page 193,  Performance, Page 34,  Performance, Page 35,  Race, Page 253,  Space, Page 150,  Labor, Page 110,  Labor, Page 132,  Labor, Page 129,  Space, Page 143,  Conclusion, Page 302,  Conclusion, Page 286,  Performance, Page 82,  Introduction, Page 1,  Labor, Page 131,  Space, Page 191,  Space, Page 155,  Conclusion, Page 278,  Space, Page 137,  Space, Page 138,  Labor, Page 133,  Performance, Page 70,  Introduction, Page 2,  Performance, Page 45,  Performance, Page 54,  Race, Page 247,  Performance, Page 77,  Conclusion, Page 273,  Performance, Page 42,  Performance, Page 41,  Performance, Page 52