Sign in or register
for additional privileges

Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author
Conclusion, page 12 of 19
Previous page on path     Next page on path

 

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Conclusion, Page 291

In Winsor McCay, the famous Cartoonist of the N.Y. Herald and His Moving Comics (1911), Little Nemo stands in for McCay, deforming Impy and Flip as if they alone were trapped in a funhouse mirror. This trick of deforming and reforming cartoon characters became a trope. In Rabbit Seasoning (1952) Daffy Duck has his beak is blown off, much to his annoyance.
Comment on this page
  • Local Discussion
    •
  • Popout
    •
 

Discussion of "Conclusion, Page 291"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Conclusion, page 12 of 19 Next page on path
Winsor McCay    Cartoons    Moving Image    Silent    Black and White    With Live Characters (Animators)    Chuck Jones    Warner Bros    1910s    Little Nemo

Related:  Space, Page 146,  Performance, Page 45,  Labor, Page 132,  Performance, Page 74,  Conclusion, Page 302,  Race, Page 247,  Labor, Page 98,  Labor, Page 115,  Space, Page 175,  Performance, Page 50,  Labor, Page 122,  Performance, Page 46,  Labor, Page 133,  Race, Page 254,  Race, Page 248,  Labor, Page 88,  Performance, Page 52,  Race, Page 231,  Labor, Page 112,  Performance, Page 54,  Race, Page 225,  Performance, Page 72,  Space, Page 187,  Space, Page 182,  Race, Page 224,  Performance, Page 35,  Space, Page 194,  Conclusion, Page 292,  Introduction, Page 9,  Space, Page 193,  Race, Page 206,  Space, Page 141,  Conclusion, Page 296,  Space, Page 143,  Space, Page 178,  Race, Page 230,  Labor, Page 129,  Space, Page 184,  Race, Page 232,  Labor, Page 113,  Race, Page 253,  Performance, Page 47,  Performance, Page 44,  Performance, Page 77,  Race, Page 239,  Space, Page 152,  Space, Page 163,  Labor, Page 119,  Space, Page 190,  Conclusion, Page 304,  Labor, Page 123,  Conclusion, Page 298,  Space, Page 150,  Conclusion, Page 289,  Race, Page 204,  Space, Page 191,  Performance, Page 34,  Space, Page 155,  Introduction, Page 21,  Performance, Page 82,  Introduction, Page 29,  Performance, Page 42,  Performance, Page 41,  Race, Page 252,  Race, Page 235,  Introduction, Page 6,  Introduction, Page 23,  Space, Page 165,  Conclusion, Page 273,  Performance, Page 43,  Labor, Page 110,  Space, Page 181,  Performance, Page 84,  Conclusion, Page 278,  Race, Page 229,  Conclusion, Page 284,  Performance, Page 56,  Space, Page 148,  Introduction, Page 2,  Space, Page 162,  Labor, Page 109,  Introduction, Page 4,  Space, Page 170,  Introduction, Page 14,  Race, Page 261,  Space, Page 189,  Space, Page 177,  Space, Page 183,  Race, Page 251,  Race, Page 221,  Performance, Page 70,  Space, Page 172,  Labor, Page 96,  Performance, Page 78,  Labor, Page 128,  Conclusion, Page 300,  Conclusion, Page 290,  Introduction, Page 30,  Space, Page 197,  Race, Page 258,  Race, Page 220,  Conclusion, Page 286,  Space, Page 188,  Labor, Page 97,  Labor, Page 101,  Conclusion, Page 303,  Conclusion, Page 275,  Performance, Page 60,  Introduction, Page 1,  Space, Page 138,  Race, Page 213