Sign in or register
for additional privileges

Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Conclusion, Page 278

Meryl Streep in Sophie's Choice (1982) and Daniel Day Lewis, in There Will Be Blood (2007), are exemplars of the relationship between inner and outer life that marks Stanislavski's Method.

Unlike method actors, who channel universal truths through their bodies in dramatic roles, comic actors never fully disappear into the roles they inhabit. 

Tropic Thunder plays on this by treating the black and disabled experience as unencumbered by neurosis, hence more authentic and pure than (implicitly fully able) white experience, suggesting that what is valued in Method acting is not genuine authenticity, but a convincing performance of authenticity.
Comment on this page
 

Discussion of "Conclusion, Page 278"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Conclusion, page 7 of 19 Next page on path

Related:  Space, Page 172Performance, Page 41Space, Page 141Space, Page 177Introduction, Page 4Introduction, Page 16Introduction, Page 2Space, Page 193Race, Page 231Space, Page 170Race, Page 248Conclusion, Page 304Space, Page 197Space, Page 178Introduction, Page 9Space, Page 187Race, Page 251Performance, Page 77Conclusion, Page 273Labor, Page 110Space, Page 190Conclusion, Page 291Performance, Page 45Space, Page 192Labor, Page 122Race, Page 254Labor, Page 133Conclusion, Page 298Performance, Page 46Labor, Page 88Race, Page 225Conclusion, Page 296Introduction, Page 6Race, Page 247Labor, Page 131Race, Page 261Space, Page 163Space, Page 175Labor, Page 123Race, Page 258Performance, Page 47Conclusion, Page 303Introduction, Page 18Labor, Page 132Race, Page 257Introduction, Page 14Race, Page 219Performance, Page 82Labor, Page 126Performance, Page 52Race, Page 230Introduction, Page 1Race, Page 252Race, Page 245Space, Page 183Conclusion, Page 290Space, Page 188Introduction, Page 29Conclusion, Page 302Performance, Page 72Performance, Page 35Introduction, Page 21Labor, Page 93Labor, Page 112Conclusion, Page 275Race, Page 213Performance, Page 78Introduction, Page 20Race, Page 220Race, Page 232Race, Page 239Introduction, Page 30Performance, Page 74Space, Page 162Space, Page 169Performance, Page 56Race, Page 221Space, Page 165Space, Page 148Performance, Page 44Conclusion, Page 274Space, Page 137Introduction, Page 12Race, Page 235Introduction, Page 23Conclusion, Page 284Space, Page 138Performance, Page 80Introduction, Page 26Conclusion, Page 289Conclusion, Page 268Space, Page 191introduction-page-22Performance, Page 54Performance, Page 34Performance, Page 84Space, Page 171Race, Page 224Performance, Page 43Space, Page 146Labor, Page 109Introduction, Page 15Performance, Page 62Performance, Page 60Labor, Page 113Space, Page 189Space, Page 182Labor, Page 128Space, Page 155Labor, Page 96Conclusion, Page 272Performance, Page 50Race, Page 206Performance, Page 67Space, Page 156Space, Page 159Labor, Page 102Space, Page 143Performance, Page 40Race, Page 229Space, Page 150Conclusion, Page 300Race, Page 253Performance, Page 42Labor, Page 98Race, Page 204Space, Page 181Conclusion, Page 286Conclusion, Page 271Space, Page 194Conclusion, Page 292