Sign in or register
for additional privileges

Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author
Space, page 30 of 36
Previous page on path     Next page on path

 

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Space, Page 191

Various modernist projects celebrating "African primitivism" as high art was typified in projects like Orson Welles and John Houseman's 1936 "voodoo" production of Macbeth at Harlem's Lafayette Theatre, or in Cabin in the Sky, both of which featured an all-black casts. 

Similarly, the pseudo-anthropological conceit which informed minstrelsy, and "native" exhibitions in world fairs of the late nineteen and early twentieth century was a part of the larger continuum of working-class entertainment which offered up blackness as fantasy and forbidden pleasure. 


Comment on this page
  • Local Discussion
    •
  • Popout
    •
 

Discussion of "Space, Page 191"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Space, page 30 of 36 Next page on path
Moving Image    1930s    Live Cinema

Related:  Conclusion, Page 292,  Performance, Page 84,  Performance, Page 77,  Space, Page 197,  Space, Page 190,  Introduction, Page 1,  Conclusion, Page 286,  Conclusion, Page 300,  Introduction, Page 30,  Race, Page 258,  Performance, Page 41,  Conclusion, Page 284,  Labor, Page 123,  Space, Page 178,  Space, Page 181,  Race, Page 224,  Space, Page 141,  Race, Page 221,  Race, Page 253,  Race, Page 235,  Introduction, Page 4,  Performance, Page 60,  Performance, Page 45,  Race, Page 231,  Race, Page 252,  Space, Page 165,  Performance, Page 52,  Race, Page 213,  Space, Page 188,  Performance, Page 43,  Labor, Page 133,  Space, Page 146,  Introduction, Page 29,  Introduction, Page 15,  Introduction, Page 6,  Race, Page 261,  Space, Page 163,  Performance, Page 50,  Space, Page 194,  Space, Page 175,  Conclusion, Page 296,  Conclusion, Page 278,  Introduction, Page 21,  Introduction, Page 23,  Labor, Page 128,  Race, Page 229,  Labor, Page 88,  Race, Page 254,  Race, Page 239,  Race, Page 219,  Space, Page 182,  Introduction, Page 16,  Performance, Page 54,  Space, Page 184,  Labor, Page 110,  Conclusion, Page 289,  Conclusion, Page 275,  Space, Page 148,  Space, Page 170,  Race, Page 225,  Labor, Page 98,  Space, Page 187,  Race, Page 206,  Space, Page 183,  Space, Page 138,  Performance, Page 35,  Race, Page 230,  Race, Page 247,  Space, Page 162,  Performance, Page 46,  Conclusion, Page 304,  Labor, Page 109,  Space, Page 150,  Race, Page 220,  Introduction, Page 14,  Conclusion, Page 302,  Conclusion, Page 291,  Space, Page 152,  Performance, Page 74,  Space, Page 172,  Space, Page 189,  Space, Page 137,  Race, Page 204,  Conclusion, Page 303,  Labor, Page 122,  Space, Page 171,  Conclusion, Page 298,  Introduction, Page 2,  Race, Page 232,  Performance, Page 47,  Space, Page 193,  Performance, Page 72,  Performance, Page 82,  Performance, Page 44,  Labor, Page 113,  Conclusion, Page 273,  Labor, Page 132,  Labor, Page 131,  Space, Page 195,  Race, Page 251,  Space, Page 177,  Performance, Page 42,  Labor, Page 112,  Performance, Page 34,  Labor, Page 119,  Space, Page 143,  Race, Page 248,  Conclusion, Page 290,  Space, Page 155