Sign in or register
for additional privileges

Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author
Conclusion, page 19 of 19
Previous page on path       Path end, return home

 

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Conclusion, Page 304

Warner Bros. What's Opera Doc? (1957) mocks the pretensions of the upper classes with its self-reflexive reinvention of Wagner's Ring Cycle, and at key moments both Elmer Fudd and Bugs Bunny attempt to enlist audience members, breaking the fourth wall. This convention hearkens back to animation's vaudeville days when the boundary between stage and screen was more porous. In the end, Elmer Fudd thinks that he has killed Bugs Bunny; Bugs, quite alive, reminds us that unlike cartoons, operas never end happily.
Comment on this page
  • Local Discussion
    •
  • Popout
    •
 

Discussion of "Conclusion, Page 304"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Conclusion, page 19 of 19 Path end, return home
Sound    Color    Chuck Jones    Warner Bros    Bugs Bunny    1950s    Elmer Fudd    Cartoons    Moving Image

Related:  Space, Page 138,  Conclusion, Page 278,  Race, Page 239,  Space, Page 165,  Performance, Page 45,  Introduction, Page 6,  Conclusion, Page 303,  Space, Page 178,  Labor, Page 119,  Conclusion, Page 286,  Introduction, Page 23,  Introduction, Page 14,  Conclusion, Page 292,  Space, Page 190,  Space, Page 150,  Labor, Page 88,  Performance, Page 35,  Conclusion, Page 291,  Space, Page 193,  Race, Page 230,  Race, Page 204,  Conclusion, Page 300,  Introduction, Page 21,  Race, Page 254,  Space, Page 194,  Conclusion, Page 302,  Race, Page 251,  Introduction, Page 1,  Race, Page 235,  Performance, Page 50,  Introduction, Page 29,  Performance, Page 47,  Labor, Page 123,  Conclusion, Page 289,  Labor, Page 133,  Performance, Page 77,  Space, Page 162,  Performance, Page 46,  Race, Page 248,  Performance, Page 72,  Conclusion, Page 298,  Space, Page 197,  Race, Page 258,  Space, Page 187,  Race, Page 252,  Space, Page 170,  Race, Page 225,  Space, Page 188,  Space, Page 182,  Space, Page 177,  Labor, Page 132,  Conclusion, Page 296,  Labor, Page 101,  Space, Page 189,  Labor, Page 112,  Labor, Page 122,  Space, Page 143,  Space, Page 146,  Performance, Page 42,  Introduction, Page 30,  Labor, Page 113,  Conclusion, Page 290,  Performance, Page 84,  Conclusion, Page 275,  Race, Page 231,  Race, Page 261,  Space, Page 141,  Race, Page 232,  Performance, Page 60,  Space, Page 183,  Space, Page 172,  Labor, Page 129,  Race, Page 221,  Performance, Page 74,  Race, Page 206,  Space, Page 184,  Race, Page 220,  Performance, Page 54,  Race, Page 224,  Space, Page 181,  Race, Page 253,  Labor, Page 110,  Labor, Page 128,  Labor, Page 98,  Race, Page 229,  Introduction, Page 2,  Labor, Page 109,  Space, Page 155,  Performance, Page 70,  Space, Page 163,  Performance, Page 34,  Space, Page 175,  Performance, Page 41,  Introduction, Page 4,  Conclusion, Page 284,  Space, Page 148,  Race, Page 247,  Space, Page 191,  Space, Page 152,  Performance, Page 52,  Performance, Page 43,  Performance, Page 82,  Race, Page 213,  Conclusion, Page 273