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Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author
Conclusion, page 19 of 19
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Conclusion, Page 304

Warner Bros. What's Opera Doc? (1957) mocks the pretensions of the upper classes with its self-reflexive reinvention of Wagner's Ring Cycle, and at key moments both Elmer Fudd and Bugs Bunny attempt to enlist audience members, breaking the fourth wall. This convention hearkens back to animation's vaudeville days when the boundary between stage and screen was more porous. In the end, Elmer Fudd thinks that he has killed Bugs Bunny; Bugs, quite alive, reminds us that unlike cartoons, operas never end happily.
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Previous page on path Conclusion, page 19 of 19 Path end, return home
Cartoons    Moving Image    Sound    Color    Chuck Jones    Warner Bros    Bugs Bunny    1950s    Elmer Fudd

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