Sign in or register
for additional privileges

Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author
Conclusion, page 18 of 19
Previous page on path     Next page on path

 

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Conclusion, Page 303

In an imagined post-racial era, invocations of hope and change by the Obama campaign of 2008 have not been fully realized, as pointed out by Larry Wilmore on The Daily Show a year after Obama's arrival in the White House.

These expectations are based in part on a shared fantasy of the Magical Negro—characters such as Michael Clarke Duncan's John Coffee in The Green Mile (1999) or Will Smith in the title role in Bagger Vance (2000), or almost any character played by Morgan Freeman. The trope of the Magical Negro embodies fantastic blackness and a white anxiety/desire that African Americans are somehow more connected to other, supernatural realms not accessible to white experience.
Comment on this page
  • Local Discussion
    •
  • Popout
    •
 

Discussion of "Conclusion, Page 303"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Conclusion, page 18 of 19 Next page on path
2010s    1990s    2000s    Live Cinema    Moving Image

Related:  Performance, Page 42,  Performance, Page 47,  Performance, Page 46,  Labor, Page 113,  Performance, Page 35,  Space, Page 194,  Labor, Page 123,  Space, Page 162,  Labor, Page 132,  Introduction, Page 15,  Performance, Page 74,  Introduction, Page 14,  Race, Page 213,  Conclusion, Page 271,  Space, Page 150,  Introduction, Page 4,  Space, Page 189,  Race, Page 261,  Conclusion, Page 278,  Space, Page 143,  Space, Page 178,  Conclusion, Page 292,  Introduction, Page 29,  Race, Page 229,  Conclusion, Page 290,  Performance, Page 54,  Race, Page 204,  Race, Page 231,  Performance, Page 60,  Race, Page 254,  Labor, Page 98,  Space, Page 182,  Introduction, Page 6,  Race, Page 235,  Conclusion, Page 284,  Performance, Page 50,  Conclusion, Page 302,  Introduction, Page 1,  Race, Page 206,  Performance, Page 41,  Conclusion, Page 298,  Space, Page 183,  Introduction, Page 30,  Conclusion, Page 275,  Race, Page 239,  Space, Page 190,  Race, Page 252,  Labor, Page 133,  Conclusion, Page 300,  Race, Page 232,  Space, Page 148,  Labor, Page 110,  Labor, Page 112,  Introduction, Page 16,  Race, Page 225,  Conclusion, Page 296,  Labor, Page 122,  Space, Page 138,  Performance, Page 77,  Race, Page 253,  Space, Page 188,  Race, Page 247,  Conclusion, Page 291,  Space, Page 141,  Labor, Page 128,  Space, Page 163,  Performance, Page 52,  Performance, Page 44,  Space, Page 187,  Introduction, Page 23,  Conclusion, Page 304,  Space, Page 197,  Space, Page 170,  Space, Page 146,  Performance, Page 45,  Space, Page 191,  Labor, Page 109,  Performance, Page 82,  Conclusion, Page 289,  Space, Page 165,  Labor, Page 88,  Introduction, Page 21,  Race, Page 219,  Performance, Page 34,  Race, Page 258,  Performance, Page 84,  Performance, Page 43,  Conclusion, Page 273,  Race, Page 221,  Race, Page 251,  Introduction, Page 2,  Race, Page 230,  Space, Page 155,  Space, Page 193,  Space, Page 181,  Space, Page 172,  Space, Page 177,  Conclusion, Page 286,  Race, Page 220,  Race, Page 248,  Space, Page 175,  Race, Page 224,  Performance, Page 72