Sign in or register
for additional privileges

Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author
Introduction, page 1 of 17
Previous page on path     Next page on path

 

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Introduction, Page 1

Written by Harriet Beecher Stowe and published in 1852, Uncle Tom's Cabin or Life Among the Lowly is an anti-slavery tale that revolves around an elderly slave, Uncle Tom. The best selling novel of the nineteenth century, Uncle Tom's Cabin is credited with furthering the abolitionist cause, although the many plays and adaptations it inspired reinforced pernicious stereotypes about African Americans. 

This 1903 silent film adaptation by Edwin S. Porter condenses the text into four short vignettes, performed by white actors in blackface. Framed by a static camera in stagey two-dimensional sets, the actors express themselves in the melodramatic mode popular at the time.

When the film was made, the musical accompaniment would have been live and the accompanist—whether pianist, organist, band, or small orchestra—would have played a score made up of recognizable musical motifs, such as melodies from Dan Emmett's Dixie or Stephen Foster's My Old Kentucky Home, to signify location and set mood. In this way, even the music that accompanied performances could further stereotypes.

Comment on this page
 

Discussion of "Introduction, Page 1"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Introduction, page 1 of 17 Next page on path

Related:  Race, Page 235Introduction, Page 29Race, Page 221Conclusion, Page 300Labor, Page 128Race, Page 261Space, Page 192Introduction, Page 14Space, Page 187Labor, Page 115Performance, Page 84Conclusion, Page 286Performance, Page 46Introduction, Page 2Conclusion, Page 303Labor, Page 113Conclusion, Page 292Performance, Page 82Introduction, Page 30Conclusion, Page 290Introduction, Page 20Space, Page 189Space, Page 197Space, Page 177Space, Page 182Race, Page 229Race, Page 247Space, Page 183Space, Page 146Space, Page 178Space, Page 181Performance, Page 34Race, Page 232Labor, Page 110Space, Page 191Performance, Page 45Space, Page 163Conclusion, Page 273Conclusion, Page 272Conclusion, Page 289Performance, Page 74Race, Page 251Race, Page 230Introduction, Page 16Space, Page 175Conclusion, Page 304Space, Page 138Conclusion, Page 284Race, Page 204Space, Page 194Performance, Page 41Performance, Page 52Conclusion, Page 278Space, Page 188Performance, Page 43Race, Page 224Introduction, Page 15Performance, Page 35Race, Page 253Labor, Page 133Race, Page 254Performance, Page 44Space, Page 150Space, Page 190Introduction, Page 23Performance, Page 50Space, Page 170Space, Page 148Race, Page 258Introduction, Page 21Conclusion, Page 296Labor, Page 112Space, Page 141Conclusion, Page 298Labor, Page 132Conclusion, Page 275Space, Page 172Introduction, Page 4Conclusion, Page 291Performance, Page 54Race, Page 252Space, Page 193Race, Page 248Race, Page 220Race, Page 231Performance, Page 47Space, Page 143Labor, Page 109Space, Page 196Race, Page 206Performance, Page 60Performance, Page 62Performance, Page 42Conclusion, Page 302Labor, Page 98Race, Page 219Race, Page 239Introduction, Page 6Space, Page 162Space, Page 195Introduction, Page 26Race, Page 213introduction-page-22Labor, Page 122Labor, Page 123Labor, Page 88Race, Page 225Performance, Page 77Space, Page 165Performance, Page 72Space, Page 155