Sign in or register
for additional privileges

Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author
Introduction, page 1 of 17
Previous page on path     Next page on path

 

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Introduction, Page 1

Written by Harriet Beecher Stowe and published in 1852, Uncle Tom's Cabin or Life Among the Lowly is an anti-slavery tale that revolves around an elderly slave, Uncle Tom. The best selling novel of the nineteenth century, Uncle Tom's Cabin is credited with furthering the abolitionist cause, although the many plays and adaptations it inspired reinforced pernicious stereotypes about African Americans. 

This 1903 silent film adaptation by Edwin S. Porter condenses the text into four short vignettes, performed by white actors in blackface. Framed by a static camera in stagey two-dimensional sets, the actors express themselves in the melodramatic mode popular at the time.

When the film was made, the musical accompaniment would have been live and the accompanist—whether pianist, organist, band, or small orchestra—would have played a score made up of recognizable musical motifs, such as melodies from Dan Emmett's Dixie or Stephen Foster's My Old Kentucky Home, to signify location and set mood. In this way, even the music that accompanied performances could further stereotypes.

Comment on this page
 

Discussion of "Introduction, Page 1"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Introduction, page 1 of 17 Next page on path

Related:  introduction-page-22Space, Page 183Space, Page 146Space, Page 143Space, Page 178Space, Page 141Race, Page 230Space, Page 189Conclusion, Page 284Performance, Page 44Space, Page 192Space, Page 195Introduction, Page 16Conclusion, Page 292Introduction, Page 29Introduction, Page 14Conclusion, Page 300Conclusion, Page 273Introduction, Page 20Race, Page 258Race, Page 239Performance, Page 42Labor, Page 113Performance, Page 50Labor, Page 98Conclusion, Page 286Introduction, Page 4Conclusion, Page 298Performance, Page 43Race, Page 253Conclusion, Page 290Race, Page 252Space, Page 197Race, Page 261Performance, Page 45Introduction, Page 30Space, Page 187Introduction, Page 21Space, Page 193Performance, Page 52Space, Page 138Race, Page 220Introduction, Page 2Conclusion, Page 275Conclusion, Page 304Space, Page 191Performance, Page 82Space, Page 150Labor, Page 112Race, Page 229Labor, Page 128Introduction, Page 23Space, Page 175Space, Page 162Race, Page 248Conclusion, Page 296Conclusion, Page 291Performance, Page 72Conclusion, Page 272Space, Page 181Conclusion, Page 302Performance, Page 77Labor, Page 132Introduction, Page 15Performance, Page 35Performance, Page 60Conclusion, Page 303Race, Page 224Performance, Page 54Performance, Page 84Space, Page 190Race, Page 219Race, Page 221Race, Page 206Performance, Page 41Conclusion, Page 278Race, Page 235Performance, Page 74Space, Page 182Space, Page 163Space, Page 196Introduction, Page 6Race, Page 225Race, Page 247Space, Page 170Space, Page 172Conclusion, Page 289Race, Page 204Labor, Page 109Space, Page 165Labor, Page 123Space, Page 188Performance, Page 46Race, Page 251Performance, Page 62Labor, Page 122Space, Page 194Space, Page 148Space, Page 155Race, Page 213Space, Page 177Labor, Page 110Performance, Page 47Race, Page 232Labor, Page 88Introduction, Page 26Performance, Page 34Race, Page 254Labor, Page 115Race, Page 231Labor, Page 133