Sign in or register
for additional privileges

Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author
Labor, page 18 of 21
Previous page on path     Next page on path

 

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Labor, Page 129

This famous scene from Anchors Aweigh (1945) features a dance routine combining live action and animation between two stars: Gene Kelly and Jerry Mouse of Tom and Jerry. 

The scene demonstrates a coming together of experimentation in dance (pursued probably most famously by Kelly and by Fred Astaire in their uniquely filmed dance numbers) and in animation. It also underscores the common roots of vaudeville, minstrelsy and the Broadway reviews from which, in part, Hollywood film and popular American animation sprang.
Comment on this page
  • Local Discussion
    •
  • Popout
    •
 

Discussion of "Labor, Page 129"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Labor, page 18 of 21 Next page on path
1940s    Sound    Color    With Live Characters (Animators)    Tom and Jerry    Cartoons

Related:  Conclusion, Page 298,  Labor, Page 122,  Space, Page 178,  Race, Page 253,  Labor, Page 110,  Race, Page 224,  Conclusion, Page 304,  Labor, Page 112,  Labor, Page 133,  Performance, Page 50,  Race, Page 247,  Space, Page 190,  Introduction, Page 6,  Space, Page 165,  Conclusion, Page 291,  Race, Page 230,  Race, Page 261,  Space, Page 146,  Labor, Page 101,  Performance, Page 84,  Race, Page 220,  Race, Page 254,  Space, Page 141,  Space, Page 188,  Space, Page 194,  Space, Page 182,  Race, Page 239,  Introduction, Page 29,  Race, Page 235,  Space, Page 162,  Race, Page 258,  Conclusion, Page 302,  Race, Page 252,  Labor, Page 113,  Space, Page 152,  Conclusion, Page 300,  Space, Page 183,  Labor, Page 109,  Race, Page 204,  Conclusion, Page 290,  Space, Page 189,  Performance, Page 44,  Race, Page 229,  Performance, Page 72,  Space, Page 177,  Space, Page 181,  Performance, Page 54,  Space, Page 143,  Race, Page 248,  Race, Page 221,  Labor, Page 128,  Conclusion, Page 286,  Race, Page 231,  Introduction, Page 14,  Race, Page 232,  Conclusion, Page 289,  Conclusion, Page 296,  Conclusion, Page 292,  Space, Page 187,  Space, Page 138,  Space, Page 195,  Race, Page 251,  Introduction, Page 2,  Performance, Page 47,  Performance, Page 74,  Race, Page 206,  Performance, Page 35,  Space, Page 150,  Labor, Page 123,  Space, Page 193,  Performance, Page 45,  Introduction, Page 21,  Performance, Page 46,  Labor, Page 132,  Labor, Page 119,  Performance, Page 40,  Space, Page 172,  Space, Page 197,  Race, Page 225,  Labor, Page 98,  Space, Page 155,  Performance, Page 42,  Space, Page 148,  Introduction, Page 30,  Labor, Page 88,  Performance, Page 77,  Introduction, Page 23,  Performance, Page 82,  Performance, Page 70,  Space, Page 184,  Space, Page 175