Sign in or register
for additional privileges

Birth of An Industry: Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond, Author
Space, page 1 of 36
Previous page on path     Next page on path

 

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Space, Page 137

Regulating onscreen and off-screen spaces, both real and imagined, was crucial to the transition from silent to sound cinema. 

For example, a featurette in a 1930 issue of Paramount Publix Opinion explains how one Tennessee exhibitor sold King Vidor's film Hallelujah (1929) by constructing a cotton field in his lobby: he created an off-screen space to directly mirror the space represented onscreen.

By resorting to the central minstrel stereotype of a plantation, the exhibitor also spoke to white audiences' fear of miscegenation, creating in his exhibition space a means of regulating blackness and whiteness in public. 
Comment on this page
  • Local Discussion
    •
  • Popout
    •
 

Discussion of "Space, Page 137"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Space, page 1 of 36 Next page on path
1930s    Image

Related:  Space, Page 192,  Race, Page 257,  Race, Page 219,  Labor, Page 112,  Race, Page 258,  Space, Page 187,  Space, Page 194,  Labor, Page 122,  Conclusion, Page 284,  Labor, Page 128,  Race, Page 232,  Conclusion, Page 274,  Space, Page 170,  Introduction, Page 9,  Space, Page 156,  Space, Page 182,  Performance, Page 80,  Space, Page 165,  Space, Page 181,  Space, Page 169,  Conclusion, Page 286,  Space, Page 172,  Introduction, Page 18,  Labor, Page 131,  Space, Page 171,  Race, Page 220,  Performance, Page 84,  Space, Page 195,  Introduction, Page 26,  Space, Page 193,  Space, Page 197,  Labor, Page 96,  Race, Page 230,  Conclusion, Page 272,  Race, Page 231,  Performance, Page 60,  Race, Page 221,  Performance, Page 56,  Race, Page 252,  Labor, Page 119,  Introduction, Page 23,  Race, Page 224,  Race, Page 245,  Introduction, Page 14,  Conclusion, Page 289,  Space, Page 178,  Performance, Page 74,  Introduction, Page 20,  Labor, Page 102,  Performance, Page 67,  Introduction, Page 30,  Space, Page 191,  Space, Page 183,  Performance, Page 72,  Introduction, Page 29,  introduction-page-22,  Race, Page 251,  Introduction, Page 12,  Conclusion, Page 268,  Space, Page 162,  Performance, Page 78,  Space, Page 184,  Race, Page 253,  Introduction, Page 2,  Space, Page 190,  Space, Page 159,  Conclusion, Page 278,  Race, Page 213,  Space, Page 188,  Race, Page 229,  Space, Page 175,  Race, Page 225,  Space, Page 163,  Performance, Page 43,  Performance, Page 35,  Performance, Page 62,  Performance, Page 40,  Space, Page 152,  Race, Page 206,  Labor, Page 93,  Labor, Page 123,  Labor, Page 126,  Labor, Page 109,  Space, Page 177,  Introduction, Page 21