The Hopi Maiden and Watching the Dancers
Ken Gonzales-Day, Scripps College
Curtis visited the Hopi on multiple occasions and went as early as 1900, went back in 1902, 1904, 1906, 1911, 1912, and 1919, so dating which images where shot when can pose something of a challenge, but he does note that the traditional squash blossom hairdo was discontinued by the second decade of the twentieth century. In these early images, “Watching the Dancers” and “The Hopi Maiden,” Curtis captured young unwed women at a time when they still wore their hair in the traditional style. So one can understand that such images confirmed his, and other’s views, that traditional ways of life where passing, and for Curtis, it confirmed the popular view, which his images helped to cement in the popular imagination --that Native Americans were a “vanishing race.” His biographer, Tomas Egan writes:
When he started in 1896, Indians were at their low ebb, with a total population that had dwindled to less than 250,000. Many scholars thought they would disappear within a generation’s time. Curtis set out to document lifestyle, creation myths and language. He recorded more than 10,000 songs on a primitive wax cylinder, and wrote down vocabularies and pronunciation guides for 75 languages.
Curtis suggests a novel eugenic solution to solving the shrinking of the Indian population. He suggests that inter-racial mixing should be encouraged. It was not a very popular idea at the time and often came with no small amount of social stigma. Curtis explains:
Brought suddenly in contact with the diseases of civilization, the blood of the Indian was particularly susceptible, and the change in food, and in mode of life generally, lessened his vigor and made it more difficult to combat disease of any sort. In the mixed-blood element must be seen the greatest hope. The proportion of the pure bloods is steadily decreasing, and with each blending the handicap is lighted. The first generation of the amalgamation is on the whole discouraging, but succeeding ones will doubtless show a relatively rapid gain. Even in the West the stigma attached to the possession of Indian blood will gradually disappear…
The popular press regularly used Curtis’ images to support the notion of the vanishing race, but the following article goes one step further and suggests that Curtis’ images may be all that will remain of Native peoples. In “Stalking the Indian with Camera and Phonograph: Mr. Edward S. Curtis Perpetuates Aborigine’s Physiognomy, Ceremonies and Environment with the Lens …” Gustave Kobbe writes:
We have put his visage on our copper cent –and much good it has done him. His is a race vanishing into the voiceless shadow whence it came, and but for the efforts of one man leaving its presence in the human family an insoluble problem. Stern, silent, inadaptive, he has preferred destruction to assimilation. For four centuries he has fought a losing battle. Shall he thwart and shame us to the end by vanishing unexplained?
Perhaps ironically, by the time Curtis published Volume nineteen, he actually records that the Commissioner of Indian Affairs has calculated that the Native American population in the United States had already grown to 349, 595 thousand – and that number excluded Alaska altogether.