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Performing ArchiveMain MenuVisualizing the “Vanishing Race”: the photogravures of Edward S. CurtisFront Page for Visualizing the "Vanishing Race" pathCurtis' Image and Life: The Network of The North American Indian, Inc.An experiment with data visualization approach to understand and contextualize Curtis' images and his lifeMedia, Technology and MediationsCurtis's Technology, Relationships to Media and StyleContextualizing Curtis, The North American Indian, and Racethe collection of essays from the contributorsConsulting with Tribes as Part of Archive DevelopmentIntroduction to Consulting with Tribes by Ulia GosartContributing ArchivesInformation on how to participate in Performing ArchiveBrowsing the MediaA path of paths that allow users to cut through the collection in a variety of ways.Acknowledgements and Project InformationProject NetworkJacqueline Wernimontbce78f60db1628727fc0b905ad2512506798cac8David J. Kim18723eee6e5a79c8d8823c02b7b02cb2319ee0f1Stephan Schonberg23744229577bdc62e9a8c09d3492541be754e1efAmy Borsukc533a79d33d48cbf428e1160c2edc0b38c50db19Beatrice Schustera02047525b31e94c1336b01e99d7f4f758870500Heather Blackmored0a2bf9f2053b3c0505d20108092251fc75010bfUlia Gosart (Popova)67c984897e6357dbeeac6a13141c0defe5ef3403
12018-03-16T21:12:56-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637Keyword PathsErik Loyer1Explore the Images Through Keywordsstructured_gallery2018-03-16T21:12:57-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637
Contents of this path:
12018-03-16T21:06:42-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637Woven Sash1Woven sash; dance sash form though only 1/2 of such a sash is present. Natural ivory/tan background. One end brocaded with geometric diamond and zigzag pattern with the colors of red, black, faded green, and purple; brocaded end has fringe.plain2018-03-16T21:06:42-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637
12018-03-16T21:11:26-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637Sun dancer1"As they dance, the performers never leave the spot on which they stand, the movement consisting in a slight upward spring from the toes and ball of the foot; legs and body are rigid. Always the right palm is extended to the yellow glaring sun, and their eyes are fixed on its lower rim. The dancer concentrates his mind, his very self, upon the one thing that he desires, whether it be the acquirement of powerful medicine or only success in the next conflict with the enemy." - Volume III, pages 95-96.plain2018-03-16T21:11:26-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637
12018-03-16T21:07:11-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637Arikara medicine ceremony - Dance of the fraternity1After each order has performed its dance about the sacred cedar, the entire fraternity, group by group, emerges from the lodge and dances.plain2018-03-16T21:07:11-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637
12018-03-16T21:07:12-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637Arikara medicine ceremony - Dance of the black-tail deer1The two dark figures are painted in a manner suggesting the elk, the others the antelope.plain2018-03-16T21:07:12-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637
12018-03-16T21:07:12-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637Arikara medicine ceremony - The Ducks1Three members of the medicine fraternity, painted to represent ducks and holding the rushes among which waterfowl rest, in their dance around the sacred cedar.plain2018-03-16T21:07:12-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637
12018-03-16T21:11:37-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637Sun dance encampment - Piegan1This tribal assembly for the Sun Dance of 1898 comprised about two hundred and thirty tipis, including a number of visiting Blackfeet and Bloods from Canada. The scene is on the Piegan reservation in northern Montana, near Browning.plain2018-03-16T21:11:37-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637
12018-03-16T21:11:38-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637Grizzly-bear brave - Piegan1At least two of the Piegan Warrior societies (the Braves and the All Brave Dogs) included in their membership two men known as Grizzly-bear Braves. It was their duty, at the time of the society dances, to provide their comrades with meat, which they appropriated wherever they could find it. Their expression and demeanor did justice to their name, and in their official capacity they were generally feared by the people. See Volume VI, pages 20-21.plain2018-03-16T21:11:38-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637
12018-03-16T21:11:40-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637Bringing the sweat-lodge willows - Piegan1Young horseman are coming toward the Sun-dance encampment with willows for the faster's sweat-lodge, as described in Volume VI, page 43.plain2018-03-16T21:11:40-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637
12018-03-16T21:11:08-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637Porcupine - Cheyenne1At the summer gatherings for such occasions as the Sun Dance, the men sometimes protect their heads from the merciless sun by a thatch of cottonwood leaves.plain2018-03-16T21:11:08-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637
12018-03-16T21:11:45-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637Flathead chief1Through the medium of their annual incursions into the buffalo plains east of the Rocky mountains, the Flatheads adopted much of the plains culture. Not only their domicile (the tipi), their garments, weapons, and articles of adornment, came from this source, but many of their dances were in imitation of similar ceremonies practised by the prairie tribes. Prominent features of the accoutrement of this Flathead chief are his war-club of the plains type, and an eagle-bone whistle, such as was used in the Sun Dance. The Flatheads however never acquired the sun riteplain2018-03-16T21:11:45-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637
12018-03-16T21:11:46-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637Flathead dance1Eliminating the environment, one would suppose that a party of plains Indians were performing. The costumes, the step, the gesture, the character of songs, all evidence of the Flathead war-dance.plain2018-03-16T21:11:46-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637
12018-03-16T21:11:16-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637Masked dancer - Cowichan1The dancer personates one of the mythic ancestors who descended from the sky. Note the huge, carved house-post at the right.plain2018-03-16T21:11:16-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637
12018-03-16T21:12:03-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637Kotsuis and Hohhuq - Nakoaktok1These two masked performers in the winter dance represent huge, mythical birds. Kotsuis (the Nakoaktok equivalent of the Qagyuhl Kaloqutsuis) and Hohhuq are servitors in the house of the man-eating monster Pahpaqalanohsiwi. See page 160. The mandibles of these tremendous wooden masks are controlled by strings.plain2018-03-16T21:12:03-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637
12018-03-16T21:12:03-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637Coming for the bride1In the bow qunhulahl, a masked man personating the thunderbird, dances with characteristic gestures as the canoe approaches the bride's village.plain2018-03-16T21:12:03-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637
12018-03-16T21:11:06-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637Wedding party - Qagyuhl1After the wedding ceremony at the bride's village the party returns to the husband's home. The newly married pair stand on a painted "bride's seat" in the stern of the canoe, and the bridegroom's sister or other relative, dances on a platform in the bow, while the men sing and rhythmically thump the canoes with the handles of their paddles.plain2018-03-16T21:11:06-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637
12018-03-16T21:12:06-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637Group of winter dancers - Qagyuhl1plain2018-03-16T21:12:06-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637
12018-03-16T21:12:06-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637Nimkish village at Alert Bay1The figure at the bottom of the column in the foreground, with the painting on the front of the house, represents a raven. When a feast or a dance is to be held in this house, the guests enter through the raven's beak, the lower mandible of which swings up and down on a pivot. When a guest steps beyond the pivot, his weight caused the beak to clap shut, and thus the mythic raven symbolically "swallows" the tribesman one by one. A view from the other end of this street is shown in the illustration facing page 8, Volume X.plain2018-03-16T21:12:06-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637
12018-03-16T21:12:06-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637Masked dancers in canoes - Qagyhl, A1Visitors approaching a village where the winter dance is in progress sometimes array themselves in their ceremonial costumes, and dance while the canoes slowly move shoreward. From left to right the dancers represent respectively Wasp, Thunderbird, and Grizzly-bear.plain2018-03-16T21:12:06-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637
12018-03-16T21:12:07-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637Dancing to restore an eclipsed moon - Qagyuhl1It is thought that an eclipse is the result of an attempt of some creature in the sky to swallow the luminary. In order to compel the monster to disgorge it, the people dance round a smoldering fire of old clothing and hair, the stench of which, rising to his nostrils, is expected to cause him to sneeze and disgorge the moon.plain2018-03-16T21:12:07-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637
12018-03-16T21:11:06-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637Masked dancers - Qagyuhl1The plate shows a group of masked and costumed performers in the winter ceremony. The chief who is holding the dance stands at the left, grasping a speaker's staff and wearing cedar-bark neck-ring and head-band and a few of the spectators are visible at the right. At the extreme left is seen a part of the painted mawihl through which the dancers emerge from the secret room; and in the centre, between the carved house-posts, is the Awaitlala hams'pek, showing three of the five mouths through which the hamatsa wriggle from the top to the bottom of the column. See page 175 and footnote.plain2018-03-16T21:11:06-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637
12018-03-16T21:12:07-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637Bridal group1The bride stands in the middle between two dancers hired for the occasion. Her father is at the left, and the bridegroom's father at the right behind a man who presides over the box-drum.plain2018-03-16T21:12:08-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637
12018-03-16T21:12:08-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637Masked dancers in canoes - Qagyuhl, B1plain2018-03-16T21:12:08-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637
12018-03-16T21:12:12-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637Buffalo dance at Hano1The Buffalo dance at the Upper Rio Grande pueblos was lately introduced among the Hopi, who attach no religious significance to it.plain2018-03-16T21:12:12-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637
12018-03-16T21:12:12-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637Antelopes and snakes at Oraibi1The Antelope fraternity, at the right, and the Snake fraternity facing them at the left, engage in singing prior to handling the reptiles in the Snake dance. At the extreme right is the kisi, a cottonwood booth in which sits the custodian of the snake-jars, ready to hand out the reptiles one by one to the dancers.plain2018-03-16T21:12:12-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637
12018-03-16T21:12:12-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637Watching the dancers1A group of girls on the topmost roof of Walpi, looking down into the plaza.plain2018-03-16T21:12:12-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637
12018-03-16T21:12:13-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637Honovi - Walpi snake priest, with Totokya Day painting1This plate depicts the accoutrement of a Snake dancer on the day of the Antelope dance (see Volume XII, pages 146-149). The right hand grasps a pair of eagle-feathers - the "snake whip" - and the left a bag of ceremonial meal. Honovi was one of the author's principal informants.plain2018-03-16T21:12:13-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637
12018-03-16T21:12:14-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637Snake priest1The white markings, typifying the antelope, indicate that the subject is accoutred for the semi-final day of the Snake dance, when the public performance consists of the dance and the ceremonial race of the Antelope fraternity.plain2018-03-16T21:12:14-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637
12018-03-16T21:12:15-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637Snake dancers entering the plaza1At the right stand the Antelopes, in front of the booth containing the snake-jars. The Snakes enter the plaza, encircle it four times with military tread, and then after a series of songs remarkable for their irresistible movement, they proceed to dance with the reptiles.plain2018-03-16T21:12:15-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637
12018-03-16T21:12:16-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637Snake dancer in costume1plain2018-03-16T21:12:16-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637
12018-03-16T21:11:06-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637Flute dancers at Tureva Spring1The Flute dance is a religious ceremony concerned with bringing rain. It represents the legendary arrival of the Flute people in the Hopi country, their friendly encounter with the clans already there, and the rain-making rites subsequently performed by them for the common good. The episode here represented was photographed at Middle mesa. The individual seated near the right end is an albino, not a white man.plain2018-03-16T21:11:06-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637
12018-03-16T21:11:07-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637Hupa jumping dance costume1The Jumping dance was an annual ceremony for averting pestilence. The head-dress worn by the dancers was a wide band of deerskin with rows of red woodpecker crests and a narrow edging of white deer-hair sewn on it. A deerskin robe was worn as a kilt, and each performer displayed all the shells and beads he possessed or could borrow. In the right hand was carried a straw-stuffed cylinder with a slit-like opening from end to end, an object the significance of which is unknown to the modern Hupa.plain2018-03-16T21:11:07-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637
12018-03-16T21:12:19-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637Klamath lake marshes1Fairly extensive marshes occur along the shores of Klamath lake, and Klamath marsh covers about a hundred square miles. These areas are the resort of innumerable waterfowl, which were of great importance to the aboriginal Klamath, and thousands of acres were a mass of water-lilies, which yielded in abundance an edible seed.plain2018-03-16T21:12:19-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637
12018-03-16T21:12:31-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637Sia buffalo dancer1The Buffalo dance of the Keres is almost exactly the same as that of the Tewa. The performers are two young men with head-dresses of buffalo-hair and horns, and a girl wearing the usual female costume and a pair of small horns. The head of the hunters' society plays the part of guard. The dance is very strenuous, and the simulated actions of t he buffalo are quite realistic and readily comprehended by the spectator.plain2018-03-16T21:12:31-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637
12018-03-16T21:11:07-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637Tablita dancers and singers - San Ildefonso1The ceremony called Koheye-hyare ("tablita dance"), occurring in June and again in September, is characterized by public dancing and singing for the purpose of bringing rain-clouds. The name refers to wooden "tablets" worn by female dancers. (See Volume XVII, illustrations facing pages 56,60,62,64,66,68.) In the plate the performers are dancing in to the plaza, men and women alternating in pairs. At the right is the group of singers, their aged leader slightly in advance and the drummer at one side.plain2018-03-16T21:11:07-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637
12018-03-16T21:12:34-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637Tesuque buffalo dancers1The Buffalo dance is performed, though the original object of exerting prenatural influence on the abundance and accessibility of the buffalo no longer prevails. The two male dancers are accompanied by the Buffalo Girl, who is fully clothed in native costume and has a pair of small horns on the head. These three give a very striking and dramatic performance under the watchful eye of the head of the hunters' society.plain2018-03-16T21:12:35-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637
12018-03-16T21:12:37-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637Corner of Zuni1The chamber at the left, with ladder-poles projecting from the hatchway, is the kiva of the north. Many dances are performed in the small plaza here shown. The dark material piled against one of the houses is sheep-dung for firing pottery.plain2018-03-16T21:12:38-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637
12018-03-16T21:11:09-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637Cheyenne sun-dance lodge1For an account of the Sun-dance ceremony and the erection of the lodge among the Southern Cheyenne, see Volume XIX, pages 121-128.plain2018-03-16T21:11:09-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637
12018-03-16T21:11:10-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637Hotamitaye Society, Cheyenne sun-dance1The members of this and other bands, which were created by the Prophet of Cheyenne legend, go to the forest for the poles with which to build the lodge. While in the forest they decorate themselves and their horses with willow branches, leaving the rearmost horsemen to drag the poles to camp.plain2018-03-16T21:11:10-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637
12018-03-16T21:11:10-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637Water rite purification, Cheyenne animal dance1The legend of the Animal dance is given on pages 133-135 of Volume XIX.plain2018-03-16T21:11:10-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637
12018-03-16T21:11:10-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637At the pool, animal dance - Cheyenne1plain2018-03-16T21:11:10-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637
12018-03-16T21:07:21-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637Atsina crazy dance : A dancer kisses the grandfather1plain2018-03-16T21:07:21-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637
12018-03-16T21:07:22-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637Atsina crazy dance : The flight of arrows1plain2018-03-16T21:07:22-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637
12018-03-16T21:07:22-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637Singing in the crazy dance - Atsina1plain2018-03-16T21:07:22-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637
12018-03-16T21:10:25-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637Sun dance in progress - Cheyenne1plain2018-03-16T21:10:25-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637
12018-03-16T21:10:31-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637A dance in the forest - Flathead1plain2018-03-16T21:10:31-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637
12018-03-16T21:07:49-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637An incident of the winter dance - Nakoaktok1plain2018-03-16T21:07:49-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637
12018-03-16T21:08:10-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637Spectators at the snake dance1plain2018-03-16T21:08:10-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637
12018-03-16T21:08:11-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637Snake dancer and "hugger"1plain2018-03-16T21:08:11-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637
12018-03-16T21:08:15-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637Dancer with black deer effigy - Hupa1plain2018-03-16T21:08:15-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637
12018-03-16T21:08:15-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637Obsidian bearer, White deerskin dance - Hupa1plain2018-03-16T21:08:15-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637
12018-03-16T21:08:52-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637Good luck dance by San Juan hunters1plain2018-03-16T21:08:52-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637
12018-03-16T21:09:00-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637Tablita dancers at the kiva - San Ildefonso1plain2018-03-16T21:09:00-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637
12018-03-16T21:09:00-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637Tablita dancers - San Ildefonso1plain2018-03-16T21:09:00-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637
12018-03-16T21:09:10-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637Frame of the sponsor's tipi, Cree sun-dance1plain2018-03-16T21:09:10-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637
12018-03-16T21:09:16-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637Chiefs in the sun dance parade - Cheyenne1plain2018-03-16T21:09:16-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637
12018-03-16T21:09:16-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637Hivihhnihpoih Society, Cheyenne sun dance1plain2018-03-16T21:09:16-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637
12018-03-16T21:09:17-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637Hefatyu Society, Cheyenne sun dance1plain2018-03-16T21:09:17-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637
12018-03-16T21:09:17-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637Preparatory lodge, Cheyenne sun dance1plain2018-03-16T21:09:17-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637
12018-03-16T21:09:17-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637Interior of sun dance lodge - Cheyenne1plain2018-03-16T21:09:17-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637
12018-03-16T21:11:16-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637Curtis and His Collaborators1part of Contextualizing Curtisplain2018-03-16T21:11:16-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637
12018-03-16T21:06:56-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637Grass Dance - Atsina Gros Ventres1wax cylinder recording of an Atsina Gros Ventres songplain2018-03-16T21:06:56-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637
12018-03-16T21:06:57-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637Seven Girl Dance Sung in Plaza1wax cylinder recording of Tesque songplain2018-03-16T21:06:57-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637
12018-03-16T21:06:57-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637Seven Girl Dance When Woman Whips1wax cylinder recording of Tesuque songplain2018-03-16T21:06:57-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637
12018-03-16T21:06:57-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637Snake Dance - Nambe Pueblo1wax cylinder recording of song from Nambe Puebloplain2018-03-16T21:06:57-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637
12018-03-16T21:12:51-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637The Hopi Maiden and Watching the Dancers1part of Visualizing the "Vanishing Race"plain2018-03-16T21:12:51-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637
12018-03-16T21:11:11-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637Chief Josef –Nez Perce1Page 2 of Visualizing the "Vanishing Race"plain2018-03-16T21:11:11-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637
12018-03-16T21:11:03-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637Vanishing Race and Cañon de Chelly1Page 3 of Visualizing the "Vanishing Race"plain2018-03-16T21:11:03-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637
12018-03-16T21:12:51-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637Upshaw – Apsaroke1part of Visualizing the "Vanishing Race"plain2018-03-16T21:12:51-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637
12018-03-16T21:06:48-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637At the Old Well and A Zuni Woman1part of Visualizing the "Vanishing Race"plain2018-03-16T21:06:48-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637
12018-03-16T21:11:59-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637Princess Angeline1Page 1 of Visualizing the "Vanishing Race" pathplain2018-03-16T21:11:59-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637
12018-03-16T21:12:51-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637Watching the Dancers1Photogravure titled . “Watching the Dancers”, 1906, volume 12, portfolio plate 405, The North American Indianplain2018-03-16T21:12:51-07:00Erik Loyerf862727c4b34febd6a0341bffd27f168a35aa637
