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Seeking Stories of Queer California: A Hidden Histories Online Exhibit

Every 10th Jesus is a Queer, circa 1990

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Contents of this tag:
1. 3a Marcha Lésbica, 2006
2. I Lied, 2021 Artist: Alex Donis. I Lied is the culmination of an unfinished work that began in the mid-1990s after completing a single lithography poster of the same image. The edition depicts the Virgin Mary in her iconic contemplative stare and delicate hand gestures but with the words, I Lied subtly placed before the sacred heart. Through these simple words, the artist forces the viewer to see Mary beyond her divinity, but her humanness. A human with faults who perhaps may have lied to protect her loved ones, or to hide a secret or a painful truth. However, the criticism here heavily lies on the religious institutions who through the prevalent imagery, authority, and doctrine, have exploited and harmed many with minimal accountability. Part of the exhibit "At the Heart of It: LGBT Representation at Self Help Graphics", curated by Ruben Esparza.
3. De todas partes, de todos colores, somos raza : third anniversary awards ceremony, Gay and Lesbian Latinos Unidos, 1984 Text continues: "September 14, 1984, 8pm, Friendship Auditorium, 3201 Riverside Drive, Los Angeles." Red text and images on gold background. Image depicts eleven people wearing various headdresses and standing on top of a structure resembling a pyramid with the names of North American, South American and Caribbean countries listed.Poster is numbered and signed in pencil on the lower right corner.
4. Five Latinos dressed for the Orange County Gay Pride Festival, 1991
5. Laura Aguilar, #19, from the series Plush Pony, 1992
6. LXS Guia, 2018 Artist: Cynthia Velasquez. Cynthia Velasquez was born to a Chilean mother and a Guatemalan father, but her household was never strictly one culture. Like the city of Los Angeles, her household was diverse, influencing how she views herself and creates art. Her journey to find herself as an artist and a descendant of displaced people began at home, as did her understanding and introspection of her roots and ancestors in Chile and Guatemala. Her work references her search for lost parts of her identity, exploring that loss to understand her grounding as an artist and a queer womxn. Lxs Guía is a portrait of a womxn’s moment connecting with the spirit of the elder and the spirit animals, honoring the direction of the buffalo, the elder, and her ancestors. Part of the exhibit "At the Heart of It: LGBT Representation at Self Help Graphics", curated by Ruben Esparza.
7. Laura Aguilar, #20, from the series Plush Pony, 1992
8. Laura Aguilar, #6, from the series Plush Pony, 1992
10. Intertwined, 2007 Artist: Luciano Martinez. As real and imagined borders separate same-sex partners, the artist considers a new obstacle Gay Latino men face: gay marriage. Intertwined addresses the forbidden love between two men, sometimes complicated by geographic and cultural differences, trapped by an invisible cell that confines yet separates them. The prison-like bars that separate the lovers in the artwork are not only geographic, racial, and cultural but ominously political, highlighting the cross-national restrictions on gay marriage and the difficulties of recognizing same-sex partners within conservative societies. Part of the exhibit "At the Heart of It: LGBT Representation at Self Help Graphics", curated by Ruben Esparza.
11. Pete Jimenez Memorial, 2012
12. The Gay Latino Alliance, Market St., June 24, 1979
13. Butch/Top, 2007 Artrist: Miguel Angel Reyes. Influenced by oddly-toned color ads from 1970's fashion magazines, play with the labels men use to describe themselves for "sex hook-ups" internet personal advertisements. Though proudly gay, the butch-top asserts his sexually dominant role as a man, dispelling the commonly-held notion that homosexual men are feminine and passive. His attitude challenges any question of machismo. Part of the exhibit "At the Heart of It: LGBT Representation at Self Help Graphics", curated by Ruben Esparza.
14. Every 10th Jesus is a Queer, circa 1990
15. Y Que, 2007 Artist: Ruben Esparza. A deliberate flat artwork with limited colors boldly represents a shirtless, masculine, queer Chicano in a powerful stance. Y Que (translates to So What). The tattoo utilizes a decorative type treatment used in gang culture; the pearl necklace is a gay code representing a particular body fluid. Part of the exhibit "At the Heart of It: LGBT Representation at Self Help Graphics", curated by Ruben Esparza.
16. Ramon Novarro, circa 1920s
17. Remembrance for Teddy & Arnie, 2008 Artist: Joey Terrill. The image is taken from a 1989 painting created by Terrill titled Remembrance, exhibited at the Santa Monica Museum of Art for an art auction to raise funds for agencies working on the AIDs pandemic in the Latino Community. The serigraph Remembrance (For Teddy and Arnie), printed in 2008, honors the artist's friends, Arnie Araica (who designed the shirt the central figure is wearing) and the artist Teddy Sandoval, who died of Aids. The central figure is a self-portrait standing alongside his past partner, Robert Ward, during a dark period when friends had or were dying of AIDs. The two figures, the younger figure following the steps of his older partner, are in a garden surrounded by plants, white gladiolas, and birds of paradise. The garden, a reflection of life and beauty, can be likened to Terrill's friendships and their loss. The artist reflected on being alive 19 years after creating his original painting, having lived with HIV. Celebrating another 15 years since the creation of this print, the artist continues to champion health rights for the LBGTQ+ community. Part of the exhibit "At the Heart of It: LGBT Representation at Self Help Graphics", curated by Ruben Esparza.
18. Gay and Lesbian Latinos Unidos Office, 1983
19. Queerios, 2015
Contents of this tag:
1. Portrait of Marie Corelli, 1908
2. The Soul of Lilith, 1892
3. A celebration of adult Bar and Bat Mitvahs at Congregation Kol Ami, 2000
4. Beth Chayim Chadashim at the Los Angeles Christopher Street West pride parade, 1979
5. Church leaders at the March on Washinton, 1987
6. I Lied, 2021 Artist: Alex Donis. I Lied is the culmination of an unfinished work that began in the mid-1990s after completing a single lithography poster of the same image. The edition depicts the Virgin Mary in her iconic contemplative stare and delicate hand gestures but with the words, I Lied subtly placed before the sacred heart. Through these simple words, the artist forces the viewer to see Mary beyond her divinity, but her humanness. A human with faults who perhaps may have lied to protect her loved ones, or to hide a secret or a painful truth. However, the criticism here heavily lies on the religious institutions who through the prevalent imagery, authority, and doctrine, have exploited and harmed many with minimal accountability. Part of the exhibit "At the Heart of It: LGBT Representation at Self Help Graphics", curated by Ruben Esparza.
7. Letter from Marie Corelli to unknown recipient, undated
8. Kenneth Anger, undated
9. Cover and Dedication from The Treasure of Heaven, 1906
10. Concern magazine, Vol. 1, Nr. 1, 1966
11. The Prodigal, Vol. II, No. 20, May 21, 1971
12. Every 10th Jesus is a Queer, circa 1990
13. Holy Homophobia!, 1990
14. Sister Karen Boccalero, circa 1990
15. Inauguration of the Pleasure Dome, circa 1954
Contents of this tag:
1. Rock Hudson
2. Rope, 1947-1948
3. Blue check women's suit by Gilbert Adrian, 1946-48
4. The Golden Bull, 2023
5. Tan Suit Ensemble by James Galanos, 1962
6. Gay Dating Service Head, 1982
7. Poster and Call sheet for Making Love, 1981-1982
8. Photo of William Haines at his holiday home, taken by Ruth Harriet Louise for Metro Goldwyn Mayer, circa 1925
9. My Beautiful Laundrette, circa 1985
10. Kenneth Anger, undated
11. Membership card to the 1350 Club, 1981
12. The Word is Out, 1977
13. Don't Give Him Anything But Love, 1973
14. Gown by Gilbert Adrian, 1948
15. Photo booth photographs of Don Bachardy and Christopher Isherwood, March 30, 1953
16. Intertwined, 2007 Artist: Luciano Martinez. As real and imagined borders separate same-sex partners, the artist considers a new obstacle Gay Latino men face: gay marriage. Intertwined addresses the forbidden love between two men, sometimes complicated by geographic and cultural differences, trapped by an invisible cell that confines yet separates them. The prison-like bars that separate the lovers in the artwork are not only geographic, racial, and cultural but ominously political, highlighting the cross-national restrictions on gay marriage and the difficulties of recognizing same-sex partners within conservative societies. Part of the exhibit "At the Heart of It: LGBT Representation at Self Help Graphics", curated by Ruben Esparza.
17. Mr. Muscle Beach Contest, 1950
18. Inauguration of the Pleasure Dome, circa 1954
19. Data Boy, Issue 136: Film, January 1976
20. Newspaper clipping from photograph album showing Christopher Isherwood and W.H. Auden, ca. 1930s
21. Butch/Top, 2007 Artrist: Miguel Angel Reyes. Influenced by oddly-toned color ads from 1970's fashion magazines, play with the labels men use to describe themselves for "sex hook-ups" internet personal advertisements. Though proudly gay, the butch-top asserts his sexually dominant role as a man, dispelling the commonly-held notion that homosexual men are feminine and passive. His attitude challenges any question of machismo. Part of the exhibit "At the Heart of It: LGBT Representation at Self Help Graphics", curated by Ruben Esparza.
22. Crystal Beach Bathhouse, 1943
24. Tea and Sympathy, 1953-1956
25. Magpie of California, May 1969
26. Ramon Novarro, circa 1920s
27. Souvenir featuring Don Bachardy from a party thrown by producer Allan Carr in honor of Truman Capote, December 13, 1979
28. Y Que, 2007 Artist: Ruben Esparza. A deliberate flat artwork with limited colors boldly represents a shirtless, masculine, queer Chicano in a powerful stance. Y Que (translates to So What). The tattoo utilizes a decorative type treatment used in gang culture; the pearl necklace is a gay code representing a particular body fluid. Part of the exhibit "At the Heart of It: LGBT Representation at Self Help Graphics", curated by Ruben Esparza.
29. The World Book of Naders, undated
30. Gregg Araki
31. Every 10th Jesus is a Queer, circa 1990
32. Don Bachardy, portrait of Truman Capote, June 26, 1961
33. Excerpt from Sketchbook 11, Morris Scott Dollens, undated
34. Flier advertising A Different Light bookstore's 1989 Gay Writer Series events
35. Gay Sunshine no. 6, March 1971,
36. Gay Fathers Group, 1981
37. Don Bachardy, portrait of Stephen Spender, June 21, 1976
38. Cover of manual for "Civil Rights for Lesbians and Gay Men: A Reference Manual for City and County Officials", 1990
39. Charles Pierce and Virginia Grey
40. Lavendar Godzilla: Voices of the Gay Asian Pacific Alliance, April 2003
41. Gay Marriage Case in Court, 1979 Rob Brown, Herald Examiner Collection/Los Angeles Public Library. Photograph caption reads, "From left, attorney David M. Brown, plaintiffs, Anthony Corbett Sullivan, Richard Frank Adams. Sullivan and Adams are married, Adams a US citizen and Sullivan an Australian citizen. Both were issued a marriage license in Bolder [sic] Colorado and were married in Bolder [sic]. When Sullivan reapplied in Los Angeles in November 1975, the District Director of Immigration and Naturalization Service an immigrant visa. 'You have failed to establish that a bona fide marital relationship can exist between two faggots', Dist Director."
42. Portrait of William Andrews Clark, Jr., 1925
43. Salome, 1922
44. Designer Rudi Gernreich in His Office, 1969
45. Painted Rocks by Ray Lowen, undated
46. The Gay Times, interview with Joseph Hansen titled “Simple Lessons,” January 1987
47. Portrait of Harrison Post, 1920
48. Lesbians and Gay Men The Grand Jury's In Town, 1979 All requests to reproduce, publish, quote from or otherwise use collection materials must be submitted in writing to the Director of Library and Archives, North Baker Research Library, California Historical Society, 678 Mission Street, San Francisco, CA 94105. Consent is given on behalf of the California Historical Society as the owner of the physical items and is not intended to include or imply permission from the copyright owner. Such permission must be obtained from the copyright owner. Restrictions also apply to digital representations of the original materials. Use of digital files is restricted to research and educational purposes.
49. Joseph Hansen, “Why I wrote Early Graves,” circa 1987