This site requires Javascript to be turned on. Please enable Javascript and reload the page.

Seeking Stories of Queer California: A Hidden Histories Online Exhibit Main Menu Introduction Galleries A guide to each of the online galleries in this digital exhibit, grouped by topic or theme. Arts Asian & AAPI LGBTQ+ people Bisexual People Black LGBTQ+ People Communities Defying Expectations Gay men HIV/AIDS Latino/a/x LGBTQ+ people Lesbians LGBTQ+ Activism LGBTQ+ Discrimination LGBTQ+ Life in California Marriage and Families Politics Pride Religion and Spirituality Transgender People

3a Marcha Lésbica, 2006

44987

This page has tags:

Lesbians Beth McDonald
Contents of this tag:
1. Aché: A Journal for Black Lesbians, Vol. 1, no. 1, February 1989
2. Portrait of Marie Corelli, 1908
3. The Killing of Sister George
4. A celebration of adult Bar and Bat Mitvahs at Congregation Kol Ami, 2000
5. Lesbian Visibility Week poster, 1990
6. Lesbian Wedding, 1987
7. Lesbian parents and their children at the March on Washington, 1993
8. 3a Marcha Lésbica, 2006
9. Sheila Kuehl for Supervisor, circa 2014
10. Gold record for "Melissa Etheridge" album by Melissa Etheridge, 1988
11. Gwenn Craig Outwords profile
12. Poster for Carolyn Weathers : shitkickers & other Texas stories
13. Marie Corelli and Bertha Vyer, 1921
14. Marie Cartier graduation celebration, 2010 Women applauding Marie Cartier at a party celebrating her graduating from Claremont College with a PhD in theology. Hot Java coffeehouse was transformed into a gay women's bar from the 1950s. The Front row: Marie Cartier in cap and gown and Carolyn Weathers in rhinestone glasses. Middle row: unknown, Jayne Doolittle-Swanson in striped shirt and Jeanne Cordova in hat. Back row, mostly obscured, Pat Lamis in hat, unknown woman with hands in air. May 22, 2010.
15. Aché: A Journal for Lesbians of African Descent, Vol. 3, no. 1, February/March 1991
16. Robert Arthur, Ivy Bottini, Quentin Crisp, Morris Kight, and Patricia Nell Warren, 1994
17. The Children's Hour, 1961 Photograph of Shirley MacLaine, left, and Audrey Hepburn in a scene from The Children's Hour, and a letter from Arthur B. Krim to Eric Johnston regarding three films with homosexuality as a subject, including The Children's Hour, and requesting that the Code be amended. Photograph: Core Collection. Production files. Letter: Motion Picture Association of America Production Code Administration records.
18. Sheila Kuehl (L) and Judy Abdo (R), December 14, 1997
19. Lesbian Libertys, 2009
20. Gay Sunshine, undated
21. Laura Aguilar, #20, from the series Plush Pony, 1992
22. Willa Cather, letter to Zoë Akins, May 4, 1918
23. The Word is Out, 1977
24. Two women embracing and kissing, 1923
25. Laura Aguilar, #6, from the series Plush Pony, 1992
26. Judy Abdo Outwords profile
27. Dracula's Daughter, circa 1936
28. Lesbian Dyke March poster, 1996
29. First Ladies Memorial Dance Marathon button, 1978
30. Photograph of Florence Yoch and her partner Lucile Council, circa 1940
31. Cover of manual for "Civil Rights for Lesbians and Gay Men: A Reference Manual for City and County Officials", 1990
32. Thirteen Women, 1932
33. Aché: A Journal for Black Lesbians, Vol. 2, no. 6, November/December 1990
34. Gerrie Schipske for State Assembly button, 1996
35. Florence Yoch, landscape design, “A Hillside Garden for Mr. George Cukor, West Hollywood,” 1936
36. Hey Young Lesbians, undated
37. Eloise Klein Healy, typescript draft of poem, “There Are No Words for the Sexual Acts of Lesbians,” circa 1984
38. Black Lesbian Newsletter, December 1982
39. Aché: A Journal for Black Lesbians, Vol. 1, no. 2, March 1989
40. Profile of Ellen Ward, 2023
41. Connie Samaras, #11 from the series Edge of Twilight, 2013
42. Pandora's Box, 1929
43. Home, circa 1982
44. Profile of Vanessa Romain, 2023
45. Connie Samaras, #16 from the series Edge of Twilight, 2013
46. Gay & Lesbian L.A. history map, 2000
47. Tribal Connexions: A Celebration of 2 Years of Aché, 1991
48. Laura Aguilar, #19, from the series Plush Pony, 1992
49. Unattributed photograph of Zoe Akins, circa 1930s
Latino/a/x LGBTQ+ people Beth McDonald
Contents of this tag:
1. Five Latinos dressed for the Orange County Gay Pride Festival, 1991
2. 3a Marcha Lésbica, 2006
3. I Lied, 2021 Artist: Alex Donis. I Lied is the culmination of an unfinished work that began in the mid-1990s after completing a single lithography poster of the same image. The edition depicts the Virgin Mary in her iconic contemplative stare and delicate hand gestures but with the words, I Lied subtly placed before the sacred heart. Through these simple words, the artist forces the viewer to see Mary beyond her divinity, but her humanness. A human with faults who perhaps may have lied to protect her loved ones, or to hide a secret or a painful truth. However, the criticism here heavily lies on the religious institutions who through the prevalent imagery, authority, and doctrine, have exploited and harmed many with minimal accountability. Part of the exhibit "At the Heart of It: LGBT Representation at Self Help Graphics", curated by Ruben Esparza.
4. De todas partes, de todos colores, somos raza : third anniversary awards ceremony, Gay and Lesbian Latinos Unidos, 1984
5. Every 10th Jesus is a Queer, circa 1990
6. Y Que, 2007 Artist: Ruben Esparza. A deliberate flat artwork with limited colors boldly represents a shirtless, masculine, queer Chicano in a powerful stance. Y Que (translates to So What). The tattoo utilizes a decorative type treatment used in gang culture; the pearl necklace is a gay code representing a particular body fluid. Part of the exhibit "At the Heart of It: LGBT Representation at Self Help Graphics", curated by Ruben Esparza.
7. Ramon Novarro, circa 1920s
8. Remembrance for Teddy & Arnie, 2008 Artist: Joey Terrill. The image is taken from a 1989 painting created by Terrill titled Remembrance, exhibited at the Santa Monica Museum of Art for an art auction to raise funds for agencies working on the AIDs pandemic in the Latino Community. The serigraph Remembrance (For Teddy and Arnie), printed in 2008, honors the artist's friends, Arnie Araica (who designed the shirt the central figure is wearing) and the artist Teddy Sandoval, who died of Aids. The central figure is a self-portrait standing alongside his past partner, Robert Ward, during a dark period when friends had or were dying of AIDs. The two figures, the younger figure following the steps of his older partner, are in a garden surrounded by plants, white gladiolas, and birds of paradise. The garden, a reflection of life and beauty, can be likened to Terrill's friendships and their loss. The artist reflected on being alive 19 years after creating his original painting, having lived with HIV. Celebrating another 15 years since the creation of this print, the artist continues to champion health rights for the LBGTQ+ community. Part of the exhibit "At the Heart of It: LGBT Representation at Self Help Graphics", curated by Ruben Esparza.
9. Gay and Lesbian Latinos Unidos Office, 1983
10. Queerios, 2015
11. Laura Aguilar, #19, from the series Plush Pony, 1992
12. LXS Guia, 2018 Artist: Cynthia Velasquez. Cynthia Velasquez was born to a Chilean mother and a Guatemalan father, but her household was never strictly one culture. Like the city of Los Angeles, her household was diverse, influencing how she views herself and creates art. Her journey to find herself as an artist and a descendant of displaced people began at home, as did her understanding and introspection of her roots and ancestors in Chile and Guatemala. Her work references her search for lost parts of her identity, exploring that loss to understand her grounding as an artist and a queer womxn. Lxs Guía is a portrait of a womxn’s moment connecting with the spirit of the elder and the spirit animals, honoring the direction of the buffalo, the elder, and her ancestors. Part of the exhibit "At the Heart of It: LGBT Representation at Self Help Graphics", curated by Ruben Esparza.
13. Laura Aguilar, #20, from the series Plush Pony, 1992
14. Laura Aguilar, #6, from the series Plush Pony, 1992
15. Miguel Criado Outwords profile
16. Intertwined, 2007 Artist: Luciano Martinez. As real and imagined borders separate same-sex partners, the artist considers a new obstacle Gay Latino men face: gay marriage. Intertwined addresses the forbidden love between two men, sometimes complicated by geographic and cultural differences, trapped by an invisible cell that confines yet separates them. The prison-like bars that separate the lovers in the artwork are not only geographic, racial, and cultural but ominously political, highlighting the cross-national restrictions on gay marriage and the difficulties of recognizing same-sex partners within conservative societies. Part of the exhibit "At the Heart of It: LGBT Representation at Self Help Graphics", curated by Ruben Esparza.
17. Pete Jimenez Memorial, 2012
18. The Gay Latino Alliance, Market St., June 24, 1979
19. Butch/Top, 2007 Artrist: Miguel Angel Reyes. Influenced by oddly-toned color ads from 1970's fashion magazines, play with the labels men use to describe themselves for "sex hook-ups" internet personal advertisements. Though proudly gay, the butch-top asserts his sexually dominant role as a man, dispelling the commonly-held notion that homosexual men are feminine and passive. His attitude challenges any question of machismo. Part of the exhibit "At the Heart of It: LGBT Representation at Self Help Graphics", curated by Ruben Esparza.