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Seeking Stories of Queer California: A Hidden Histories Online Exhibit

The Gay Latino Alliance, Market St., June 24, 1979

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Contents of this tag:
Contents of this tag:
1. ACT UP die-in, Sacramento, 1988
2. Rally for marriage equality day of decision, 2008
3. The Names Project Foundation: AIDS Memorial Quilt booklet, circa 1995
4. Flower Power protest at LAPD, 1968
5. Sisters at March on Sacramento, 1988
6. Prop 8 What Should We Amend Next?, 2008
7. Asian Pacific group at the March on Washington for Lesbian, Gay and Bi Equal Rights and Liberation, 1993
8. Portrait of Morris Kight by Don Bachardy, 1980
9. Church leaders at the March on Washinton, 1987
11. Prisoners With AIDS Have the Right to Live, circa 1991
12. Profile of Ellen Ward, 2023
13. Drag March, 2023
15. A letter from the California Lavender Smokefree Network sent to Los Angeles County Supervisor Gloria Molina, March 31, 1995
16. Lesbians and Gay Men The Grand Jury's In Town, 1979 All requests to reproduce, publish, quote from or otherwise use collection materials must be submitted in writing to the Director of Library and Archives, North Baker Research Library, California Historical Society, 678 Mission Street, San Francisco, CA 94105. Consent is given on behalf of the California Historical Society as the owner of the physical items and is not intended to include or imply permission from the copyright owner. Such permission must be obtained from the copyright owner. Restrictions also apply to digital representations of the original materials. Use of digital files is restricted to research and educational purposes.
17. Lesbian Libertys, 2009
18. Cover of manual for "Civil Rights for Lesbians and Gay Men: A Reference Manual for City and County Officials", 1990
19. The Gay Latino Alliance, Market St., June 24, 1979
20. Queer Community ≠ Gay Capitali$m, 2010
21. Arrest of Gay Protester, 1989
22. Judy Abdo's pin flag, undated
23. Stonewall Coalition 1977 All requests to reproduce, publish, quote from or otherwise use collection materials must be submitted in writing to the Director of Library and Archives, North Baker Research Library, California Historical Society, 678 Mission Street, San Francisco, CA 94105. Consent is given on behalf of the California Historical Society as the owner of the physical items and is not intended to include or imply permission from the copyright owner. Such permission must be obtained from the copyright owner. Restrictions also apply to digital representations of the original materials. Use of digital files is restricted to research and educational purposes.
24. Trans People Are People, 2017
25. Gay Demonstration, Hollywood High, 1977
26. Gregg Araki Project 10 letter, circa 1988-1994
27. Homophobia, 1993
28. Support for AIDS Research, 1983
29. Campaign for Military Service poster, circa 1992
30. It's Cake, for God's Sake, 2017
31. Lambda Democratic Club T-shirts, circa 1990
32. With a Little Makeup, A Straight White Man Can Play Anything!! circa 1990s
33. March on Irvine for Lesbian and Gay Rights, 1990
34. The Center News, 1986
Contents of this tag:
1. 3a Marcha Lésbica, 2006
2. I Lied, 2021 Artist: Alex Donis. I Lied is the culmination of an unfinished work that began in the mid-1990s after completing a single lithography poster of the same image. The edition depicts the Virgin Mary in her iconic contemplative stare and delicate hand gestures but with the words, I Lied subtly placed before the sacred heart. Through these simple words, the artist forces the viewer to see Mary beyond her divinity, but her humanness. A human with faults who perhaps may have lied to protect her loved ones, or to hide a secret or a painful truth. However, the criticism here heavily lies on the religious institutions who through the prevalent imagery, authority, and doctrine, have exploited and harmed many with minimal accountability. Part of the exhibit "At the Heart of It: LGBT Representation at Self Help Graphics", curated by Ruben Esparza.
3. De todas partes, de todos colores, somos raza : third anniversary awards ceremony, Gay and Lesbian Latinos Unidos, 1984 Text continues: "September 14, 1984, 8pm, Friendship Auditorium, 3201 Riverside Drive, Los Angeles." Red text and images on gold background. Image depicts eleven people wearing various headdresses and standing on top of a structure resembling a pyramid with the names of North American, South American and Caribbean countries listed.Poster is numbered and signed in pencil on the lower right corner.
4. Five Latinos dressed for the Orange County Gay Pride Festival, 1991
5. Gay and Lesbian Latinos Unidos Office, 1983
6. Queerios, 2015
7. Laura Aguilar, #19, from the series Plush Pony, 1992
8. LXS Guia, 2018 Artist: Cynthia Velasquez. Cynthia Velasquez was born to a Chilean mother and a Guatemalan father, but her household was never strictly one culture. Like the city of Los Angeles, her household was diverse, influencing how she views herself and creates art. Her journey to find herself as an artist and a descendant of displaced people began at home, as did her understanding and introspection of her roots and ancestors in Chile and Guatemala. Her work references her search for lost parts of her identity, exploring that loss to understand her grounding as an artist and a queer womxn. Lxs Guía is a portrait of a womxn’s moment connecting with the spirit of the elder and the spirit animals, honoring the direction of the buffalo, the elder, and her ancestors. Part of the exhibit "At the Heart of It: LGBT Representation at Self Help Graphics", curated by Ruben Esparza.
9. Laura Aguilar, #20, from the series Plush Pony, 1992
10. Laura Aguilar, #6, from the series Plush Pony, 1992
12. Intertwined, 2007 Artist: Luciano Martinez. As real and imagined borders separate same-sex partners, the artist considers a new obstacle Gay Latino men face: gay marriage. Intertwined addresses the forbidden love between two men, sometimes complicated by geographic and cultural differences, trapped by an invisible cell that confines yet separates them. The prison-like bars that separate the lovers in the artwork are not only geographic, racial, and cultural but ominously political, highlighting the cross-national restrictions on gay marriage and the difficulties of recognizing same-sex partners within conservative societies. Part of the exhibit "At the Heart of It: LGBT Representation at Self Help Graphics", curated by Ruben Esparza.
13. Pete Jimenez Memorial, 2012
14. The Gay Latino Alliance, Market St., June 24, 1979
15. Butch/Top, 2007 Artrist: Miguel Angel Reyes. Influenced by oddly-toned color ads from 1970's fashion magazines, play with the labels men use to describe themselves for "sex hook-ups" internet personal advertisements. Though proudly gay, the butch-top asserts his sexually dominant role as a man, dispelling the commonly-held notion that homosexual men are feminine and passive. His attitude challenges any question of machismo. Part of the exhibit "At the Heart of It: LGBT Representation at Self Help Graphics", curated by Ruben Esparza.
16. Every 10th Jesus is a Queer, circa 1990
17. Y Que, 2007 Artist: Ruben Esparza. A deliberate flat artwork with limited colors boldly represents a shirtless, masculine, queer Chicano in a powerful stance. Y Que (translates to So What). The tattoo utilizes a decorative type treatment used in gang culture; the pearl necklace is a gay code representing a particular body fluid. Part of the exhibit "At the Heart of It: LGBT Representation at Self Help Graphics", curated by Ruben Esparza.
18. Ramon Novarro, circa 1920s
19. Remembrance for Teddy & Arnie, 2008 Artist: Joey Terrill. The image is taken from a 1989 painting created by Terrill titled Remembrance, exhibited at the Santa Monica Museum of Art for an art auction to raise funds for agencies working on the AIDs pandemic in the Latino Community. The serigraph Remembrance (For Teddy and Arnie), printed in 2008, honors the artist's friends, Arnie Araica (who designed the shirt the central figure is wearing) and the artist Teddy Sandoval, who died of Aids. The central figure is a self-portrait standing alongside his past partner, Robert Ward, during a dark period when friends had or were dying of AIDs. The two figures, the younger figure following the steps of his older partner, are in a garden surrounded by plants, white gladiolas, and birds of paradise. The garden, a reflection of life and beauty, can be likened to Terrill's friendships and their loss. The artist reflected on being alive 19 years after creating his original painting, having lived with HIV. Celebrating another 15 years since the creation of this print, the artist continues to champion health rights for the LBGTQ+ community. Part of the exhibit "At the Heart of It: LGBT Representation at Self Help Graphics", curated by Ruben Esparza.