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Performing Archive Main Menu Visualizing the “Vanishing Race”: the photogravures of Edward S. Curtis Front Page for Visualizing the "Vanishing Race" path Curtis' Image and Life: The Network of The North American Indian, Inc. An experiment with data visualization approach to understand and contextualize Curtis' images and his life Media, Technology and Mediations Curtis's Technology, Relationships to Media and Style Contextualizing Curtis, The North American Indian, and Race the collection of essays from the contributors Consulting with Tribes as Part of Archive Development Introduction to Consulting with Tribes by Ulia Gosart Contributing Archives Information on how to participate in Performing Archive Browsing the Media A path of paths that allow users to cut through the collection in a variety of ways. Acknowledgements and Project Information Project Network

Ti'mu - Cochiti

29482

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Cochiti Erik Loyer
Contents of this path:
"Home" Erik Loyer
Contents of this path:
1. Scout - Apache
2. Home of the Havasupai The Havasupai dwelling is dome-shaped framework of poles, sometimes covered with brush and reeds only, in other cases banked well toward the top with earth. The cañon walls shown in the background are of red sandstone, and rise perpendicularly four hundred feet. Back of these walls extend vast stretches of rough, broken country, intersected by many ravines and capped by sharp pinnacles. This picture was taken in early spring, when the peach orchards of the Havasupai were in full blossom.
3. Home in the Mesquite - Chemehuevi
4. Diegueño home
5. Mono home
6. Ti'mu - Cochiti
7. Primitive Apache home
8. A Pima home
9. A Yuma home
10. Mohave home construction
11. Apache-Mohave homes
12. Home of the water-monster
13. Arikara summer home
14. A Piegan home
15. Home of the Kalispel
16. Last home of Joseph - Nez Perce
17. A mountain home - Umatilla
18. Desert Cahuilla home
19. A San Juan home
20. Hooper Bay homes
21. Home structure, Diomede
22. Home structure, Cape Prince of Wales
23. Noatak home
Oto Erik Loyer
Contents of this path:
1. In Black Cañon - Apsaroke The Apsaroke, although not exclusively mountain dwellers, were ever fond of the hills, preferring the forest shade and the clear mountain streams to the hot ill-watered, monotonous prairies. The picture illustrates the Apsaroke custom of wearing at the back of the head a band from which fall numerous strands of false hair ornamented at regular intervals with pellets of bright-colored gum. Black Cañon is in the northern portion of the Bighorn mountains, Montana.
2. Yellow Kidney - Piegan
3. Evening on Puget Sound
4. Honovi - Walpi snake priest, with Totokya Day painting
5. Flute dancers at Tureva Spring The Flute dance is a religious ceremony concerned with bringing rain. It represents the legendary arrival of the Flute people in the Hopi country, their friendly encounter with the clans already there, and the rain-making rites subsequently performed by them for the common good. The episode here represented was photographed at Middle mesa. The individual seated near the right end is an albino, not a white man.
6. Datsolali, Washo basket-maker The coiled baskets produced by this woman have not been equalled by any Indian now living. Compare her work, shown in Plate 541, with the baskets of another woman as illustrated in Plate 542. The latter, seen alone, would be very excellent examples of Indian basketry, but their comparative coarseness is easily seen even in photographic reproduction. About ninety years old, Datsolali appears to be in the early sixties. She has the pride of a master in his craft, and a goodly endowment of artistic temperament. Persuading her to sit for a portrait is a task not to be lightly undertaken. Tatsolali (said to mean "big hips") is a nickname. Her proper name is Tabuta.
7. Ti'mu - Cochiti
8. Lucero - Santo Domingo Photographing a native of Santo Domingo is comparable to hunting big game with a camera. This pueblo measures its contentment inversely to the extent of unavoidable contact with the hated white race. A guard is detailed to watch the Catholic priest when he visits the village, and the Government has pursued the wise policy of detailing Indian teachers to the local school. The Santo Domingans long resisted the gratuitous digging of wells to be equipped with windmills, continue to deny their sick children the services of the Government physician, and resist the activities of census enumerators. There is no doubt that the death sentence would be past on any individual found guilty of revealing native practices, and if the priestly authorities learned that Lucero sold his likeness to a white man he doubtless had an unpleasant half hour.
9. Terraced houses of Zuni In the early eighties one of the house-groups of Zuni rose to a height of six well-defined stories. In 1903, when the photograph here reproduced was made, there were five stories. In 1910 a single apartment was four stories from the ground, but in 1919 this room was demolished. Note the bottomless pots forming chimneys, the wooden drain piercing the coping, the hemispherical oven of Spanish provenience on a roof.
10. Titishu-kghitluhl ("Deer Running") - Sarsi The Sarsi are an Athapascan tribe which prior to the nineteenth century came out of the far north, crossed the Saskatchewan, and becoming affiliated with the Algonquian confederacy of the Bloods, Blackfeet, and Piegan, became typical plainsmen, following the buffalo, engaging in horse-stealing raids, and in general adopting the religious practices of their allies. Old Sarsi, as the subject of this plate is colloquially known, was ninety-eight years of age when the photograph was made in 1925. In spite of his years, he was still agile and keen.
11. A Sarsi camp
12. Standing Two - Oto
13. Lone Chief - Oto
14. Wakonda - Oto
15. Pipe-stem - Oto
16. Old Eagle - Oto
17. Seeing High - Oto
18. Standing On The Earth - Oto
19. Oto puberty lodge
20. Wife of Wakonda - Oto
21. White Elk - Oto
22. A little Oto
List of Large Plates Supplementing Volume Sixteen Erik Loyer
Contents of this path:
1. Taos water girls
2. Iahla
3. North pueblo at Taos
4. Walvia
5. Taos woman
6. Isleta man
7. Francisca Chiwiwi - Isleta
8. Jemez architecture On account of the comparative inaccessibility of its site on Rio Jemez, a westerly affluent of the Rio Grande, Jemez is annoyed by fewer white visitors than almost any other pueblo. The reticence and the mental sluggishness of its inhabitants do not encourage the ethnologist. The Jemez played a leading part in the rebellion of 1680 and were so severely punished by Vargas that their preference for isolation is comprehensible. They have long been intimate with the Navaho and considerable racial mixture has resulted.
9. Jemez fiscal The office of fiscal, like that of governor and alguacil, is of Spanish origin, and its incumbents are charged with the supervision of activities connected with the church, such as burial of the dead and physical care of the church building. In general the church is an institution superimposed on pueblo life: it has nowhere become an integral part of it. At Jemez several centuries of effort at Christianization have been without tangible result, except that the presence of missionaries has been a more or less beneficial object lesson in a better mode of life
10. Tuvahe - Jemez
11. Cochiti and Sia pottery
12. Ti'mu - Cochiti
13. Aiyowitsa - Cochiti
14. Lucero - Santo Domingo Photographing a native of Santo Domingo is comparable to hunting big game with a camera. This pueblo measures its contentment inversely to the extent of unavoidable contact with the hated white race. A guard is detailed to watch the Catholic priest when he visits the village, and the Government has pursued the wise policy of detailing Indian teachers to the local school. The Santo Domingans long resisted the gratuitous digging of wells to be equipped with windmills, continue to deny their sick children the services of the Government physician, and resist the activities of census enumerators. There is no doubt that the death sentence would be past on any individual found guilty of revealing native practices, and if the priestly authorities learned that Lucero sold his likeness to a white man he doubtless had an unpleasant half hour.
15. Kyello - Santo Domingo
16. On a Sia housetop
17. Sia buffalo dancer The Buffalo dance of the Keres is almost exactly the same as that of the Tewa. The performers are two young men with head-dresses of buffalo-hair and horns, and a girl wearing the usual female costume and a pair of small horns. The head of the hunters' society plays the part of guard. The dance is very strenuous, and the simulated actions of t he buffalo are quite realistic and readily comprehended by the spectator.
18. Shuati - Sia
19. Sia street scene Sia is situated on the north bank of Rio Jemez, a few miles below Jemez pueblo. Ancient Sia, having participated in the revolt of 1680, was completely destroyed and a large number of its inhabitants were killed by Governor Domingo de Cruzate in 1689. The pueblo was rebuilt, probably on nearly the same site, and during the remaining years of this troubled period Sia remained actively friendly with the Spaniards. Once a populous centre, it housed only one hundred and fifty-four persons in 1924.
20. Sia buffalo mask
21. Acoma belfry
22. Feast day at Acoma
23. Acoma from the south
24. Old trail at Acoma
25. Acoma water carriers
26. At the gateway - Acoma
27. Acoma roadway
28. At the old well of Acoma
29. Acoma woman
30. Acoma water girls
31. Paguate Paguate is the oldest and largest of ten villages subsidiary to Laguna, the patent pueblo of this group. It appears to have been founded about the middle of the eighteenth century. Laguna itself dates from 1699. The two-story structure at the right, one of the two oldest buildings at Paguate, was a watchtower erected for the defense of the farming population from the roving Navaho, who disputed possession of this locality.
32. Laguna architecture
33. Replastering a Paguate house
34. Laguna watchtower
35. Paguate entrance
36. Paguate watchtower
"Girl" Erik Loyer
Contents of this path:
1. Sigesh - Apache
2. Apache Nalin
3. Qahatika water girl
4. Qahatika girl
5. Mosa - Mohave
6. Hwalya - Yuma
7. Maricopa girl
8. Ogalala girls
9. Sioux girl
10. Arikara girl
11. Cheyenne girl
12. Mountain camp - Yakima
13. Nespilim girl In the early years of the nineteenth century various explorers noted that the bands dwelling along the upper course of the Columbia, among which the Nespilim were included, wore practically no clothing. Excepting as the cold made some protection necessary. The hair of the women was arranged in two knots at the sides of the face ? a method of hairdressing still in vogue among the Salish on Fraser river. Prior to the middle of the century the use of deerskin garments had become common, and gradually other customs such as the style of hairdressing here illustrated, were borrowed from the tribes east of the Rocky mountains
14. Kutenai girls
15. Fisherman - Wishham
16. Wishham girl The subject is clothed in a heavily beaded deerskin dress of the plains type. The throat is encircled by strands of shell beads of native manufacture, heirlooms which were obtained by the original Wishham possessor from the Pacific slope. Pendant on the breast are strands of larger beads of the same kind, as well as of various kinds brought into the country by the traders of the Hudson's Bay Company. An indispensable ornament of the well-born person was the dentalium-shell thrust through a perforation in the nasal septum; occasionally, as in this case, two such shells were connected by means of a bit of wood pushed into the hollow bases. Tied to the hair at each side of the face (see the following plate) is another dentalium-shell ornament, which is in reality an ear pendant transferred from the lobe of the ear (where its weight would be inconvenient) to the hair. The head-dress consists of shells, shell beads, commercial beads, and Chinese coins. The coins made their appearance in the Columbia River region at a comparatively early date. This form of head-dress was worn on special occasions by girls between the age of puberty and their marriage.
17. Wishham girl, profile
18. Wishham maid
19. Suquamish girl
20. Cowichan girl
21. Clayoquot girl
22. Hesquiat maiden
23. Loitering at the spring
24. Tewa girl
25. Watching the dancers
26. Hopi girl
27. East mesa girls
28. Tewa girls
29. Pomo girl Clam-shell beads of the kind here shown are still made by some of the old men. Fragments of shell are pierced and strung on a stem of the scouring-rush (Equisetum), which is then drawn backward and forward on a flat surface of sandstone until the fragments have become nearly circular. The feathered ornament is an ear-pendant, which in this case, because of its length and weight, is attached to a strand of hair. The large, dark-colored bead on one strand of the necklace is a cylinder of magnesite, a highly valued object
30. Coast Pomo girl
31. Taos water girls
32. Ti'mu - Cochiti
33. Sia buffalo dancer The Buffalo dance of the Keres is almost exactly the same as that of the Tewa. The performers are two young men with head-dresses of buffalo-hair and horns, and a girl wearing the usual female costume and a pair of small horns. The head of the hunters' society plays the part of guard. The dance is very strenuous, and the simulated actions of t he buffalo are quite realistic and readily comprehended by the spectator.
34. Acoma water girls
35. Povi-Tamu
36. Girl and jar - San Ildefonso
37. Tesuque buffalo dancers The Buffalo dance is performed, though the original object of exerting prenatural influence on the abundance and accessibility of the buffalo no longer prevails. The two male dancers are accompanied by the Buffalo Girl, who is fully clothed in native costume and has a pair of small horns on the head. These three give a very striking and dramatic performance under the watchful eye of the head of the hunters' society.
38. Zuni girls at the river
39. Zuni girl
40. Apache girl
41. Yuma girl
42. Sholya - Mohave girl
43. Yaqui girl
44. Maricopa water girl
45. Mandan girl
46. Piegan girls
47. Arapaho water girl
48. Young Kalispel girl
49. Kutenai girls at the lake-shore
50. Nez Perce girl
51. Umatilla girl
52. Cayuse girl
53. Wishham girls
54. Quinault girl
55. Quilliute girl
56. Tsawatenok girl
57. Hesquiat girl in cedar-bark costume
58. Hano and Walpi girls wearing atoo
59. An East Mesa girl.
60. Sherwood Valley girl - Pomo
61. A Pomo girl
62. An Isleta girl
63. A Taos girl
64. Boy and girl columns at Corn Mountain -
65. A Zuñi girl
66. A Nambe girl
67. A Cree girl
68. A Comanche girl
69. Girl's costume, Nunivak
70. Diomede girl
71. Selawik girl.