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Performing Archive Main Menu Visualizing the “Vanishing Race”: the photogravures of Edward S. Curtis Front Page for Visualizing the "Vanishing Race" path Curtis' Image and Life: The Network of The North American Indian, Inc. An experiment with data visualization approach to understand and contextualize Curtis' images and his life Media, Technology and Mediations Curtis's Technology, Relationships to Media and Style Contextualizing Curtis, The North American Indian, and Race the collection of essays from the contributors Consulting with Tribes as Part of Archive Development Introduction to Consulting with Tribes by Ulia Gosart Contributing Archives Information on how to participate in Performing Archive Browsing the Media A path of paths that allow users to cut through the collection in a variety of ways. Acknowledgements and Project Information Project Network

Standing Two - Oto

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Oto Erik Loyer
Contents of this path:
1. In Black Cañon - Apsaroke The Apsaroke, although not exclusively mountain dwellers, were ever fond of the hills, preferring the forest shade and the clear mountain streams to the hot ill-watered, monotonous prairies. The picture illustrates the Apsaroke custom of wearing at the back of the head a band from which fall numerous strands of false hair ornamented at regular intervals with pellets of bright-colored gum. Black Cañon is in the northern portion of the Bighorn mountains, Montana.
2. Yellow Kidney - Piegan
3. Evening on Puget Sound
4. Honovi - Walpi snake priest, with Totokya Day painting
5. Flute dancers at Tureva Spring The Flute dance is a religious ceremony concerned with bringing rain. It represents the legendary arrival of the Flute people in the Hopi country, their friendly encounter with the clans already there, and the rain-making rites subsequently performed by them for the common good. The episode here represented was photographed at Middle mesa. The individual seated near the right end is an albino, not a white man.
6. Datsolali, Washo basket-maker The coiled baskets produced by this woman have not been equalled by any Indian now living. Compare her work, shown in Plate 541, with the baskets of another woman as illustrated in Plate 542. The latter, seen alone, would be very excellent examples of Indian basketry, but their comparative coarseness is easily seen even in photographic reproduction. About ninety years old, Datsolali appears to be in the early sixties. She has the pride of a master in his craft, and a goodly endowment of artistic temperament. Persuading her to sit for a portrait is a task not to be lightly undertaken. Tatsolali (said to mean "big hips") is a nickname. Her proper name is Tabuta.
7. Ti'mu - Cochiti
8. Lucero - Santo Domingo Photographing a native of Santo Domingo is comparable to hunting big game with a camera. This pueblo measures its contentment inversely to the extent of unavoidable contact with the hated white race. A guard is detailed to watch the Catholic priest when he visits the village, and the Government has pursued the wise policy of detailing Indian teachers to the local school. The Santo Domingans long resisted the gratuitous digging of wells to be equipped with windmills, continue to deny their sick children the services of the Government physician, and resist the activities of census enumerators. There is no doubt that the death sentence would be past on any individual found guilty of revealing native practices, and if the priestly authorities learned that Lucero sold his likeness to a white man he doubtless had an unpleasant half hour.
9. Terraced houses of Zuni In the early eighties one of the house-groups of Zuni rose to a height of six well-defined stories. In 1903, when the photograph here reproduced was made, there were five stories. In 1910 a single apartment was four stories from the ground, but in 1919 this room was demolished. Note the bottomless pots forming chimneys, the wooden drain piercing the coping, the hemispherical oven of Spanish provenience on a roof.
10. Titishu-kghitluhl ("Deer Running") - Sarsi The Sarsi are an Athapascan tribe which prior to the nineteenth century came out of the far north, crossed the Saskatchewan, and becoming affiliated with the Algonquian confederacy of the Bloods, Blackfeet, and Piegan, became typical plainsmen, following the buffalo, engaging in horse-stealing raids, and in general adopting the religious practices of their allies. Old Sarsi, as the subject of this plate is colloquially known, was ninety-eight years of age when the photograph was made in 1925. In spite of his years, he was still agile and keen.
11. A Sarsi camp
12. Standing Two - Oto
13. Lone Chief - Oto
14. Wakonda - Oto
15. Pipe-stem - Oto
16. Old Eagle - Oto
17. Seeing High - Oto
18. Standing On The Earth - Oto
19. Oto puberty lodge
20. Wife of Wakonda - Oto
21. White Elk - Oto
22. A little Oto
List of Large Plates Supplementing Volume Nineteen Erik Loyer
Contents of this path:
1. As it was in the old days In early days, before white men invaded the Great Plains and ruthlessly slaughtered them by the hundreds of thousands, bison were of prime importance to the hunting tribes of the vast region in which those animals had their range. The bison was not only the chief source of food of the Plains Indians, but its skin was made into clothing, shields, packs, bags, snowshoes, and tent and boat covers; the horns were fashioned into spoons and drinking vessels; the sinew was woven into reatas, belts, personal ornaments, and the covers of sacred bundles; and the dried droppings, "buffalo-chips," were used as fuel. So dependent on the buffalo were these Indians that it became sacred to them, and many were the ceremonies performed for the purpose of promoting the increase of the herds.
2. A Wichita
3. Wichita grass-house
4. Grass-house ceremony - Wichita
5. Henry - Wichita
6. Walter Ross - Wichita
7. Story of the Washita
8. On the Canadian River
9. Cheyenne sun-dance lodge
10. Hotamitaye Society, Cheyenne sun-dance
11. Water rite purification, Cheyenne animal dance
12. At the pool, animal dance - Cheyenne
13. Cheyenne chief The Cheyenne belong to the Algonquian linguistic family and therefore are related to the tribes of the Blackfoot Confederacy and to the Arapaho of the north, and, much more remotely, to many of the tribes that once lives along the Atlantic seaboard and in the Midwest. They are now divided into the Northern Cheyenne, living in Montana, and the Southern Cheyenne who were assigned a reservation in the present Oklahoma in 1867.
14. Lone chief - Cheyenne
15. Cheyenne costume
16. Cheyenne maiden
17. Dog woman - Cheyenne
18. Woista - Cheyenne woman
19. Reuben Taylor
20. Black Belly - Cheyenne
21. Old Cheyenne
22. Old warrior - Arapaho
23. Black Man - Arapaho
24. Standing Two - Oto
25. Lone Chief - Oto
26. Wakonda - Oto
27. Pipe-stem - Oto
28. Old Eagle - Oto
29. John Abbott - Osage
30. John Quapaw - Hunta Wakunta
31. Esipermi - Comanche There were no more vigorous people among the Indians of the Plains than the Comanche, a Shoshonean tribe, related to the Shoshone and Bannock of Idaho, from which region they entered the northern plains and drifted ever southward, following the bison in their wanderings. They were noted warriors and raiders, being the enemies of many tribes and extending their depredations far into Mexico. One need look no farther than the accompanying portraits to discern the warrior character of those old braves.
32. Lefthand - Comanche
33. Uwat - Comanche
34. A Comanche mother
35. A Comanche
36. Peyote drummer