This site requires Javascript to be turned on. Please enable Javascript and reload the page.

Performing Archive Main Menu Visualizing the “Vanishing Race”: the photogravures of Edward S. Curtis Front Page for Visualizing the "Vanishing Race" path Curtis' Image and Life: The Network of The North American Indian, Inc. An experiment with data visualization approach to understand and contextualize Curtis' images and his life Media, Technology and Mediations Curtis's Technology, Relationships to Media and Style Contextualizing Curtis, The North American Indian, and Race the collection of essays from the contributors Consulting with Tribes as Part of Archive Development Introduction to Consulting with Tribes by Ulia Gosart Contributing Archives Information on how to participate in Performing Archive Browsing the Media A path of paths that allow users to cut through the collection in a variety of ways. Acknowledgements and Project Information Project Network

Hupa purses and money

29482

This page has paths:

Vol. 13 Illustrations Erik Loyer
Contents of this path:
Hupa Erik Loyer
Contents of this path:
1. Karok baskets The basketry of the Karok does not differ from that of the Hupa and the Yurok. The process is always twining, and the usual materials are hazel rod for the warp, roots of the digger or the yellow pine for the weft, and Xerophyllum grass for white overlay, bark of the maidenhair fern for black, and fibres from the stem of Woodwardia fern, dyed in alder-bark juice in the mouth of the workwoman, for red. Represented in the plate are the receptacle for the storage of seeds and nuts, the burden-basket, the winnowing tray, various sizes of mush-baskets and food containers, and the cradle-basket.
2. Hupa trout-trap
3. Hupa jumping dance costume The Jumping dance was an annual ceremony for averting pestilence. The head-dress worn by the dancers was a wide band of deerskin with rows of red woodpecker crests and a narrow edging of white deer-hair sewn on it. A deerskin robe was worn as a kilt, and each performer displayed all the shells and beads he possessed or could borrow. In the right hand was carried a straw-stuffed cylinder with a slit-like opening from end to end, an object the significance of which is unknown to the modern Hupa.
4. Fishing from canoe - Hupa
5. Hupa mother and child
6. Hupa woman
7. Salmon stream
8. Hupa fisherman
9. Yurok drummer
10. Fish-weir across Trinity River - Hupa Each summer a substantial structure of this kind is thrown across the river, the southern and the northern divisions of the tribe alternating. The weir remains in place until the spring freshets carry it away. A fisherman stands on each of several platforms erected below an equal number of openings in the weir, and lowers and draws his dip-net at random. As the construction of a weir is a communal undertaking, the catch is divided each evening according to the requirements of the various families.
11. Fishing platform on Trinity River - Hupa
12. Principal female shaman of the Hupa
13. Hupa woman in primitive costume
14. Smoky day at the Sugar Bowl - Hupa
15. Hupa man
16. Hupa woman
17. Hupa baskets
18. Hupa purses and money
19. Hupa house
20. Hupa sweat-house
21. Sticks used in Hupa guessing game
22. Hupa matron
23. Hupa woman's dress
24. Hupa basket and purses
25. Hupa fisherman
26. Hupa female shaman
27. White deerskin dance costume - Hupa
28. Dancer with black deer effigy - Hupa
29. Obsidian bearer, White deerskin dance - Hupa
30. Modern Hupa house
31. Costume of the obsidian-bearer - Hupa
32. Dip-netting at the sugar bowl - Hupa
33. Watching for salmon - Hupa
34. Hupa canoe
35. Hupa salmon-fishing
36. Hupa war-chief