Main MenuOverview by Sujata Iyengar and Nathalie Vienne-Guerrin'Henry V' : A Guide to Early Printed Editions by Daniel Yabut“with rough and all-unable pen…” : Source Study and Historiography in Shakespeare’s 'Henry V' by Mikaela LaFavePistol and Monsieur Le Fer: An Anglo-French Encounter by Charlène CruxentUniversité Paul-Valéry Montpellier 3, IRCL, UMR5186 CNRSMaking & Unmaking National Identity: Race & Ethnicity in Shakespeare’s 'Henry V' by Nora Galland'Henry V' Onstage: From the Falklands War to Brexit (1986-2018) by Janice Valls-RussellThe Problematic Reception of 'Henry V' in France: A Case Study by Florence March“For ’tis your thoughts that now must deck our kings”: Henry’s Popular Afterlives by Philip Gilreath“On your imaginary forces work”: How 'Henry V'’s Chorus Changes the Play Text during Olivier’s Film by Julia KoslowskyA Guide to Teaching 'Henry V' and its Sources by Hayden BensonStudy QuestionsKey Scenes and Speeches from 'Henry V'Back Matter
Scenes Poster
12019-06-14T20:37:03-07:00Sujata Iyengarfbe074df710a5cd8b25e3570885f735f9ed74e43296031Poster for Scenes in the Other’s Language/Scènes dans la langue de l’autre, November 2018plain2019-06-14T20:37:04-07:002018, 1594English, FrenchCC-BY-SA-NCEdited Digital ImageCC-BY-SA-NCAnna Forrester, from Van Valckenborch’s 1594 “La tour de Babel”NASujata Iyengarfbe074df710a5cd8b25e3570885f735f9ed74e43