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Sound and Documentary in Cardiff and Miller's Pandemonium Main Menu Welcome The Project Chapter 1: Pandemonium—Sensory Assault and Deprivation Chapter 2: Sound Art—Narrative and Noise Chapter 3: Documentary—“Waking the Dead” Conclusions: Pandemonium, Radical Proximity, and Protest Acknowledgments Bibliography All Media News + Updates

Janet Cardiff and George Bures Miller at Eastern State Penitentiary.

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All Images Cecilia Wichmann
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1. Janet Cardiff and George Bures Miller recording audio for Jena Walk (Memory Field), 2006 © Janet Cardiff and George Bures Miller; Courtesy of the artists and Luhring Augustine, New York. Redaktion 11.06.2006 11:36:40 Editiert und gespeichert als: D:\BSkirl\cardif.jpg��Redaktion 11.06.2006 14:50:16 Kopieren nach: PhotoShop - C:\Programme\Adobe\Photoshop Elements\PhotoshopElements.exe��Redaktion 11.06.2006 14:51:07 Editiert und gespeichert als: D:\BSkirl\cardiff2.jpg��Redaktion 11.06.2006 14:52:22 Kopieren nach: PhotoShop - C:\Programme\Adobe\Photoshop Elements\PhotoshopElements.exe��Redaktion 11.06.2006 14:55:50 Text gespeichert��Redaktion 11.06.2006 14:56:05 Kopieren nach: Druckhaus Color - P:\Fotoware\To Do\Druckhaus\Rgb��Redaktion 11.06.2006 14:56:05 Kopieren nach: Druckhaus Color - P:\Fotoware\To Do\Druckhaus\Rgb��Redaktion 11.06.2006 21:06:12 Kopieren nach: Redaktion - P:\Fotoware\To Do\Redaktion��Redaktion 11.06.2006 21:06:12 Kopieren nach: Redaktion - P:\Fotoware\To Do\Redaktion��Redaktion 12.06.2006 10:26:19 Kopieren nach: Archiv - D:\CD brennen Image Description : OLYMPUS DIGITAL CAMERA Model : E-10 Software : 42-0133 Date and Time : 2006:10:12 08:25:25Exposure Time : 1/640 SecAperture : 1:11.0Flash : NoZoom Length : 36 mmExposure Program : NormalISO Speed : 320 Exposure Bias : 0.000 Metering Mode : PatternZoom Length : 36 mm
2. Janet Cardiff and George Bures Miller, The Killing Machine, 2007 © Janet Cardiff and George Bures Miller; Courtesy of the artists and Luhring Augustine, New York.
3. Janet Cardiff, Words Drawn in Water, 2005 © Janet Cardiff.
4. Janet Cardiff and George Bures Miller, Feedback, 2004 © Janet Cardiff and George Bures Miller; Courtesy of the artists and Luhring Augustine, New York.
5. James McNeill Whistler, Harmony in Blue and Gold: The Peacock Room, 1876–77. Freer Gallery of Art.
6. Kongorikishi (also known as Ni-o) Kamakura period, Japan, early 14th century. Wood. Freer Gallery of Art.
7. Matrix editor view, Pandemonium score.
8. Cellblock Seven, Eastern State Penitentiary.
9. Janet Cardiff and George Bures Miller listening to Pandemonium from Cellblock Seven's upper and lower galleries.
10. 1830s Etching of Eastern State Penitentiary.
11. Eastern State Penitentiary south wall, 2014.
12. Beater striking lampshade, Pandemonium.
13. Cellblock Seven, view from balcony, Eastern State Penitentiary.
14. Le Corbusier, Philips Pavilion, Expo 1958. Photo by Wouter Hagens. WikiMedia Commons.
15. George Bures Miller and Carlos Crovato in the Pandemonium workshop.
16. Carlos Crovato assisting in the Pandemonium workshop.
17. Auguste Rodin, The Burghers of Calais (detail), 1884–1889 (cast 1953–1959).
18. Cell interior in abandoned state, Eastern State Penitentiary.
19. Tresor, Berlin, 1991.
20. Jeff Wall, A man with a rifle, 2000.
21. Google Map view of Eastern State Penitentiary, April 2015.
22. Cell restored to 1830s appearance, Eastern State Penitentiary.
23. Control room containing MIDI system, Pandemonium.
24. Beater striking drawers, Pandemonium. Courtesy of Eastern State Penitentiary Historic Site.
25. Janet Cardiff and George Bures Miller listening to Pandemonium in Cellblock Seven.
26. Jeff Wall, Overpass, 2001.
27. Janet Cardiff and George Bures Miller testing Pandemonium.
28. Selection of Pandemonium beaters in situ, Eastern State Penitentiary.
29. Janet Cardiff and George Bures Miller testing Pandemonium.
30. Janet Cardiff listening to Pandemonium in Cellblock Seven during the composition process.
31. Inventory from George Bures Miller's notebook, Pandemonium.
32. Waveform view of Pandemonium recording.
33. George Bures Miller and Richard Herrod installing Pandemonium, Cellblock Seven upper gallery.
34. Janet Cardiff and George Bures Miller at Eastern State Penitentiary.
35. Carlos Crovato and George Bures Miller in Cellblock Seven.
36. Path along the National Mall. Janet Cardiff, Words Drawn in Water, 2005 © Janet Cardiff.
37. Eastern State Penitentiary Protest, July 1970. Courtesy of Temple University Libraries.
38. Cellblock Seven, skylight. Eastern State Penitentiary.
39. Layout from George Bures Miller's notebook, Pandemonium.
40. Eastern State Penitentiary Protest, July 1970. Courtesy of Temple University Libraries.
41. Janet Cardiff and George Bures Miller composing Pandemonium at Eastern State Penitentiary.
42. Janet Cardiff, The Forty Part Motet (A reworking of “Spem in Alium” by Thomas Tallis 1556), 2001 © Janet Cardiff; Courtesy of the artist and Luhring Augustine, New York. Johanniterkirche, Feldkirch, 2005. Photo: Markus Tretter. Janet Cardiff, The Forty Part Motet (A reworking of “Spem in Alium” by Thomas Tallis 1556), 2001 © Janet Cardiff; Courtesy of the artist and Luhring Augustine, New York. Johanniterkirche, Feldkirch, 2005. Photo: Markus Tretter. 40 loud speakers mounted on stands, placed in an oval, amplifiers, playback computer. Duration: 14 min. loop with 11 min. of music and 3 min. of intermission. Sung by Salisbury Cathedral Choir. Recording and Postproduction by SoundMoves. Edited by George Bures Miller. Produced by Field Art Projects. The Forty Part Motet by Janet Cardiff was originally produced by Field Art Projects with the Arts Council of England, Canada House, the Salisbury Festival and Salisbury Cathedral Choir, BALTIC Gateshead, The New Art Gallery Walsall, and the NOW Festival Nottingham.
43. Eastern State Penitentiary, 1920s
44. Richard Herrod, Janet Cardiff, and George Bures Miller in Cellblock Seven.
45. Masked prisoner in Eastern State Penitentiary, late 19th century.
46. MIDI system and keyboards, Pandemonium.
47. William Harnett, The Old Violin, 1886.
48. Plan of Eastern State Penitentiary existing structures as of 1993.
49. Richard Herrod assisting in the Pandemonium workshop.
50. John Haviland's plan for Eastern State Penitentiary as constructed, 1837.
51. MIDI and beater diagram from George Bures Miller's notebook, Pandemonium.
52. Titus Maderlechner and George Bures Miller preparing Pandemonium.
53. George Bures Miller in the Pandemonium production workshop across Fairmont Ave from the penitentiary.
54. George Bures Miller and Carlos Crovato preparing the Pandemonium system.
55. Robert Smithson, Yucatan Mirror Displacements (1–9), 1969.
56. Keyboard controllers, Pandemonium.
57. Riot at Eastern State Penitentiary, September 1933. Courtesy of Temple University Libraries.
58. George Bures Miller and Carlos Crovato in Cellblock Seven, Eastern State Penitentiary.
59. Visitors to Eastern State Penitentiary listening to audio tour
60. Pandemonium wires, Cellblock Seven.
61. Luigi Russolo, Ugo Piatti, and the Intonarumori, 1913.
62. Visitors at Pandemonium opening events.
63. Janet Cardiff and George Bures Miller. Courtesy of Eastern State Penitentiary Historic Site.
64. Tonmeister Titus Maderlechner composing Pandemonium.
65. Solenoid prototype, Pandemonium.
66. Cylindrical plaza and fountain designed by Gordon Bunshaft. Hirshhorn Museum and Sculpture Garden.
67. Smithson Crypt, Smithsonian Castle.
68. George Bures Miller and Janet Cardiff fine-tuning Pandemonium.
69. Fallout Shelter Sign, Eastern State Penitentiary.
70. Prototype for a solenoid casing
71. Curator Julie Courtney discusses Pandemonium at press event.
72. Fallout Supplies Barrel, Eastern State Penitentiary.
73. George Bures Miller fabricating a solenoid prototype for the Pandemonium beaters.
74. Janet Cardiff and Tonmeister Titus Maderlechner, Eastern State Penitentiary.