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Performing Archive Main Menu Visualizing the “Vanishing Race”: the photogravures of Edward S. Curtis Front Page for Visualizing the "Vanishing Race" path Curtis' Image and Life: The Network of The North American Indian, Inc. An experiment with data visualization approach to understand and contextualize Curtis' images and his life Media, Technology and Mediations Curtis's Technology, Relationships to Media and Style Contextualizing Curtis, The North American Indian, and Race the collection of essays from the contributors Consulting with Tribes as Part of Archive Development Introduction to Consulting with Tribes by Ulia Gosart Contributing Archives Information on how to participate in Performing Archive Browsing the Media A path of paths that allow users to cut through the collection in a variety of ways. Acknowledgements and Project Information Project Network

Native conception of a kopishtaia with mask and tablita - Acoma

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This page has paths:

"Mask" Erik Loyer
Contents of this path:
1. Masked dancer - Cowichan
2. Kotsuis and Hohhuq - Nakoaktok
3. Coming for the bride
4. Masked dancers in canoes - Qagyhl, A
5. Masked dancers - Qagyuhl The plate shows a group of masked and costumed performers in the winter ceremony. The chief who is holding the dance stands at the left, grasping a speaker's staff and wearing cedar-bark neck-ring and head-band and a few of the spectators are visible at the right. At the extreme left is seen a part of the painted mawihl through which the dancers emerge from the secret room; and in the centre, between the carved house-posts, is the Awaitlala hams'pek, showing three of the five mouths through which the hamatsa wriggle from the top to the bottom of the column. See page 175 and footnote.
6. Masked dancers in canoes - Qagyuhl, B
7. Haida of Massett
8. Hopi man
9. Sia buffalo mask
10. A Cowichan mask
11. Masked dancer - Cowichan
12. A Tluwulahu mask - Tswatenok
13. Mask of octopus hunter - Qagyuhl
14. Dancing Mask - Nootka
15. Tyo'oni Shiwanna mask - Cochita
16. Native drawings of Santo Domingo masks
17. Native conception of a kopishtaia with mask and tablita - Acoma
18. Ceremonial mask, Nunivak
19. Maskette, Nunivak
Acoma Erik Loyer
Contents of this path:
1. Acoma woman
2. Acoma water girls
3. A morning chat - Acoma
4. An Acoma man
5. Among the rocks - Acoma
6. Fiesta of San Estevan, A - Acoma
7. Fiesta of San Estevan, B - Acoma
8. Procession of San Estevan, A - Acoma
9. Procession of San Estevan, B - Acoma
10. Depositing San Estevan in the booth - Acoma
11. Acoma water carriers
12. Acoma belfry
13. At the gateway - Acoma
14. Acoma from the south
15. Feast day at Acoma
16. Old trail at Acoma
17. Acoma roadway
18. At the old well of Acoma
19. Inscription rock Inscription Rock, or El Morro (The Castle), as the Spaniards called it, is a striking landmark on the ancient trail between Acoma and Zuni. Beginning with Juan de Onate, who passed here in April, 1605, on his return to the Rio Grande from "the south sea," Spanish explorers and the administrators recorded their names and dates on smooth surfaces of the cliff, which reveal also numerous Indian petroglyphs. (See Volume XVII, illustration facing page 88.) Two ancient ruined pueblos are found on the top of the rock.
20. The Acoma and the enchanted mesa
21. Native conception of a kopishtaia with mask and tablita - Acoma
22. Cliff-perched Acoma
23. Crumbling walls of the old church - Acoma
24. Acoma from the churchtop
25. Church and cemetery - Acoma
26. Mission and church at Acoma
27. Laguna cooking-pot and Acoma water-jars
Vol. 16 Illustrations Erik Loyer
Contents of this path: