Capitalizing on Japanese Youth Culture
The government has taken note of this, using the Kawaii culture to market the country to others. Playing on the "culture of cute" has allowed the country to drive not only its internal economy but its global economic influence. Kawaii has become a political brand, creating something that had never been used in such a way before. By playing on Western oriental fetishes and their own sense of exceptionalism, they have been able to position themselves as a global player while driving an internal economy that is powerful, if unsupportable. Given their drastic reduction in birth rates, it seems as though they may have essentially shot themselves in the foot by pushing a childlike view of life and fear of adulthood that borders on the pathological (Lewis, 2015).
The "problem" according to the Japanese government comes when the patriarchal gender norms pushed since the end of WWII are no longer welcomed and supported by the Japanese youth. With Kawaii culture, these sanctioned gender identities are still upheld and reinforced by maintaining that men are the providers and recipients of sexual gratification while women are infantilized and act as sexual providers and stress relievers for the good workers and citizens. However, emerging fashion trends have set this model on its head in that women are demanding sexual gratification from men through host clubs and the like. Granted, many have to turn to sex work themselves to make the money to afford their weekly trips to the clubs and some will argue that the whole system perpetuates the patriarchy, if subversively, it's still important to note that women are beginning to recognize the power of their sexual desire. It will be interesting to see how the capitalist economy responds to this new model, because it will. Unfortunately, freedom of individuality is still only a luxury provided to those who can afford to buy it.
Works Cited:
1. Iida, Yumiko. "Beyond the ‘Feminisation’ of Culture and Masculinity: The Crisis of Masculinity and Possibilities of the "Feminine" in Contemporary Japanese Youth Culture." (2004). http://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.198.7844&rep=rep1&type=pdf
2. Lewis, Bryan. "'Cool Japan' and the Commodification of Cute: Selling Japanese National Identity and International Image." (2015). file:///C:/Users/sdb289/Desktop/School/Spring%20Semester/2017/JAPN%20482/Cool_Japan_and_the_Commodification_of_C.pdf
3. https://fashionunited.com/fashion-statistics-japan
4. https://fashionunited.com/global-fashion-industry-statistics