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Performing Archive Main Menu Visualizing the “Vanishing Race”: the photogravures of Edward S. Curtis Front Page for Visualizing the "Vanishing Race" path Curtis' Image and Life: The Network of The North American Indian, Inc. An experiment with data visualization approach to understand and contextualize Curtis' images and his life Media, Technology and Mediations Curtis's Technology, Relationships to Media and Style Contextualizing Curtis, The North American Indian, and Race the collection of essays from the contributors Consulting with Tribes as Part of Archive Development Introduction to Consulting with Tribes by Ulia Gosart Contributing Archives Information on how to participate in Performing Archive Browsing the Media A path of paths that allow users to cut through the collection in a variety of ways. Acknowledgements and Project Information Project Network

Papago burial

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Papago Erik Loyer
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1. Basketry jar Coiled basket vessel with neck. There is a diagonal zig-zag (stepped pattern?) design that runs across the vessel. This pattern is extremely faded on exterior but is more visible on the interior. "CURTIS" is written in pink pigment on the exterior of the base. Typed note inside vessel says: "31. Basketry Olla. Tribe: Papago- Southern Arizona. Design: very faint stepped cube design; foundation is a bear grass coiled core w/yucca overstitch. Size: 12" h., 10" dia., 8 1/4" rim dia. Condition: Fair. Circa: 1900."
2. Pima baskets The baskets made by the Pima, Papago, and Qahatika, as well as by their Maricopa neighbors, are practically identical in form and design, but the Maricopa basketry is of somewhat superior workmanship. The four-armed cross, a form of the swastika, appears as the central feature in the decoration of a majority of the Piman and Maricopa baskets of to-day, and while the true signification here is not known with certainty, it is not impossible that it was designed originally to represent the winds of the four cardinal directions. Less than a generation ago the swastika was employed by the Pima to decorate their shields, and as a brand for their horses.
3. Papago girl A particularly fine-looking Papago girl of as nearly pure blood as can be found in the region. The northern Piman tribes have been in direct contact with Spanish people for more than two centuries. Much of the early foreign blood, however, has become so blended that its physical influence is no longer apparent. Indeed there are many instances in which the Indians insist that their blood is entirely aboriginal, whereas in fact an infusion of alien blood is traceable several generations back.
4. Gathering hanamh - Papago Hanamh is the Piman name for the cholla cactus and its fruit. The natives gather the fruit of this spiny plant in large quantities, and it forms a food of material importance to the several tribes living within its habitat. In gathering it they use rude tongs made from a split stick. After a basket is filled, the fruit is spread on the ground and bushed about with a small, stiff besom until the spines are worn off, or the spines are burned of in an open fire.
5. Carlos Rios - Papago chief
6. Luzi - Papago
7. Papago kitchen
8. Hokak - Papago
9. Papago burial
10. Papago matron
11. The Papago potter
12. Papago primitive home
13. A Papago
Vol. 2 Illustrations Erik Loyer
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