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Installation Archive: A Capsule Aesthetic

Leather Landscape

The Leather Landscape exhibited in �We Are Family� at the Venice Biennale involved a colony of humanoid, transgenic African meerkat-like beings. �What arrests me in this more than natural colony,� Haraway continues, �is not the pink-suited blond human toddler face-to-face with a fabulated playmate living on soft white leather in the museum space. Rather, I am struck by the four-breasted female sitting peaceably on the next level up of the pyramidal habitat, with her milk-lust babies nestled between her legs ready to attach to her alluring array of ventral teats� (Haraway 2014: 249-250).

This page has tags:

Contents of this tag:
2. Still Life wth Stem Cells (In Daily)
3. We Are Family (Ann Shaw)
4. The Young Family (Fenna)
5. We Are Family (Art n Kulture)
6. The Young Family (randomuser1928)
7. We Are Family (Climent Vilella Capallera) Dirigida perFrancesco Bonamii amb obres, entre altres, deThomas BayrleGlenn BrownTacita DeanEllen GallagherBerlinde de BruyckereCeal FloyerGiuseppe GabelloneFelix GmelinDan GrahamDamien HirstPiotr JanasKerry James MarshallLucy McKenzieJennifer PastorRichard PrinceCharles RayRudolf StingelAlessandro AriattiPatricia PiccininiBruno GironcoliBeatriz MilhazesMotohiko OdaniChris OfiliAthanasia KyriakakosDimitris RotsiosR�r�Vladimir DubossarskyAleksandr VinogradovConstantin ZvezdochotovSantiago SierraFred WilsonPablo Atchugarry
8. The Young Family (Videomax) Australian citizen and resident artist Patricia Piccinini (Freetown-Sierra Leone, 1965) makes drawings, sculptures, photographs and videos that examine the border between the artificial and the natural. Attract and repel, they are unknown creatures, bodies that appear in the flesh, but presented as a mutation, a hybrid or a distortion of what we recognize as normal. In a world determined to humanize technology and homogenizing the human body to eliminate any uncomfortable difference, the works challenge the viewer with a look that is far from the ideal of perfection. The Carrier (Carrier), a work in glass-reinforced plastic, silicone, human hair and fabric has an old unconventionally transported by a being with human hominid features and look. It combines his fascination with medical science and biotechnology with the fears and concerns of modern society such as the appearance, aging and disease-related nature but unnaturally treated. The application of animal characteristics, the absence of face, atrophied limbs and flabby muscles are a personification of disgust generated malformation and physical decline. Strange scenes refer to the universal instinct to apply our own emotions species of animals and things. Piccinini wonders with that series of surrealist works between science fiction and how technology is changing our understanding of what it means to be human and also changes our relationships with others.To see the video on Jose Garcia Cordero: https://youtu.be/Cb12HmBrYW4To see the video on Urban Art: https://youtu.be/z8bRds5Pqw
9. We Are Family (denniscallan)
10. Leather Landscape The Leather Landscape exhibited in �We Are Family� at the Venice Biennale involved a colony of humanoid, transgenic African meerkat-like beings. �What arrests me in this more than natural colony,� Haraway continues, �is not the pink-suited blond human toddler face-to-face with a fabulated playmate living on soft white leather in the museum space. Rather, I am struck by the four-breasted female sitting peaceably on the next level up of the pyramidal habitat, with her milk-lust babies nestled between her legs ready to attach to her alluring array of ventral teats� (Haraway 2014: 249-250).
11. Game Boys Advanced (Craig O'Shanesy) Game Boys Advanced, 2 002, silicone, polyurethane, clothing, human hair.The two boys are cloned twins. On close inspection alarming signs of premature aging can be seen. The source for this idea was Dolly the sheep. Dolly was a ewe (5 July, 1 996 � 1 4 February, 2 003) famous for being the first mammal to be cloned from a cell. Dolly�s death at the premature age of six years prompted debate about the biological and ethical consequences of cloning.
12. Game Boys Advanced (Halvor Bodin)
13. Game Boys Advanced (RMIT University)
Contents of this tag:
2. Leather Landscape (Patricia Piccinini)
3. Leather Landscape The Leather Landscape exhibited in �We Are Family� at the Venice Biennale involved a colony of humanoid, transgenic African meerkat-like beings. �What arrests me in this more than natural colony,� Haraway continues, �is not the pink-suited blond human toddler face-to-face with a fabulated playmate living on soft white leather in the museum space. Rather, I am struck by the four-breasted female sitting peaceably on the next level up of the pyramidal habitat, with her milk-lust babies nestled between her legs ready to attach to her alluring array of ventral teats� (Haraway 2014: 249-250).
Contents of this tag:
2. Wave UFO (Real Strange)
3. Wave UFO (ALine Bastos)
4. Wave UFO (Alem dos outdoors)
5. Wave UFO (PinchukArtCentre)
6. Wave UFO (denniscallan)
7. Wave UFO (Kenia Lima)
8. Wave UFO (Sue Anne Pinheiro)
9. We Are Family (denniscallan)
10. Wave UFO (gpazzanese)
11. Wave UFO (Kunstkanaal Kunstbus) De Japanse kunstenares Mariko Mori werd midden jaren negentig internationaal bekend met haar opvallende multimediawerk van ge�nsceneerde foto's, video's en installaties. In al haar werk staat de tegenstelling tussen fantasie en werkelijkheid centraal. Ook combineert zij motieven uit de Japanse en westerse kunstgeschiedenis met hedendaagse invloeden uit de mode, designwereld, muziek, manga en science fiction. Mariko Mori schept artifici�le landschappen, waarin ze zelf vaak in verschillende gedaanten optreedt.
12. Wave UFO (uililopes) aliens - UFO====Pela primeira vez no Brasil, uma mostra ampla e abrangente da artista japonesa contempor�nea Mariko Mori, que utiliza o design e a arte de vanguarda para compor elementos de engenharia de ponta, interativos e de forte impacto f�sico e visual. A exposi��o apresenta dez trabalhos de alta complexidade tecnol�gica, que ocupar�o todos os espa�os expositivos do CCBB Bras�lia. Entre os trabalhos, todos provenientes de acervos da Europa, Estados Unidos e Jap�o, est�o: Wave Ufo, um objeto h�brido de grande escala, m�quina e escultura ao mesmo tempo, que funde, em tempo real, computa��o gr�fica, ondas cerebrais, som e uma engenharia arquitet�nica para criar uma experi�ncia interativa din�mica; Oneness, que apresenta um c�rculo de seis figuras confeccionadas em technogel (material novo, que fica entre o s�lido e o l�quido), medindo 1,35 m, que interagem ao toque do visitante.; e Transcircle, um anel de nove pedras de vidro coloridas e brilhantes, controlado interativamente, numa fant�stica reinterpreta��o dos c�rculos de mon�litos pr�-hist�ricos.As obras Wave UFO e Onenness permitem, al�m da contempla��o, a experimenta��o do p�blico. Por�m, considerando as caracter�sticas t�cnicas das referidas obras, essa integra��o � limitada e ser� controlada mediante retirada de senhas na bilheteria.fonte: http://www.bb.com.br/portalbb/page511...=====Mariko Mori (? ???, Mori Mariko, b. 1967 in Tokyo, Japan) is a Japanese video and photographic artist. While studying at Bunka Fashion College, she worked as a fashion model in the late 1980s. This strongly influenced her early works, such as Play with Me, in which she takes control of her role in the image, becoming an exotic, alien creature in everyday scenes. In 1989, she moved to London to study at the Chelsea College of Art and Design.The juxtaposition of Eastern mythology with Western culture is a common theme in Mori's works, often through layering photography and digital imaging, such as in her 1995 installation Birth of a Star. Later works, such as Nirvana show her as a goddess, transcending her early roles via technology and image, and abandoning realistic urban scenes for more alien landscapes.Play With Me (1994): Standing outside a Tokyo toy store, Mori dressed herself as a sexy cyborg�with light blue hair in long ponytails, metallic blue plastic in a hard-shell articulation of erotic body parts, silver plastic gloves, and a dress. Mori was trying to show that she connects to the robotic toys inside the store, but also to show her available unemotional sexuality.Subway (1994): Mori stood in a Tokyo subway car dressed as if she just landed from outer space. She was dressed in a silver metallic costume with a headset, microphone, and push-buttons on her forearm. This transformation�along with Play With Me�was to explore different constructed identities.Empty Dream (1995): Mori manipulates a photo of a real public swimming place as she inserts herself in a blue plastic mermaid costume in several locations within the scene. This image refers to, among other things, the rising of technology and philosophy around the creation of man through biotechnology.Oneness (2002): Oneness presents the dimensions of spirituality, photografy and fashion into a deep look on the originality of the artist's skill hence the usage of technology's brand new trends. The outlook designs of Oneness gathers the capacity nevertheless the hability to use advanced technology knowledge converted to some sort of mystic and UFO's.Including in Oneness you can find some sub-works such as the Wave-UFO, a 6.000 kg dome where the visitor, once inside it, can see projected paintings reworked with computer graphics and then transformed into photographs in the interior dome of the Wave UFO.ft: http://en.wikipedia.org/wiki/Mariko_Mori
13. Plasmid Region (teaknees)
14. Wave UFO (Gustabo J. Moretti) As obras da japonesa Mariko Mori misturam arte e tecnologia. Os espectadores podem interagir com as obras. Em uma sala, o p�blico pode fazer contatos imediatos com simp�ticos alien�genas azuis.Fonte Original: Jornal Nacional - TV GloboExposi��o OneNessBras�liaQuando: 25 de janeiro a 3 de abril de 2011 -- de ter�a a domingo, das 9h �s 21hOnde: Centro Cultural do Banco do Brasil Bras�liaQuanto: Entrada francaInforma��es: (61) 3310-7087Rio de JaneiroQuando: 9 de maio a 17 de julho de 2011 -- de ter�a a domingo, das 9h �s 21hOnde: Centro Cultural Banco do Brasil Rio de Janeiro -- Rua Primeiro de Mar�o, 66 -- Centro -- Rio de Janeiro (RJ)Quanto: Entrada gratuitaInforma��es: (21) 3808-2020S�o PauloQuando: 22 de agosto a 23 de novembro de 2011 -- de ter�a a domingo, das 10h �s 20hOnde: Centro Cultural Banco do Brasil S�o Paulo -- Rua �lvares Penteado, 112 -- Centro -- S�o Paulo (SP)Quanto: Entrada gratuitaInforma��es: (11) 3113-3651Com informa��es do site: http://madeinjapan.uol.com.br/
15. Wave UFO (Marcio Mourao)
16. Wave UFO (UNIBAN Brasil)
17. Leather Landscape The Leather Landscape exhibited in �We Are Family� at the Venice Biennale involved a colony of humanoid, transgenic African meerkat-like beings. �What arrests me in this more than natural colony,� Haraway continues, �is not the pink-suited blond human toddler face-to-face with a fabulated playmate living on soft white leather in the museum space. Rather, I am struck by the four-breasted female sitting peaceably on the next level up of the pyramidal habitat, with her milk-lust babies nestled between her legs ready to attach to her alluring array of ventral teats� (Haraway 2014: 249-250).
18. Wave UFO (Hirakiru)
19. Wave UFO (MyWayToTheTop)
20. Wave UFO (zixzup)
21. Wave UFO (antonella coppola)
22. Wave UFO (inge willems) Met een groepje artlovers naar Veneti� om tijdens de persopening van de Biennale aldaar evenementen momenten en mensen ludiek vast te leggen. Ali Haselhoef en Inge Willems filmen, kunstcriticus Paul Groot spreekt met de zeer door ons gewaardeerde filmster Tilda Swinton op het Turkse feest van modeontwerper Hussein Chalayan. De aanleiding: haar wonderbaarlijk schoenen (in 2005 een spektakel, nu loopt iedere griet op meer dan 10 centimeter. En let haar statement: ze belooft mee te doen aan een door ons geregisseerde performance in Amsterdam - of heb ik het verkeerd begrepen? (8 minuten)Verder in de arsenale: Joana Vasconcelos, Runa Islam, Guerilla Girls, Allora en Calzadilla en Mariko Moricamera: Ali Haselhoef, Inge Willemsedit: Inge Willems
23. Beginning of the End, Shanghai, China (bALANelcher)
24. Wave UFO (Antonella Coppola) Italiano:Questo � un video documentario su Wave UFO di Mariko Mori alla biennale di venezia nel 2005. Il video � stato realizzato per la mia tesi di laurea all'Accademia di Belle arti di Venezia del marzo 2006.English:A documentary about the visitor's reaction on Wave UFO, an art work by Mariko Mori. This artwork has been exibhited at te Venice Biennale in 2005,I shot it in that period. This is part of my degree dissertation at Fine Art Academy in Venice (march 2006).Please visit this amazing installation that is travelling around the world!
25. Wave UFO (Jornal da Gazeta)
26. Wave UFO (roger79leij)
27. We Are Family (Ann Shaw)
28. Wave UFO (blobbleo)
29. Wave UFO (Jose Eustaquio Lopes de Faria Junior)
30. Wave UFO (Ronald Rijken)
31. We Are Family (Art n Kulture)
32. Wave UFO (Dan Steinberg)
33. Wave UFO (Jose Paulo de Resende)
34. Wave UFO (Stella Melo)
35. We Are Family (Climent Vilella Capallera) Dirigida perFrancesco Bonamii amb obres, entre altres, deThomas BayrleGlenn BrownTacita DeanEllen GallagherBerlinde de BruyckereCeal FloyerGiuseppe GabelloneFelix GmelinDan GrahamDamien HirstPiotr JanasKerry James MarshallLucy McKenzieJennifer PastorRichard PrinceCharles RayRudolf StingelAlessandro AriattiPatricia PiccininiBruno GironcoliBeatriz MilhazesMotohiko OdaniChris OfiliAthanasia KyriakakosDimitris RotsiosR�r�Vladimir DubossarskyAleksandr VinogradovConstantin ZvezdochotovSantiago SierraFred WilsonPablo Atchugarry
Contents of this tag:
2. Beginning of the End, Shanghai, China (bALANelcher)
3. Game Boys Advanced (Craig O'Shanesy) Game Boys Advanced, 2 002, silicone, polyurethane, clothing, human hair.The two boys are cloned twins. On close inspection alarming signs of premature aging can be seen. The source for this idea was Dolly the sheep. Dolly was a ewe (5 July, 1 996 � 1 4 February, 2 003) famous for being the first mammal to be cloned from a cell. Dolly�s death at the premature age of six years prompted debate about the biological and ethical consequences of cloning.
4. Game Boys Advanced (Halvor Bodin)
5. Game Boys Advanced (RMIT University)
6. Leather Landscape The Leather Landscape exhibited in �We Are Family� at the Venice Biennale involved a colony of humanoid, transgenic African meerkat-like beings. �What arrests me in this more than natural colony,� Haraway continues, �is not the pink-suited blond human toddler face-to-face with a fabulated playmate living on soft white leather in the museum space. Rather, I am struck by the four-breasted female sitting peaceably on the next level up of the pyramidal habitat, with her milk-lust babies nestled between her legs ready to attach to her alluring array of ventral teats� (Haraway 2014: 249-250).