Sign in or register
for additional privileges

MACHINE DREAMS

Alexei Taylor, Author

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Effect on viewer (continued)


The spectacle is different than the sharp edged blocks and buildings of New York – they are airy, move erratically, and some even tower above humans. No one sees such animals on the streets of New York City (excluding the ones we are un-phased by, such as rats, dogs, cats, or birds).  Freud's word on the uncanny are fitting: “this uncanny is in reality nothing new or foreign, but something familiar and old – established in the mind that has been estranged only by the process of repression” (Freud). Animals are often times grounding figures within a concrete jungle (apt term, no?). The concrete jungle of humans is not accustomed to other forms of life or lifelike movement on the streets. Cars. Harsh buildings. Concrete. Streetlights. Neon signs. 

Seeing an animal sculpture on the sidewalk, in a city environment, pulls the passerby's brain into a less comfortable state, forcing it to reevaluate the environment in a more critical way. The thought process may follow as, "I never thought I'd see that on the street. I wonder if I've been missing stuff." The observer will then continue on his or her walk in the city, looking with eyes a bit wider than before at their surroundings, vowing not to miss a cool sighting. The individual arrived at Harris' artwork a passive spectator, and left an observer, a person more open to his or her surrounding environment. 

Passersby, who are jarred into acting as observers, especially children, connect to the artwork on another level as a representation of an animal. The fact that the sculpture is an animal and has a face makes one little girl form an emotional connection with the bear sculpture. Enough so, that when the bear deflates, the little girl is sad. When the bear inflates again, the girl walks away waving to the bear as if it is alive and can acknowledge her farewell.
Comment on this page
 

Discussion of "Effect on viewer (continued)"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Harris' Jinking Jungle Jurisdiction, page 10 of 12 Next page on path

Related:  Lamborghini TractorEyad from Marc JacobsgiraffeSituationist Map of ParisThrough the lens of Situationism and the DériveGet ready to wanderMarc Jacobs T-ShirtSymbolicAlterityFinal Paper Proposal. Inflatable Street Art: Joshua Allen HarrisFirst Lamborghini Tractor Black and Whiterunaway gargoyle in parisSpectatorWhat is it about these sculptures?Marc Jacobs Store InteriorJoshua Allen HarrisSesame Street and Deep QuestionsWhat makes an observer modern; Diana GluckSigur Rós - Fjögur píanóTractorsReality EffectThat's Not Trash; It's ArtEquivalenceThe TakeawayLungsLes nouvelles créatures de Joshua Allen HarrisAn Initial Confusion of NationalitiesHot Chip - I Feel BetterBackground Image Marc JacobsMan with BalloonTemporalityLungsOscar PistoriusRace in Rome, 1960The Devil SheepRed Gradient Background Marc JacobsHerculesBristol Museum vs. BanksyAir Bear, NYC Urban Art,Subway BreathVatican 3-DUnsure AnswersNew York CityBanksy vs. Bristol MuseumStore from the level aboveGhostcatching-BillTJonesSculpture disguised as trashWalking in New York CityMarc Jacobs StoreBalloons vs. Inflatable Street ArtFreud, Sigmund. "The Uncanny." MIT. Massachusetts Institute of Technology, n.d. Web. 1 Dec. 2012. .Andreotti, Libero. Theory of the Dérive and Other Situationist Writings on the City. Museu d'Art Contemporani de Barcelona, 1996. Print.Marc Jacobs T-Shirt close upSociety of the SpectacleSimulationMarc Jacobs Store ClerkCityBeirut - The Rip Tide (Official Video)RaceVideo: air giraffeExit Through the Gift ShopBibliographyGray, Christopher, ed. "Essays from Leaving the 20th Century." What Is Situationism?: A Reader. Ed. Stewart Home. Edinburgh, Scotland: AK, 1996. N. pag. Print.Effect on the viewerAmber Case: We are all cyborgs nowWalk continuedVindexNeelon, Caleb, Diederick Kraaijiveld, and Joshua Allen Harris. "Profile. Bora Baskan/Profile Diederick Kraaijiveld/Profile Joshua Allen Harris." Juxtapoz, 95 (2008): 22-24.Subway Diagramfarmer's petPrice (and Fact) CheckSubway InteriorFeelings on InflationUSSR/CCCP Propaganda Poster(Personalized) PropagandaFeireiss, Lukas. "Larissa Fassler: The Body and the City." Deutsche Bank ArtMag. Trans. Wilhelm Werthern. Deutsche Bank AG, n.d. Web. 10 Dec. 2012.Joshua Allen Harris' Portfolio. Joshua Allen Harris, n.d. Web. 1 Dec. 2012. .air apeMetrocardEyad holding T-ShirtSo what?Inflatable? How so?Sources so farbearsThe Capitalist's Communist CommodityCyborgWhat is this path? And how to maneuver itinflatable sculptureBearCue the HipstersUnitary Urbanism