What is this thing?
Revolutions Per Minute: The Art Record was unique in its ability to transcend the physical confines of the art gallery, but in the age of internet, this is now taken for granted. Anyone can conduct a search on the internet and find images of almost any piece of artwork, no matter its physical location. Though this may lessen the poignancy of the Feldman exhibit's mobility, the piece remains relevant in many other ways, such as the themes it explores and the historical context it provides.
This particular copy of "Revolutions Per Minute: The Art Record" was purchased by Vanderbilt Fine Arts Gallery in 1982, just five days after the exhibit opened in New York. It is number 107 of 500 copies from the Deluxe Edition of the record released by the gallery, and includes the 21 audio tracks on two vinyl discs and the 21 lithographs, each signed by the artist which created it.
This page has paths:
- Revolutions Per Minute: The Art Record Rebekah Smith
Contents of this tag:
- Gallery of Lithographs
- Themes
- Further Reading
- 1982: Historical Context of "Revolutions Per Minute"
- Types of Audio Format
- Would Not Say No to Some Help; Les Levine
- First Lines; Margaret Harrison
- How to Make Love a Sound; Douglas Davis
- Pieces of Sound; Vincenzo Agnetti
- Polynesian/Polyhedron; Jud Fine
- Antinova Remembers; Eleanor Antin
- Really, Is that a Fact?; Ida Applebroog
- The Louis XIV Deterrent; Conrad Atkinson
- Vibrations/Metaphors; Edwin Schlossberg
- Excerpt from the Second Lagoon: A Memoriam to John Isaacs; Helen Mayer Harrison & Newton Harrison
- Stand Up; Hannah Wilke
- Atomic Alphabet; Chris Burden
- Internal Sound; Terry Fox
- Comments on SITE; SITE
- Russian Language Lesson; Komar and Melamid
- Critical Path; R. Buckminster Fuller
- Smashing Beauty; Thomas Shannon
- Typewriter in D; David Smyth
- Think Twice; Todd Siler
- You Only Call the Old Doctor Once; Piotr Kowalski & William Burroughs
- Excerpt from Cooper Union Dialogue; Joseph Beuys