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Exhibiting Historical Art: Out of the Vault: Stories of People and ThingsMain MenuWorld MapClick pins to learn more about the object that originated thereTimelinePre-Columbian Gold Headband800 A.D. - 1500 A.D.Gold Eagle PendantsSepik River Headrest20th centuryStatue of Saint Barbara17th century France, polychromed wood, artist unknownCabinet door from the Imperial Palace of Beijing with Imperial DragonChen Youzhang, 1755Bronze LampHead of John the BaptistLauren Linquest, '19Ida Rubenstein, 1909 Sculpture by Jo DavidsonCassone ChestWater-Carrier Vase with Bamboo Pattern and BambooLenore Vanderkooi, 1996Lotus Flowers in a Wood VaseRevolutions Per Minute: The Art RecordOpening page
What is this thing?
1media/rpm_01.jpg2016-03-30T19:28:44-07:00Rebekah Smitha3009c8c4165f8704e2130afd68837d3725bee8d853248image_header2575992016-04-27T07:10:45-07:00Rebekah Smitha3009c8c4165f8704e2130afd68837d3725bee8dIn 1982, Jeff Gordon and Ron Feldman brought 24 artists together for an art exhibit. The end result, however, was not a conventional art gallery exhibit but 21 audio tracks which vary greatly in subject matter and recording style. Though each artist created a lithograph as an album cover for their individual tracks (as seen on the wall of the Vanderbilt Fine Arts Gallery), the emphasis of the exhibit was on the auditory, rather than the visual, components. Visitors to the Ron Feldman Fine Arts gallery went around the room listening to each track, but the exhibit is not confined to the physical space of a gallery; it can be experienced by anyone with access to a record player, no matter their location. This also allows for the exhibit to exist beyond the time it spent in the Feldman Fine Arts Gallery in New York. The audio tracks cover subjects ranging from nuclear war to phonetics, and are deeply influenced by the historical context of the 1980s.
Revolutions Per Minute: The Art Record was unique in its ability to transcend the physical confines of the art gallery, but in the age of internet, this is now taken for granted. Anyone can conduct a search on the internet and find images of almost any piece of artwork, no matter its physical location. Though this may lessen the poignancy of the Feldman exhibit's mobility, the piece remains relevant in many other ways, such as the themes it explores and the historical context it provides.
This particular copy of "Revolutions Per Minute: The Art Record" was purchased by Vanderbilt Fine Arts Gallery in 1982, just five days after the exhibit opened in New York. It is number 107 of 500 copies from the Deluxe Edition of the record released by the gallery, and includes the 21 audio tracks on two vinyl discs and the 21 lithographs, each signed by the artist which created it.
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12016-04-14T13:05:17-07:00Rebekah Smitha3009c8c4165f8704e2130afd68837d3725bee8dRevolutions Per Minute: The Art RecordRebekah Smith11Opening pagesplash2575992016-04-17T15:36:26-07:00Rebekah Smitha3009c8c4165f8704e2130afd68837d3725bee8d
Contents of this tag:
12016-04-17T12:53:49-07:00Rebekah Smitha3009c8c4165f8704e2130afd68837d3725bee8dGallery of Lithographs36lithograph images with links to track audio/textstructured_gallery2016-04-19T22:09:40-07:00Rebekah Smitha3009c8c4165f8704e2130afd68837d3725bee8d
12016-04-04T10:49:27-07:00Rebekah Smitha3009c8c4165f8704e2130afd68837d3725bee8dThemes32Revolutions per Minuteplain2016-04-20T07:14:03-07:00Rebekah Smitha3009c8c4165f8704e2130afd68837d3725bee8d
12016-04-04T10:37:59-07:00Rebekah Smitha3009c8c4165f8704e2130afd68837d3725bee8d1982: Historical Context of "Revolutions Per Minute"16plain2016-04-22T08:43:46-07:00Rebekah Smitha3009c8c4165f8704e2130afd68837d3725bee8d
12016-04-04T10:37:19-07:00Rebekah Smitha3009c8c4165f8704e2130afd68837d3725bee8dTypes of Audio Format9plain2016-04-20T07:19:31-07:00Rebekah Smitha3009c8c4165f8704e2130afd68837d3725bee8d
12016-04-17T11:54:14-07:00Rebekah Smitha3009c8c4165f8704e2130afd68837d3725bee8dWould Not Say No to Some Help; Les Levine4Audio, lithograph, textplain2016-04-17T16:07:55-07:00Rebekah Smitha3009c8c4165f8704e2130afd68837d3725bee8d
12016-04-17T16:49:51-07:00Rebekah Smitha3009c8c4165f8704e2130afd68837d3725bee8dPieces of Sound; Vincenzo Agnetti3audio/lithograph, textplain2016-04-17T16:50:42-07:00Rebekah Smitha3009c8c4165f8704e2130afd68837d3725bee8d
12016-04-17T12:48:15-07:00Rebekah Smitha3009c8c4165f8704e2130afd68837d3725bee8dFirst Lines; Margaret Harrison3audio/lithograph, textplain2016-04-17T16:07:09-07:00Rebekah Smitha3009c8c4165f8704e2130afd68837d3725bee8d
12016-04-17T15:58:14-07:00Rebekah Smitha3009c8c4165f8704e2130afd68837d3725bee8dHow to Make Love a Sound; Douglas Davis3audio/lithograph; textplain2016-04-17T16:16:02-07:00Rebekah Smitha3009c8c4165f8704e2130afd68837d3725bee8d
12016-04-18T22:00:38-07:00Rebekah Smitha3009c8c4165f8704e2130afd68837d3725bee8dAtomic Alphabet; Chris Burden2audio/lithograph, textplain2016-04-18T22:02:35-07:00Rebekah Smitha3009c8c4165f8704e2130afd68837d3725bee8d
12016-04-17T12:42:05-07:00Rebekah Smitha3009c8c4165f8704e2130afd68837d3725bee8dInternal Sound; Terry Fox2audio/lithograph, textplain2016-04-17T16:06:43-07:00Rebekah Smitha3009c8c4165f8704e2130afd68837d3725bee8d
12016-04-18T22:28:32-07:00Rebekah Smitha3009c8c4165f8704e2130afd68837d3725bee8dReally, Is that a Fact?; Ida Applebroog2audio/lithograph; textplain2016-04-18T22:29:01-07:00Rebekah Smitha3009c8c4165f8704e2130afd68837d3725bee8d
12016-04-19T18:53:02-07:00Rebekah Smitha3009c8c4165f8704e2130afd68837d3725bee8dThe Louis XIV Deterrent; Conrad Atkinson2audio/lithograph; textplain2016-04-19T21:53:07-07:00Rebekah Smitha3009c8c4165f8704e2130afd68837d3725bee8d
12016-04-19T20:09:38-07:00Rebekah Smitha3009c8c4165f8704e2130afd68837d3725bee8dTypewriter in D; David Smyth1audio/lithograph, textplain2016-04-19T20:09:39-07:00Rebekah Smitha3009c8c4165f8704e2130afd68837d3725bee8d
12016-04-19T20:29:22-07:00Rebekah Smitha3009c8c4165f8704e2130afd68837d3725bee8dExcerpt from Cooper Union Dialogue; Joseph Beuys1audio/lithograph, textplain2016-04-19T20:29:23-07:00Rebekah Smitha3009c8c4165f8704e2130afd68837d3725bee8d
12016-04-19T18:07:46-07:00Rebekah Smitha3009c8c4165f8704e2130afd68837d3725bee8dComments on SITE; SITE1audio/lithograph, textplain2016-04-19T18:07:46-07:00Rebekah Smitha3009c8c4165f8704e2130afd68837d3725bee8d
12016-04-19T18:20:28-07:00Rebekah Smitha3009c8c4165f8704e2130afd68837d3725bee8dCritical Path; R. Buckminster Fuller1audio/lithograph; textplain2016-04-19T18:20:28-07:00Rebekah Smitha3009c8c4165f8704e2130afd68837d3725bee8d
12016-04-17T16:26:16-07:00Rebekah Smitha3009c8c4165f8704e2130afd68837d3725bee8dRussian Language Lesson; Komar and Melamid1audio/lithograph, textplain2016-04-17T16:26:16-07:00Rebekah Smitha3009c8c4165f8704e2130afd68837d3725bee8d
12016-04-19T18:39:51-07:00Rebekah Smitha3009c8c4165f8704e2130afd68837d3725bee8dSmashing Beauty; Thomas Shannon1audio/lithograph, textplain2016-04-19T18:39:51-07:00Rebekah Smitha3009c8c4165f8704e2130afd68837d3725bee8d