Making the Perfect Record: From Inscription to Impression in Early Magnetic RecordingMain MenuAboutAbstract for “Making the Perfect Record,” American Literature 85.4 (December 2013), http://dx.doi.org/10.1215/00029831-2370230, Duke U PIntroductionIntroduction to Making the Perfect Record: From Inscription to Impression in Early Magnetic RecordingNotesNotes for “Making the Perfect Record,” American Literature 85.4 (December 2013), http://dx.doi.org/10.1215/00029831-2370230, Duke U PMediaMedia for “Making the Perfect Record,” American Literature 85.4 (December 2013), http://dx.doi.org/10.1215/00029831-2370230, Duke U PAcknowledgmentsAcknowledgments for “Making the Perfect Record,” American Literature 85.4 (December 2013), http://dx.doi.org/10.1215/00029831-2370230, Duke U PTechnical InformationTechnical Information for “Making the Perfect Record,” American Literature 85.4 (December 2013), http://dx.doi.org/10.1215/00029831-2370230, Duke U PReferencesReferences for “Making the Perfect Record,” American Literature 85.4 (December 2013), http://dx.doi.org/10.1215/00029831-2370230, Duke U PJentery Sayersbecbfb529bffcfafdfad6920ed57b30ccdca5339This essay is part of the “New Media” special issue of American Literature (volume 85, number 4, December 2013). See http://dx.doi.org/10.1215/00029831-2370230. Version 1 of the site is (c) 2013 by Duke University Press.
Interdisciplinary Force
12013-10-14T18:00:12-07:00Jentery Sayersbecbfb529bffcfafdfad6920ed57b30ccdca53392492The telegraphone's ideologies remained consistent in spite of its interdisciplinary use and influence.plain2013-11-08T14:40:14-08:00AnonymousIndeed, once-new gadgets such as the telegraphone emerge recursively with other cultural phenomena, including new literary genres (e.g., scientific-detective fiction), labor practices (e.g., dictation in the workplace), communication networks (e.g., telephony), consumption habits (e.g., listening to messages on wire), and initiatives in education (e.g., technical instruction in the mechanical arts). The existence of such cultural forces does not suggest they are totalizing, revolutionary, or unicausal. Instead, the implication is that—with devices like the telegraphone operating as an instrumental object across disciplines—those forces are at once abstract and concrete, simultaneously weak and strong (Star and Griesemer 1989, 393). That is, Reeve, Fankhauser, and Poulsen used the telegraphone differently in unique instances; nonetheless, shared informational needs, listening practices, memory techniques, and ideologies existed across those uses.
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1media/background.png2013-10-30T16:19:36-07:00Jentery Sayersbecbfb529bffcfafdfad6920ed57b30ccdca5339AboutJentery Sayers25Abstract, Acknowledgements, and Technical Information for Making the Perfect Record, American Literature 85.4 (December 2013), http://10.1215/00029831-2370230, Duke U Pplain2013-12-17T09:54:32-08:00Jentery Sayersbecbfb529bffcfafdfad6920ed57b30ccdca5339