Acknowledgments
I would also like to thank the National Endowment for the Humanities, the Media Arts + Practice Division of the University of Southern California School of Cinematic Arts, the Alliance for Networking Visual Culture, the Simpson Center for the Humanities at the University of Washington, and the Nebraska Digital Workshop at the Center for Digital Research in the Humanities at the University of Nebraska for supporting this research and its publication.
This essay is dedicated to the memory of Herbert Blau.