Making the Perfect Record: From Inscription to Impression in Early Magnetic RecordingMain MenuAboutAbstract for “Making the Perfect Record,” American Literature 85.4 (December 2013), http://dx.doi.org/10.1215/00029831-2370230, Duke U PIntroductionIntroduction to Making the Perfect Record: From Inscription to Impression in Early Magnetic RecordingNotesNotes for “Making the Perfect Record,” American Literature 85.4 (December 2013), http://dx.doi.org/10.1215/00029831-2370230, Duke U PMediaMedia for “Making the Perfect Record,” American Literature 85.4 (December 2013), http://dx.doi.org/10.1215/00029831-2370230, Duke U PAcknowledgmentsAcknowledgments for “Making the Perfect Record,” American Literature 85.4 (December 2013), http://dx.doi.org/10.1215/00029831-2370230, Duke U PTechnical InformationTechnical Information for “Making the Perfect Record,” American Literature 85.4 (December 2013), http://dx.doi.org/10.1215/00029831-2370230, Duke U PReferencesReferences for “Making the Perfect Record,” American Literature 85.4 (December 2013), http://dx.doi.org/10.1215/00029831-2370230, Duke U PJentery Sayersbecbfb529bffcfafdfad6920ed57b30ccdca5339This essay is part of the “New Media” special issue of American Literature (volume 85, number 4, December 2013). See http://dx.doi.org/10.1215/00029831-2370230. Version 1 of the site is (c) 2013 by Duke University Press.
An Even Earlier Recording Device
12013-10-18T10:46:13-07:00Jentery Sayersbecbfb529bffcfafdfad6920ed57b30ccdca53392492Valdemar Poulsen developed a recording mechanism in 1898 using piano wire.plain2013-11-08T15:14:25-08:00AnonymousIn fact, the answering machine’s predecessor existed as early as 1898. Although there is no evidence that he read Oberlin Smith’s work, that year an engineer by the name of Valdemar Poulsen experimented with storing voices on piano wire. These experiments initially occurred in his laboratory at the Copenhagen Telephone Company in Denmark. According to Marvin Camras ({Au: Which work by Camras?}, 1), a historian and practitioner of magnetic recording, Poulsen would stretch magnetic wire across the diagonal width of a room, from the top corner to its opposite bottom corner. To that wire, he would attach a trolley, which carried an electromagnet, battery, and telephone transmitter. As the trolley rolled down the wire, he would run alongside it, shouting into the transmitter.20 This process would then be repeated, but with a receiver instead of a transmitter. As the trolley rolled down the wire again, Poulsen would have a friend listen to the playback through an earpiece. The playback could be repeated (ostensibly without deterioration in audio quality), with people taking turns to individually listen.21 Better yet, they could then witness Poulsen wiping the record clean with a strong magnet, only to rerecord on the same medium (1).
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1media/background.png2013-10-30T16:19:36-07:00Jentery Sayersbecbfb529bffcfafdfad6920ed57b30ccdca5339AboutJentery Sayers18Abstract, Acknowledgements, and Technical Information for Making the Perfect Record, American Literature 85.4 (December 2013), http://10.1215/00029831-2370230, Duke U Pplain2013-12-12T11:15:02-08:00Jentery Sayersbecbfb529bffcfafdfad6920ed57b30ccdca5339