Making the Perfect Record: From Inscription to Impression in Early Magnetic RecordingMain MenuAboutAbstract for “Making the Perfect Record,” American Literature 85.4 (December 2013), http://dx.doi.org/10.1215/00029831-2370230, Duke U PIntroductionIntroduction to Making the Perfect Record: From Inscription to Impression in Early Magnetic RecordingNotesNotes for “Making the Perfect Record,” American Literature 85.4 (December 2013), http://dx.doi.org/10.1215/00029831-2370230, Duke U PMediaMedia for “Making the Perfect Record,” American Literature 85.4 (December 2013), http://dx.doi.org/10.1215/00029831-2370230, Duke U PAcknowledgmentsAcknowledgments for “Making the Perfect Record,” American Literature 85.4 (December 2013), http://dx.doi.org/10.1215/00029831-2370230, Duke U PTechnical InformationTechnical Information for “Making the Perfect Record,” American Literature 85.4 (December 2013), http://dx.doi.org/10.1215/00029831-2370230, Duke U PReferencesReferences for “Making the Perfect Record,” American Literature 85.4 (December 2013), http://dx.doi.org/10.1215/00029831-2370230, Duke U PJentery Sayersbecbfb529bffcfafdfad6920ed57b30ccdca5339This essay is part of the “New Media” special issue of American Literature (volume 85, number 4, December 2013). See http://dx.doi.org/10.1215/00029831-2370230. Version 1 of the site is (c) 2013 by Duke University Press.
Footnote 29
12013-10-14T11:09:36-07:00Jentery Sayersbecbfb529bffcfafdfad6920ed57b30ccdca53392492The telephone may not have been the focal point of the 1876 Exhibitionplain2013-11-08T15:56:28-08:00Anonymous29. In fact, the details surrounding Bell, the telephone, and Dom Pedro at the 1876 Exhibition are subject to debate. For instance, see Hounshell (1975), who argues that, despite popular accounts, the telephone was never the central feature of the Exhibition.
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12013-11-16T22:12:19-08:00Jentery Sayersbecbfb529bffcfafdfad6920ed57b30ccdca5339NotesJentery Sayers3Notes for the Articleplain2013-11-17T20:23:45-08:00Jentery Sayersbecbfb529bffcfafdfad6920ed57b30ccdca5339