Making the Perfect Record: From Inscription to Impression in Early Magnetic Recording

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Contents of this path:

  1. Clark Thread Company
  2. Metaphysics of Presence
  3. A Negative Theory of Reproducibility
  4. The Point or the Impression?
  5. A Materialist Approach to Hard Drives
  6. Screen Essentialism
  7. Speculative Approaches to Archives
  8. Made, Not Given or Taken
  9. Thread and Alienated Labor
  10. The Use of Tinfoil in 1878
  11. Smith Withholds His Response
  12. More Issues With Edison's Phonograph
  13. Human Fallibility
  14. The Electric Light Takes Precedence
  15. Results Lost in The Fire
  16. Merger
  17. Disembodied Listening
  18. A Site of Praxis
  19. An Exaggerated Statement of Output
  20. A Fickle Recording Apparatus
  21. Individual Listening
  22. Additional Rewritable Media
  23. Perfect Synthesis
  24. Disambiguation
  25. Acquiring a Patent
  26. "Strip"
  27. An Early Recording
  28. Poulsen's Research Team
  29. Conjectures on the 1876 Exhibition
  30. Fascinated by the Grandiose and Ephemeral
  31. Technological Development is Collective
  32. Reductive Myths
  33. A Male-Birth Model
  34. Medial Ideology
  35. Vaporware
  36. Advocating for Instruction
  37. A Demonstration
  38. Waning Significance
  39. No Need for a Polyglot
  40. Amplifying the Signal
  41. Publishing Reeve's Scientific Detective Fiction
  42. Publication History of "The Silent Bullet"
  43. Forensic Science and Literature
  44. Publication History of "The Dream Doctor"
  45. Fiction that Serves the Common Good
  46. Edison Reads Detective Fiction
  47. Reeve's Role in "Scientific Detective Monthly"
  48. Science is a Type of Detective Fiction
  49. Writing for Film
  50. A Clunky Recording Device
  51. Publication History of "Constance Dunlap, Woman Detective"
  52. Garrick vs. Dunlap
  53. The "Woman Detecive's" Informal Education
  54. Dunlap's Scientific Portrait
  55. Erasing Sensory Memory
  56. Unerring, Unnatural Detectives
  57. An Overlooked Accomplishment
  58. Anticipating the Hard Drive
  59. From Industry to the Intellectual
  60. A Semantic Shift