Making the Perfect Record: From Inscription to Impression in Early Magnetic RecordingMain MenuAboutAbstract for “Making the Perfect Record,” American Literature 85.4 (December 2013), http://dx.doi.org/10.1215/00029831-2370230, Duke U PIntroductionIntroduction to Making the Perfect Record: From Inscription to Impression in Early Magnetic RecordingNotesNotes for “Making the Perfect Record,” American Literature 85.4 (December 2013), http://dx.doi.org/10.1215/00029831-2370230, Duke U PMediaMedia for “Making the Perfect Record,” American Literature 85.4 (December 2013), http://dx.doi.org/10.1215/00029831-2370230, Duke U PAcknowledgmentsAcknowledgments for “Making the Perfect Record,” American Literature 85.4 (December 2013), http://dx.doi.org/10.1215/00029831-2370230, Duke U PTechnical InformationTechnical Information for “Making the Perfect Record,” American Literature 85.4 (December 2013), http://dx.doi.org/10.1215/00029831-2370230, Duke U PReferencesReferences for “Making the Perfect Record,” American Literature 85.4 (December 2013), http://dx.doi.org/10.1215/00029831-2370230, Duke U PJentery Sayersbecbfb529bffcfafdfad6920ed57b30ccdca5339This essay is part of the “New Media” special issue of American Literature (volume 85, number 4, December 2013). See http://dx.doi.org/10.1215/00029831-2370230. Version 1 of the site is (c) 2013 by Duke University Press.
Metaphysics of Presence
12013-10-14T10:33:30-07:00Jentery Sayersbecbfb529bffcfafdfad6920ed57b30ccdca53392497On Derrida's Response to the Theological Fetish of Authenticity and Presenceplain2013-11-18T16:07:50-08:00AnonymousJacques Derrida (1976, 71) describes and then proceeds to thoroughly critique the theological fetish of authenticity and presence. He writes: “All dualisms, all theories of the immortality of the soul or of the spirit, as well as monisms, spiritualist or materialist, dialectical or vulgar, are the unique theme of a metaphysics whose entire history was compelled to strive toward the reduction of the trace. . . . Only infinite being can reduce the difference in presence. . . . The logos as the sublimation of the trace is theological.”
12013-11-16T22:12:19-08:00Jentery Sayersbecbfb529bffcfafdfad6920ed57b30ccdca5339NotesJentery Sayers5All Notes for Making the Perfect Record, American Literature 85.4 (December 2013), http://10.1215/00029831-2370230, Duke U Pplain84242013-12-19T08:30:20-08:00Jentery Sayersbecbfb529bffcfafdfad6920ed57b30ccdca5339
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12013-10-11T13:34:29-07:00The Spirit of Sound3The notion of the aura of immaterial sound preceding the recording process is a cultural constructionplain2013-11-17T10:40:15-08:00