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Seeking Stories of Queer California: A Hidden Histories Online Exhibit Main Menu Introduction Galleries A guide to each of the online galleries in this digital exhibit, grouped by topic or theme. Arts Asian & AAPI LGBTQ+ people Bisexual People Black LGBTQ+ People Communities Defying Expectations Gay men HIV/AIDS Latino/a/x LGBTQ+ people Lesbians LGBTQ+ Activism LGBTQ+ Discrimination LGBTQ+ Life in California Marriage and Families Politics Pride Religion and Spirituality Transgender People

Visual Arts

44987 Visual arts are creative expression in pictorial, graphic, sculptural, and other two-dimensional and three-dimensional form. They include painting, drawing, sculpture, printmaking, photography, and installation art. Different eras in history have had their own standards for defining art and beauty, and queer painters, artists, cartoonists, muralists, and photographers have taken these definitions and remade them in their own image time and time again.

Visual arts are creative expression in pictorial, graphic, sculptural, and other two-dimensional and three-dimensional form. They include painting, drawing, sculpture, printmaking, photography, and installation art. Different eras in history have had their own standards for defining art and beauty, and queer painters, artists, cartoonists, muralists, and photographers have taken these definitions and remade them in their own image time and time again.

Collection Information

For more information on the materials in this gallery, see their holding institutions.

Claremont Colleges Special Collections & Archives
Old Love Story

Historical Society of Long Beach
Painted Rocks by Ray Lowen

The Huntington Library
Connie Samaras, #11 from the series Edge of Twilight
Connie Samaras, #16 from the series Edge of Twilight
Don Bachardy, portrait of Stephen Spender
Don Bachardy, portrait of Truman Capote
Laura Aguilar, #6, from the series Plush Pony
Laura Aguilar, #19, from the series Plush Pony
Laura Aguilar, #20, from the series Plush Pony

Margaret Herrick Library, Academy of Motion Picture Arts & Sciences
Kenneth Anger, hand drawn card and envelope

The Outwords Archive
Miguel Criado Oral History

Self Help Graphics & Art
Butch/Top
I Lied
Intertwined
LXS Guia
Queerios
Remembrance for Teddy & Arnie
Sister Karen Boccalero
Spider and Office Johnson
Y Que

University of California Riverside Special Collections & University Archives
Cover of Future Imperfect
Excerpt from Sketchbook 11, Morris Scott Dollens

William Andrews Clark Memorial Library
Clark Library vestibule ceiling

Contents of this tag:

Portrait of Dr. Evelyn Hooker by Don Bachardy, 1960
Portrait of Morris Kight by Don Bachardy, 1980
Tit Print, by Annie Sprinkle, 2004
Shroud of Curad, by Jerome Caja, 1993
Spider and Office Johnson, 2007 Artist: Alex Donis. Spider and Officer Johnson is a print from the painting series titled WAR, depicting police officers dancing with gang members with humorous yet tension-filled imagery elevating the homophobia and racial intolerance that exists in our social and justice system. Originally scheduled to be exhibited at the Watts Towers Arts Center in 2001, this painting series was threatened with protest and possible violent actions by members of the Watts community, prompting the exhibition's censorship by the Cultural Affairs Department of Los Angeles. Part of the exhibit "At the Heart of It: LGBT Representation at Self Help Graphics", curated by Ruben Esparza.
I Lied, 2021 Artist: Alex Donis. I Lied is the culmination of an unfinished work that began in the mid-1990s after completing a single lithography poster of the same image. The edition depicts the Virgin Mary in her iconic contemplative stare and delicate hand gestures but with the words, I Lied subtly placed before the sacred heart. Through these simple words, the artist forces the viewer to see Mary beyond her divinity, but her humanness. A human with faults who perhaps may have lied to protect her loved ones, or to hide a secret or a painful truth. However, the criticism here heavily lies on the religious institutions who through the prevalent imagery, authority, and doctrine, have exploited and harmed many with minimal accountability. Part of the exhibit "At the Heart of It: LGBT Representation at Self Help Graphics", curated by Ruben Esparza.
Opening of Desert Open Studios, 2023
Don Bachardy, portrait of Stephen Spender, June 21, 1976
Queerios, 2015
Kenneth Anger, hand drawn card and envelope, December 23, 1946
Connie Samaras, #11 from the series Edge of Twilight, 2013
LXS Guia, 2018 Artist: Cynthia Velasquez. Cynthia Velasquez was born to a Chilean mother and a Guatemalan father, but her household was never strictly one culture. Like the city of Los Angeles, her household was diverse, influencing how she views herself and creates art. Her journey to find herself as an artist and a descendant of displaced people began at home, as did her understanding and introspection of her roots and ancestors in Chile and Guatemala. Her work references her search for lost parts of her identity, exploring that loss to understand her grounding as an artist and a queer womxn. Lxs Guía is a portrait of a womxn’s moment connecting with the spirit of the elder and the spirit animals, honoring the direction of the buffalo, the elder, and her ancestors. Part of the exhibit "At the Heart of It: LGBT Representation at Self Help Graphics", curated by Ruben Esparza.
Old Love Story, 1986
Connie Samaras, #16 from the series Edge of Twilight, 2013
Cover of Future Imperfect, 2010
Painted Rocks by Ray Lowen, undated
Intertwined, 2007 Artist: Luciano Martinez. As real and imagined borders separate same-sex partners, the artist considers a new obstacle Gay Latino men face: gay marriage. Intertwined addresses the forbidden love between two men, sometimes complicated by geographic and cultural differences, trapped by an invisible cell that confines yet separates them. The prison-like bars that separate the lovers in the artwork are not only geographic, racial, and cultural but ominously political, highlighting the cross-national restrictions on gay marriage and the difficulties of recognizing same-sex partners within conservative societies. Part of the exhibit "At the Heart of It: LGBT Representation at Self Help Graphics", curated by Ruben Esparza.
Excerpt from Sketchbook 11, Morris Scott Dollens, undated
Laura Aguilar, #19, from the series Plush Pony, 1992
Clark Library vestibule ceiling, 1925
Laura Aguilar, #20, from the series Plush Pony, 1992
Butch/Top, 2007 Artrist: Miguel Angel Reyes. Influenced by oddly-toned color ads from 1970's fashion magazines, play with the labels men use to describe themselves for "sex hook-ups" internet personal advertisements. Though proudly gay, the butch-top asserts his sexually dominant role as a man, dispelling the commonly-held notion that homosexual men are feminine and passive. His attitude challenges any question of machismo. Part of the exhibit "At the Heart of It: LGBT Representation at Self Help Graphics", curated by Ruben Esparza.
An article on Miguel Criado in the Puerto Rican newspaper El Nuevo Dia, 1993
Laura Aguilar, #6, from the series Plush Pony, 1992
Y Que, 2007 Artist: Ruben Esparza. A deliberate flat artwork with limited colors boldly represents a shirtless, masculine, queer Chicano in a powerful stance. Y Que (translates to So What). The tattoo utilizes a decorative type treatment used in gang culture; the pearl necklace is a gay code representing a particular body fluid. Part of the exhibit "At the Heart of It: LGBT Representation at Self Help Graphics", curated by Ruben Esparza.
Sister Karen Boccalero, circa 1990
Miguel Criado painting in his kitchen, 2012
Don Bachardy, portrait of Truman Capote, June 26, 1961
Remembrance for Teddy & Arnie, 2008 Artist: Joey Terrill. The image is taken from a 1989 painting created by Terrill titled Remembrance, exhibited at the Santa Monica Museum of Art for an art auction to raise funds for agencies working on the AIDs pandemic in the Latino Community. The serigraph Remembrance (For Teddy and Arnie), printed in 2008, honors the artist's friends, Arnie Araica (who designed the shirt the central figure is wearing) and the artist Teddy Sandoval, who died of Aids. The central figure is a self-portrait standing alongside his past partner, Robert Ward, during a dark period when friends had or were dying of AIDs. The two figures, the younger figure following the steps of his older partner, are in a garden surrounded by plants, white gladiolas, and birds of paradise. The garden, a reflection of life and beauty, can be likened to Terrill's friendships and their loss. The artist reflected on being alive 19 years after creating his original painting, having lived with HIV. Celebrating another 15 years since the creation of this print, the artist continues to champion health rights for the LBGTQ+ community. Part of the exhibit "At the Heart of It: LGBT Representation at Self Help Graphics", curated by Ruben Esparza.