Making the Perfect Record: From Inscription to Impression in Early Magnetic RecordingMain MenuAboutAbstract for “Making the Perfect Record,” American Literature 85.4 (December 2013), http://dx.doi.org/10.1215/00029831-2370230, Duke U PIntroductionIntroduction to Making the Perfect Record: From Inscription to Impression in Early Magnetic RecordingNotesNotes for “Making the Perfect Record,” American Literature 85.4 (December 2013), http://dx.doi.org/10.1215/00029831-2370230, Duke U PMediaMedia for “Making the Perfect Record,” American Literature 85.4 (December 2013), http://dx.doi.org/10.1215/00029831-2370230, Duke U PAcknowledgmentsAcknowledgments for “Making the Perfect Record,” American Literature 85.4 (December 2013), http://dx.doi.org/10.1215/00029831-2370230, Duke U PTechnical InformationTechnical Information for “Making the Perfect Record,” American Literature 85.4 (December 2013), http://dx.doi.org/10.1215/00029831-2370230, Duke U PReferencesReferences for “Making the Perfect Record,” American Literature 85.4 (December 2013), http://dx.doi.org/10.1215/00029831-2370230, Duke U PJentery Sayersbecbfb529bffcfafdfad6920ed57b30ccdca5339This essay is part of the “New Media” special issue of American Literature (volume 85, number 4, December 2013). See http://dx.doi.org/10.1215/00029831-2370230. Version 1 of the site is (c) 2013 by Duke University Press.
Footnote 49
12013-10-14T12:41:20-07:00Jentery Sayersbecbfb529bffcfafdfad6920ed57b30ccdca53392491Reeve began to write for film in the late 1910s.plain2013-10-14T12:41:20-07:00Anonymous49 During the turn from the 1910s to the 1920s, Reeve’s work largely shifted from writing for magazines to writing for film. 1918 was the year of his last story for Cosmopolitan.
This page has paths:
12013-11-16T22:12:19-08:00Jentery Sayersbecbfb529bffcfafdfad6920ed57b30ccdca5339NotesJentery Sayers3Notes for the Articleplain2013-11-17T20:23:45-08:00Jentery Sayersbecbfb529bffcfafdfad6920ed57b30ccdca5339