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The Challenges of Born-Digital Fiction: Editions, Translations, and Emulations: The Multimedia Accompaniment to the Print EditionMain MenuTitle PageThe Title Page of The Challenges of Born-Digital Fiction: Editions, Translations, and EmulationsMedia Assets in "Introduction: Welcome to the Funhouse!"All media assets referenced in the Introduction of The Challenges of Born-Digital Fiction: Editions, Translations, and EmulationsMedia Assets in "Chapter 1: Emulation"All media assets referenced in Chapter 1 of The Challenges of Born-Digital Fiction: Editions, Translations, and EmulationsMedia Assets in "Chapter 2: Migration & Translation"All media assets referenced in Chapter 2 of The Challenges of Born-Digital Fiction: Editions, Translations, and EmulationsMedia Assets in "Chapter 3: Versions & Editions"All media assets referenced in Chapter 3 of The Challenges of Born-Digital Fiction: Editions, Translations, and EmulationsMedia Assets in Chapter 4: Restoration & Reconstruction: Final ThoughtsAll media assets referenced in Chapter 4 of The Challenges of Born-Digital Fiction: Editions, Translations, and EmulationsBack MatterThe Back Matter of The Challenges of Born-Digital Fiction: Editions, Translations, and EmulationsDene Grigarae403ae38ea2a2cccdec0313e11579da14c92f28
Link Names & Paths in the 1992 Mac Edition of afternoon
12022-11-20T12:52:32-08:00Dene Grigarae403ae38ea2a2cccdec0313e11579da14c92f284119722A photograph of the link names and paths in the 1992 Mac Edition of Michael Joyce's afternoon, a storyplain2023-05-27T12:32:27-07:00Dene Grigarae403ae38ea2a2cccdec0313e11579da14c92f28
One of the popular features of early hypertext fiction are “paths.” Formed by one or more links of the same type, they helped authors semantically cluster lexias along their connections. The link type is a custom label that—once created—could be reused to mark other links. For the reader, paths are visible as link names on the link menu. A single line represents a single available connection. On the right side of the line is the name of the destination; on the left side, the name of the connection.
In the video above the link menu shows four possible connections. Clicking the first line directs to a lexia named "MUS131 (Vivaldi)." Its path name is "Vivaldi1." Similarly, lexia "brown" has a path name of "yesterday." Whereas "Vivaldi1" marks just a small cluster of lexias, the path name "yesterday" represents a prominent group of nodes that tell the story from before the major event in the novel. Readers can access the "yesterday" group of lexias right after the introductory scene and—thanks to the presence of paths—can decode to stay on this particular path for longer.
This page has paths:
12022-11-15T17:35:34-08:00Dene Grigarae403ae38ea2a2cccdec0313e11579da14c92f28Media Assets in "Chapter 2: Migration & Translation"Dene Grigar27All media assets referenced in Chapter 2 of The Challenges of Born-Digital Fiction: Editions, Translations, and Emulationsplain2023-05-27T12:16:24-07:00Dene Grigarae403ae38ea2a2cccdec0313e11579da14c92f28
This page references:
1media/ch2-photo-afternoon-1992-link-names-paths_thumb.jpg2022-11-11T13:53:17-08:00Link Names & Paths in the 1992 Mac Edition of afternoon3A photograph of the link names and paths in the 1992 Mac Edition of Michael Joyce's afternoon, a storymedia/ch2-photo-afternoon-1992-link-names-paths.jpgplain2022-12-07T12:44:35-08:00