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Volume 16 | 2020 | International Cinema in the Space Between: The Long Decade of the 1930s

5401

A Special Topics Issue

Sarah E. Cornish
University of Northern Colorado
Alexis E. Pogorelskin
University of Minnesota—Duluth

Editors' Introduction

ARTICLES

The Sound Revolution: The Medium Re-Born 

Editors' Introduction

Synchronized Sound Technology and the British Musical Film in the 1930s
Lara Ehrenfried

Politicizing Cinema: Defining It on the Left

Editors' Introduction

Little Magazines, Postwar Internationalism, and the Construction of World Cinema
Louise Kane

Mateo Santos and the Documentary of Occupation: "Cine Social" in the Spanish Anarchist Revolution
Ameya Tripathi

Cinema as a Stage: A Conservative Approach to the Medium 

Editors' Introduction

“My Wife’s Not My Wife, She’s My Daughter": Relocating A Bill of Divorcement from Stage to Screen
Nicole Flynn 

“People coming, going. Nothing ever happens": Hotels in German and American Interwar Films
Claudia Kotte

Cinema and the Creation of Holocaust Memory

Editors' Introduction

Kristallnacht on Film: From Reportage to Reenactments, 1938–1948
Lawrence Baron

The Cinematic Haunting of British World War II Memory: Genghis Cohn
Phyllis Lassner

GENERAL TOPICS FEATURE

Quiet Exposures: Elizabeth Bowen and Bill Brandt Picture Wartime London
Jacqueline Shin

DISPATCHES FROM THE INTERMODERNIST ARCHIVE

Claude McKay’s Workers’ Dreadnought Poetry (1919–1920)
Amardeep Singh

REVIEW ESSAY: NEW EDITIONS FROM THE SPACE BETWEEN 

Reviewing Reissues:  Rose Macaulay
Debra Rae Cohen

BOOK REVIEWS

The Black Skyscraper: Architecture and the Perception of Race
Adrienne Brown
Reviewed by Sophia Bamert

Threshold Modernism: New Public Women and the Literary Spaces of Imperial London
Elizabeth F. Evans
Reviewed by Bridget Chalk

Dirty Work: Domestic Service in Progressive-Era Women’s Fiction
Ann Mattis
Reviewed by Kelley Wagers

Modernism, Sex, and Gender
Celia Marshik and Allison Pease
Reviewed by Geneviève Brassard

Staging Modernist Lives: H.D., Mina Loy, Nancy Cunard, Three Plays and Criticism
Sasha Colby
Reviewed by Nicole Flynn

Rural Modernity in Britain: A Critical Intervention
Kristin Bluemel and Michael McCluskey, editors
Reviewed by Luke Seaber

A History of 1930s British Literature
Benjamin Kohlmann and Matthew Taunton, editors
Reviewed by Naomi Milthorpe


CONTRIBUTORS
Biographies

FROM THE EDITOR
Acknowledgments
 

Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 International License.

 

This page has paths:

  1. Archive Sarah E. Cornish

Contents of this path:

  1. International Cinema in the Space Between: The Long Decade of the 1930s | Introduction
  2. The Sound Revolution: The Medium Re-Born | Introduction
  3. Synchronized Sound Technology and the British Musical Film in the 1930s
  4. Politicizing Cinema: Defining It on the Left | Introduction
  5. Little Magazines, Postwar Internationalism, and the Construction of World Cinema
  6. Mateo Santos and the Documentary of Occupation: "Cine Social" in the Spanish Anarchist Revolution
  7. Cinema as a Stage: A Conservative Approach to the Medium | Introduction
  8. “My Wife’s Not My Wife, She’s My Daughter”: Relocating A Bill of Divorcement from Stage to Screen
  9. “People coming, going. Nothing ever happens”: Hotels in Representative German and American Interwar Films
  10. Cinema and the Creation of Holocaust Memory | Introduction
  11. Kristallnacht on Film: From Reportage to Reenactments, 1938–1948
  12. The Cinematic Haunting of British World War II Memory: Genghis Cohn
  13. General Topics Feature | Quiet Exposures: Elizabeth Bowen and Bill Brandt Picture Wartime London
  14. Dispatches from the Intermodernist Archive | Claude McKay’s Workers’ Dreadnought Poetry (1919-1920)
  15. Review Essay | New Editions from the Space Between | Reviewing Reissues: Rose Macaulay
  16. Book Review | The Black Skyscraper: Architecture and the Perception of Race
  17. Book Review | Threshold Modernism: New Public Women and the Literary Spaces of Imperial London
  18. Book Review | Dirty Work: Domestic Service in Progressive-Era Women’s Fiction
  19. Book Review | Modernism, Sex, and Gender
  20. Book Review | Staging Modernist Lives: H.D., Mina Loy, Nancy Cunard, Three Plays and Criticism
  21. Book Review | Rural Modernity in Britain: A Critical Intervention
  22. Book Review | A History of 1930s British Literature
  23. 2020 Contributors
  24. From the Editor | Acknowledgments

This page has tags:

  1. Phyllis Bottome—An Intermodernist Under Treatment in the Age of Modernism: Tuberculosis and the Embrace of Alfred Adler’s Depth Psychology Jennifer Poulos Nesbitt
  2. “Now you’re one of us”: Postwar Surveillance in Billy Wilder’s A Foreign Affair Jennifer Poulos Nesbitt
  3. Book Review | Long Shadows:  The Second World War in British Fiction and Film Jennifer Poulos Nesbitt
  4. Book Review | Espionage and Exile: Fascism and Anti-Fascism in British Spy Fiction and Film Jennifer Poulos Nesbitt
  5. Book Review | Hollywood and Hitler, 1933-1939; The Collaboration: Hollywood's Pact with Hitler Jennifer Poulos Nesbitt

Contents of this tag:

  1. “Now you’re one of us”: Postwar Surveillance in Billy Wilder’s A Foreign Affair
  2. Book Review | Espionage and Exile: Fascism and Anti-Fascism in British Spy Fiction and Film
  3. Book Review | Long Shadows:  The Second World War in British Fiction and Film
  4. Book Review | Hollywood and Hitler, 1933-1939; The Collaboration: Hollywood's Pact with Hitler